Boy vs. Girl: “Pure” Islam or Purely Sanctimonious?

Na’ima B. Robert’s second book, “Boy vs. Girl” is set in a South Asian community in Britain. The two main characters, Farhana and Faraz, are sixteen-year-old twins trying to negotiate their identities as the children of Pakistani immigrants and as Muslims.  Robert attempts to tell the story of struggling with trying to find a sense of identity as a Muslim teenager.

Farhana is perfect and ideal in every sense of the world. Not only is she described as looking like “Aishwarya Rai,” she is strong, independent, and wants more than what her parents want for her. Farhana’s conflicts were trivial, particularly in comparison to the conflicts that her brother faces. She considers, but faithfully rejects, the temptation of dating the elusively hunky Malik, and struggles with the hardships of wearing hijab for the first time. Her twin brother on the other hand, Faraz, is not as intellectually and socially gifted as his sister, and is being tempted by getting wrapped up in gang and drug warfare.

Robert’s main focus is being critical of a “cultural” version of Islam. The central vehicle for this is Najma, the aunt of the twins that wears niqab, but rebels against the family and community by being religious in a “pure” way, and stirs family drama over her desire to marry a non-Pakistani convert.  Robert views culture as what holds Farhana back, rather than her family being religious in the orthodox sense of the word.

While the conflict between changing cultures is a reality that I could definitely relate to, I am completely sick of this idea that one can actually separate culture from religion. I believe that this prevents us from critically engaging with religion. The notion of religion, just like culture, should be deconstructed, particularly because the interpretation and lived reality of religion has always been reflective of cultural rules. Despite this, Robert places “pure Islam” on a pedestal. In pursuing this single-minded mission, “Boy vs. Girl” is a landmine of problematic stereotypes. The only sense of clarity comes with being religious in the “right” way.

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Friday Links | January 28, 2011

678: A Film to Appreciate

Egypt, like the rest of the Middle East, has been suffering for a long time from street harassment. Naturally, different Egyptian intellects have been trying to emphasize the problem and highlight what can be the start of solving it. Mohamed Diab, a young Egyptian writer, wrote and directed the movie “678,” which focuses on this very dangerous phenomenon. You can see a trailer (in Arabic) here.

“678” is the story of three very different Egyptian women who all experience street harassment. Seba (Nelly Karim) is a very rich jewelry designer, who comes from a highly powerful family and is married to a successful gynecologist. Nelly (Nahed Elsebae’y) works in telesales by day and is an opinionated standup comedy performer at night. And Faiza (Bushra), the poor wife and mother of two who works as a government clerk and who has been constantly assaulted from behind on buses. For her role as Faiza, Bushra won the award for best female actor in a lead role in the Dubai Film Festival.

Other than the harassment, what these three women have in common is that the three of them refused this and took action. Seba started a self defense course for other women, Nelly filed a lawsuit against her attacker, and Faiza was the most aggressive, as she held a small knife in her purse, and used it to attack men who aggressively approached her.

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