Queen Bees: Queen Rania on Oprah

Queen Rania and Oprah. Image via Oprah's website.

When I heard that Queen Rania of Jordan appeared on The Oprah Show not too long ago, I was a bit skeptical. Don’t get me wrong–there isn’t much to dislike about Queen Rania. Oprah said it herself: Queen Rania is a “gorgeous mother of four” and “international fashion icon” whose mission is to “make the world a better place for women and children.”

I just had one fear: that the discourse of cosmopolitanism would take over, and a Muslim woman would, in fear of being marginalized, begin to undermine even those differences for which acknowledgement could breed respect and appreciation.

My fears were quickly dispelled as Queen Rania maintained that delicate balance between singing the “I am every woman” song, while still managing to highlight those things that make us unique and different.

Speaking about various topics, such as education, “the veil,” terrorism, women, and the relationship between Americans and Arabs, Queen Rania presents herself as a multi-dimensional woman. She identifies herself, in no particular order, as a Muslim, a woman, a queen, an Arab, an educator, and as a mother.

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Muslim Women Cartoonists

This was written Iqbal Tamimi and originally published at Middle East Online.

One of the amazing fields where Muslim women have shown extra special skills in self expression is working as cartoonists. The skills of two Muslim women working in the same field but separated by a wide geographical and social distance is highlighted here, one in Pakistan and the other in Palestine.

I guess a very small number of people in the West know about Muslim women creative artists in general, the majority stereotyped Muslim women as an outcome of recycling the same headlines by the Western media, painting a gloomy picture of oppressed women whose freedoms are high jacked by men and their role is limited to bearing children and cooking. This view suits the Western media fine, because a great deal of such images are recycled to justify political aggression and interference in a number of Muslim countries, even though some stories are right yet not many want to go through the effort of finding out how right they are.

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Saudi Cartoonist Hana Hajar Sketches a Path for Female Cartoonists

Hana Hajar doesn’t consider the work she does groundbreaking–to her, transforming her thoughts into satirical drawings is simply a means to express herself.

But as Saudi Arabia’s sole prominent female cartoonist, Hajar is an undeniable trailblazer.

She has worked since 2005 for the Saudi-based English language newspaper, Arab News, where her sketches challenge everything from the role of women in Saudi society, to the war in Iraq, to the on-again, off-again status of peace talks between the Israelis and Palestinians.

Her cartoons are eye-catching, with many featuring vivid colors and over-pronounced facial features. But present in every sketch is Hajar’s signature incisive wit.

Image via Hana Hajar's website.

Image via Hana Hajar's website.

In one recent cartoon (pictured above), Hajar broaches the subject of the over-examination of Muslim women in today’s society. In the sketch, a Muslim woman, cloaked in a black hijab and abaya, is surrounded by a throng of hands wielding oversized magnifying glasses, all pointed at her. A fuse trails out behind the woman, as another hand reaches out to light it with a match.

Another sketch (pictured below) depicts two women in abayas and niqab riding in a taxi, as they are bombarded on all sides by men, thrusting cell phones and phone numbers at them.

Image via Hana Hajar's website.

Image via Hana Hajar's website.

The cartoons are humorous, insightful and offer a perspective into Saudi society that is otherwise rarely seen. But when asked to name a favorite, Hajar says she can’t choose just one.

“All my work for me is the best. Each one represents a [different] position, and means a lot to me,” she tells MMW.

For Hajar, drawing the cartoons is the easy part. Breaking into the business was somewhat harder.

“One challenge is women’s entry into this art, which was monopolized by men for a long period of time,” she says. “But I’ve found great encouragement from my family and those who are around me.”

Growing up in Medina, Hajar’s passion for drawing began at an early age, when she found herself painting and sketching cartoons and “cynical personalities” for fun.

What was once a hobby turned into a full-time job years later, when she was offered a position at Arab News after winning a caricature competition.

Now, Hajar churns out satirical cartoons for the newspaper as well as her personal web site, HanaHajar.com, on a regular basis, all as a means to weigh in on whatever topic catches her eye.

“In the event that I want to criticize something, I find that the expression turns to drawing more than expressing it at talking,” Hajar says. “I find myself resorting to drawing.”

Though she delves into controversial topics at times, she says she hasn’t experienced any negative societal or government feedback about her work. But she admits that she censors herself at time, even before her pen hits the paper.

“I do not do anything related to religion, or sex and the limits of this – I lay [those boundaries] down for myself,” she says. “I do not draw anything contrary to my identity as a Muslim. I criticize the negative aspects only.”

The need to practice self-censorship might explain why more women haven’t yet entered the field. But Hajar says she has gotten a deluge of positive feedback from women who tell her they are happy with her work.

She says she hopes to encourage them to become comfortable with expressing their opinions through art.

“I’ll be the first cheerleader to [those] careers,” she says.