A Review of The Dressmaker of Khair Khana

For me, Gayle Tzemach Lemmon’s The Dressmaker of Khair Khana is a journalistic field story masquerading as a feel good beach novel in the Oprah Book Club genre. That isn’t to say I didn’t enjoy reading it, but I felt it warranted something more. While Lemmon’s storytelling is her strength–the way the book is organized is captivating–it also stops the book short from sending its message home: fact becomes fiction and hard realities become just a story. However, considering the polemic lately surrounding another “Afghanistan” book, Three Cups of Tea, make no mistake that The Dressmaker of Khair Khana has solid journalistic chops and remains based in fact.

The story follows the main character, Kamila, had just earned a teaching certificate and was ready to continue at university when the Taliban came to power in Kabul. While her parents and older brother left, Kamila, her sisters and her younger brother (who would wind up being the sisters’ mahram) stayed in Kabul in order to keep the family home. Kamila’s oldest sister, already married with children, also stayed in Kabul, and she soon moves in to the family home. As savings run out, Kamila realizes that she needs to work, but how can women work under the Taliban? Kamila decides to learn how to sew, with the help of her oldest sister who is a talented seamstress in her own right.

Her business plan was simple: deliver what was promised and on time, and be the best. Within months, demand exceeded what their family was able to supply, and their business was making enough to have employees. Their first employee is a widow dependent on her brother-in-law. Thus begins the story of how one girl’s idea helped an entire community of women raise up by themselves. The story goes through Kamila’s twists and turns in avoiding the wrath of the Taliban and becoming a successful entrepreneur where her innate business sense saved her every time, even when taking chances.

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Just…Ugh.

And speaking of trash bags, here’s a poster for Germany’s International Human Rights ad campaign:

The translation reads: “Oppressed women are easily overlooked. Please support us in the fight for their rights.”

Outrageous.

Thanks to Kawthar for the tip!

Wishing Upon an Afghan Star

The images that Afghanistan conjures are usually ones that mirror front-page stories of newspapers around the world: armed Taliban crouching at the entry of a mountain cave, women in burqas, and images of public stonings are just a few that are constantly associated with the country.

HBO is schedule to air a two-part documentary that paints a broader picture of Afghanistan and its women. The first part titled, “Afghan Star,” named for Afghanistan’s first televised singing competition, follows the final contestants—two of which are women—as they come closer to becoming the first “Afghan Star.”

The second part, titled “Silencing the Fallen Afghan Star,” follows the story of one of the two final female contestants, Setara, who becomes notorious for her “dance moves” and “liberal” attitude while on Afghan Star. This part focuses on Setara’s life after she is eliminated from the competition.

This documentary portrays Afghan women as anything but a homogenous group, unlike the futile efforts of mainstream media to depict these women accurately. The film strays from the overused and stereotypical representation of Afghan women as victims (either cognizant or unaware of their victimization). Specifically, it doesn’t present them as victims of religion or of Afghan men in general, while still providing a space for frank and honest discussions regarding problems of governance and social injustice that seem to prevail in certain parts of Afghanistan.

Although there are only two female contestants in the documentary and a handful of other females, from fans to female relatives of the two contestants, viewers can get a glimpse of the diversity of Afghanistan’s women. We see women on film with hijab, niqab, burqa or completely unveiled. Each wears a different style of clothing, ranging from jeans and t-shirts to bright blue burqas to colorful shilvar kamis, (tunic and pant combination). Most of the women are from different ethnic groups and different regions of Afghanistan, which plays a big role in determining what is considered to be “appropriate” dress. This fact is reiterated throughout the documentary in its portrayal of the divergent dress and attitudes of the two female contestants, Lema and Setara.

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