Note to British Press: Fanning Islamophobic Flames isn’t Journalism

This week, Roshonara Choudhry was convicted of attempted murder for stabbing her local MP twice in the stomach during a constituency surgery. She has received a sentence of life imprisonment, to serve at least 15 years. The judge also informed her that, had her attack proved fatal, she would have received a Whole Life Tariff (the U.K. equivalent of life imprisonment without parole, something only 35 prisoners in the U.K. have been given).

Her attack was motivated by Timms’ vote in support of the Iraq War and she stated that her inspiration came from watching videos of Anwar Al Awlaki, a.k.a., this year’s Bin Laden. Previously, she had been a grade A student in the middle of her university studies, yet six months after listening to some bog standard wargasm rhetoric, she had dropped put of university and was planning her attack. From arrest to conviction she has remained certain that her action was the correct way of “fulfill(ing) my obligation, my Islamic duty.”

If this were a plot TV show, the sort where the detectives are very white and righteous and such, it’s fair to say that here at MMW, we would disparage it as far-fetched fear mongering. So, unsurprisingly, the case was front-page news, with stories falling into two categories

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Last Say on Niqab Should be From a Woman Who Wears It. Obviously.

I took the a brief moment from work to watch a 12-minute segment on BBC’s Newsnight about why British women choose to wear the niqab and why more women are wearing it in unprecedented numbers. Like any Muslim feminist, I hung onto every word and hoped nobody said something that has already been said before, ad nauseam: “Muslim women who cover their faces are deluded and oppressed.”

But tonight was a little different: it was a program that provided the panacea to what I’ve been railing against since the talks about the French burqa ban exploded in the media. Finally, a whole segment—a brief but precious 152 minutes—on prime time British television was dedicated to only women in hijab and niqab talking about their sartorial choices and views about their British identity. No self-righteous, media-hogging commentators or “experts” were in sight. This was a rare occasion!

Women in niqab have appeared on British television numerous times, but usually in a situation where they are embroiled in a heated debate surrounded by detractors who were often white and male, or Muslim liberals who have little patience for other Muslims who do not fit some absurd model minority mould (Taj Hargey and Yasmin Alibhai Brown, I’m talking to you). Tonight’s program featured three British women, three out of four in niqab, and no one else talking over their heads.

The segment was, however, structured to be a story with two halves. On one side of the debate, three young British women, Rumaysa, Sara, and Ruman, chose to veil their faces, and on the other, one woman, Khola, who had previously done so but currently wears the headscarf. She is against the niqab.

They spoke about their concern for their safety in public spaces, an issue that grabs my heart, even as a hijab-less woman. Any kind of harassment against women—be it sexist, racist, or Islamophobic—is an attack on all women. But the main reason these women were on television is to explain the growing trend of British-born women who take up the niqab.

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State of the (Superhero) Nation: Faiza Hussein in British Comics

Faiza Hussain is a British Muslim super heroine of Pakistani descent, introduced in the 2008-2009 comic series, Captain Britain and MI:13. For people who are unfamiliar with the shared universe of Marvel Comics: in 2008, there was a large scale alien invasion in the Marvel universe, and in order to reflect the international nature of this crisis, the new title, Captain Britain and MI:13, was brought out, bringing back some older Marvel UK characters in a new team. This being a definition of international that included both the U.S. and Britain. After the crossover event, MI:13 ran for two more story arcs: Hell Comes to Birmingham, and Vampire State, comprising 15 issues and an annual.

From the moment of her introduction (giving medical aid to those affected by the crisis), Faiza is immediately likeable. A superhero fangirl, a normal person encountering an extraordinary world – we are supposed to identify with her. A Muslim woman who isn’t criminalized, or intended as an object of the audience’s pity, but is normalized and made identifiable! “Normal” for a comic book character means that she’s a medical doctor who is given supernatural abilities by an encounter with an alien, and soon becomes the wielder of Excalibur (yes, that Excalibur), and later takes on the codename Excalibur, possibly because she holds the spirit of the nation (I admit, my eyes glaze over any kind of overt nationalism1).

Faiza Hussein pictured in middle.

While the idea of a non-white, Muslim woman embodying the spirit of Britain is on some levels, the title does seem to view British nationalism, and nationalism in general, as an un-problematically good concept, which is hardly the case, especially for someone whose parents come from one of Britain’s former colonies.

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