When Barbie Became Muslim

Growing up in Mexico City in the 90’s meant for me that I grew up in a completely different context from my parents. Since my parent’s generation did not have the luxury of foreign products, due to the economic restrictions on international goods, my parents grew up with yellow pencils made in Mexico and traditional ceramic and fabric dolls with braids and ribbons. Later, the economic shift towards neoliberal models and NAFTA brought along McDonald’s, Walmart and, of course, Barbie!

Mexican ribbon-dolls. Via Pinterest

By the time I was five, all I wanted was a Barbie. My parents, while disappointed, succumbed to TV advertising, peer pressure, and the crushing of the traditional doll artisan workshops in the country. One of the worse parts was that MATTEL did not bother “adapting” Barbie to her new home… American Barbie was sold in Mexico. She was blond (her “minority” friends were not introduced until much later), she wore mini-skirts in a country where women’s clothing was restricted in the most conservative states, and she had a boyfriend in a society that highly appreciated marriage and restricted women’s sexuality in a variety of ways. Yet by the time I was 10, I had many Barbie dolls and I used to get together with my friends to play and argue for who would have the privilege of playing the “blond Barbie.”

Many years later, after moving to Canada, I realized that the Barbie phenomenon was not only about Mexico being America’s unfortunate neighbour, but rather a global process of gendered colonization, or imperialism as some Latin Americans describe it, that continues to perpetuate particular cultural, racial and societal standards. Barbie has become the model that shapes the idea of dolls all over the world and that serves as cultural battle field across countries.

My first encounter with a counter-Barbie doll, aside from the fake Barbies sold in Mexico, was in my mosque.  One day one of my friend’s daughters brought along a black-haired Barbie doll that wore a black abaaya and a hijab.  She was not properly a “Barbie” doll; instead she was the popular Middle Easter version called Fulla. A couple of years ago, Safiyyah discussed Fulla on MMW, in a piece that focused on women’s body image and the doll market; yet, Fulla seems to still be many families’ first choice when it comes to toys for girls. In my mosque, some girls design their own Fulla outfits and among the most popular are niqabs, burqas and short skirts (under abaayas). [Read more...]

MMW 2011 Year in Review: Arts and Entertainment

As 2011 draws to a close, we at MMW are looking back at our year of posts.  For those who missed posts earlier in the year, or for those who want to look back through some of the things we wrote about, we’ll be going through some of those through the rest of this week.  Yesterday, we started off with an overview of some of the news highlights that we talked about in 2011; today, we look at books, movies, and television; and tomorrow will look at some of the more ridiculous stories that came up, as well as the many post on our “favourite” topic, hijab.

Please note: For some reason, the links aren’t working when people click on them from the MMW homepage; however, if you click on the title of this post (or here) so that you are looking at this article specifically, the links are correct.  I’ll work on fixing this, but for now, please click through so that you’re looking at the post itself.  We apologise for the inconvenience!

In the world of literature, we were fans of Mohja Kahf’s The Girl in the Tangerine Scarf, and the works of Adhaf Soueif and children’s author Rukhsana Khan.  Non-fiction books I Speak for Myself (which included pieces from MMW’s Fatemeh and Yusra),  Control and Sexuality and Fatima Mernissi’s The Forgotten Queens of Islam also got positive reviews.  Nicole was ambivalent in her review of Gayle Tzemach Lemmon’s The Dressmaker of Khair Khana, while our reviewers were generally unimpressed with Na’ima B. Robert’s Boy vs. Girl and From Somalia with Love, Rula Jebreal’s Miral, Craig Thompson’s Habibi, and Robin Wright’s Rock the Casbah.

In the world of film, MMW writers enjoyed documentaries The Interrupters, The Light in Her Eyes, Pearls on the Ocean Floor, and a series of films made by Afghan women.  We also appreciated the Egyptian films 678 and Scheherazade, Tell Me a Story; an online short film made by UK-based group Deaffinity; and the Canadian web documentary Me, the Muslim Next Door.  I had mixed feelings about the documentary Deaf Sisterhood, and Fatemeh and Azra were respectively disappointed with the films Sabah and Bhutto.  Eren spoke to filmmaker Nausheen Dadabhoy about her film The Ground Beneath Their Feet.

Television shows were also a hot topic, including  a Temps Présent episode about Islam in Europe, and Afghan shows Niqab and Afghan Star. The Women, War & Peace series of documentaries on PBS got a particularly positive review, as did Nadia Jebril’s series about Arabic language in Europe.  Diana was critical of Law and Order’s representation of a female “jihadist” character, but appreciated the diverse representation of Muslim women in HBO’s Love Crimes of Kabul and CNN’s Unwelcome: The Muslims Next Door.   Samya wrote about images of Arab women on television, asked whether Arab women really need the soap opera Men Wanted, questioned Kuwait’s ban on the show High School Girls, and pointed out differences in representations of religious women in Syrian television and cinema.  With the emergence of TLC’s reality television show All-American Muslim, Azra gave us a preview of the show and her first impressions, and Lara responded to the debate about advertising being pulled.

In other forms of art and entertainment, Sara Yasin interviewed visual artist Abdulaziz Al-Qahtani and wrote about representations of gender in an exhibition of his art.  We wrote about Malian singer Khaira Arby, a female Muslim character in the X-Factor comic, the Al-Shamikha magazine, and Zehra Afzal’s comedy show (discussed by both Sana and Diana).  We looked at the politics of a t-shirt with the words “for hire,” and participation of Muslim women as fashion designers and models.  Tasnim analysed the positioning of Muslim women as subjects and objects within the fashion industry and in photography and visual culture.

And in miscellaneous other posts, Eren wrote about Muslim matchmaking sites (see part 1, part 2, part 3, and part 4), and did a follow-up post about the people behind these sites.  We also talked about conferences that happened this year, such as the Arab Media Forum (where Samya remarked on the underrepresentation of women) and the WISE conference.  Reflecting on other activism-related contexts, Syma responded to a blog post on the experiences of hijab-wearing women in feminist activism, and she, Eren, and Nicole weighed in on the Goatmilk debates on Islam and feminism.

Stay tuned for our final 2011 wrap-up post tomorrow!

Under Fire: Al-Watan’s “For hire” T-shirt Article

When a Chinese company manufactured a line of women’s T-shirts with the words “For Hire” on them, Al-Watan published its disapproval at their availability in Riyadh stores.

For Hire

An image of the "For hire" T-shirt.

At first, Al-Watan’s comment was on point when they described the T-shirt as “One more way to disrespect women.” But then they featured opinions against the T-shirt:

“The truth this is very unfortunate,” Kattan, a Saudi citizen commented, “what is left is just adding the price on the T-shirt as well, where is the control from the authorities? These women probably don’t know what it means.”

Saad Osaimi attributed that to “The ignorance of some citizens in English, plus that the spread of these situations is because of the absence of the concerned authorities and the absence of censorship on the market.”

The more interesting point is the almost unquestionable assumption that most women buying this T-shirt won’t know what the words mean. Al-Watan’s male commenters must think the female consumers of Riyadh (where the shirt was stocked) must be very poor English students.

[Read more...]

The Mohawk Hijab and the Chanel Abaya

Kecya Felix, a Brazilian stylist/designer, wore a fake Chanel niqab and abaya and an iPad around her neck which played “Could Coco Chanel Create This Look?” at Sao Paulo Fashion Week.

Kecya Felix
Kecya Felix wearing the abaya.

As this article puts it, Felix intended to “make a statement” through the performance, wearing ”a fake Chanel Muslim garment” and, apparently, losing the ability to speak, (although her hearing remained unaffected):

I approached Felix to ask what she was all about. She shook her head and pointed towards her boyfriend, American Ryan Donnelly, who was functioning as her voice for the ever growing throngs of showgoers who stopped, intrigued, to find out more about Felix and her provocative outfit.

Remaining mute throughour her performance in her fake Chanel abaya, Felix explained later in an artistic statement written in the third person that her project is “about sexism in clothes”:

“Kecya traveled to the Middle East looking for references on that issue out there…she found a fake Chanel Muslim garment…which she considers controversial for the women’s expression in present days. She then decided to have an experience wearing the Islamic pieces–the fake Chanel niqab and abaya to create art performance.”

[Read more...]

This shouldn’t be a surprise.

A sexist Carl’s Jr. ad? You don’t say!

For their new turkey burger, Carl’s Jr. has rolled out an ad campaign with Miss Turkey in a bikini.

You’d think this would get old, right? Ugh.

The New Pornographers: Operation Iraqi Freedom?

Few people would agree that pornography has hardly been an indicator of freedom or political stability. Some more would also agree that it is not a universal symbol of advancement or female empowerment. Nonetheless, this week Tarek El-Tablawy, an Associated Press writer, affirmed that pornography availability mirrors Iraq’s improvements in security and politics.

More surprising, however, is the fact that many well-known websites published his article with little or no analysis. Websites such as News 1130, National Public Radio, the Huffington Post, Yahoo Finance, CBS News, the Raw Story, among others, have republished El-Tablawy’s article. Many of the comments posted in the different websites show that a large number of readers agree on the fact that now Iraq is free because pornography can be found in the streets.

The article presents many problems. With the American troops coming back to the United States, some critics consider it odd that El-Tablawy seems to imply that the invasion, the dead, and all the efforts were for one sole purpose: to sexually liberate Iraqi society. As the New York News & Features explains, if pornography is a reflection of security and stability, then the American troops have nothing else to do in Iraq. On the other hand, although some people believe that democracy in the country is not strong enough, the Sun claims that now Iraq is a better place to live and an expression of the country’s new lifestyle is the availability of pornography.

[Read more...]