Holy Motors (2012)

As Holy Motors begins, a sleepwalker leans against his bedroom wall, upon which a forest is painted.

Or might it be a real forest after all?

The sleeper — played by filmmaker Leos Carax — moves into it, like Lucy stepping into Narnia, where he finds a strange movie theater and a catatonic audience.

Here comes an ancient dog — both magnificent and menacing — stalking down the theater aisle. Perhaps he’s a portent of the death of cinema in the age of digital media. Perhaps he’s Carax himself, transformed, an old dog come to show us some new tricks.

And wow, does he have some new tricks.

Read my full review at Good Letters, the blog hosted by Image.

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About Jeffrey Overstreet

Jeffrey Overstreet has two passions: writing fiction, and celebrating art — music, cinema, photography, literature — through writing and teaching. He is the author of a “memoir of dangerous moviegoing” — Through a Screen Darkly. And his four-novel fantasy series, The Auralia Thread, which begins with Auralia's Colors, was published by Random House. He speaks at universities and conferences around the world about understanding art through eyes of faith. He is earning his MFA in Creative Writing at Seattle Pacific University, where he has worked for 11 years as an editor, writer, and communications project manager. His work has been recognized in The New Yorker, TIME, The Seattle Times, IMAGE, Ravi Zacharias International — and Christianity Today, where he served as a film journalist for more than a decade. He recently began a weekly column called "Listening Closer" for Christ and Pop Culture.


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