Mild Toxic Waste: Malaysian Women’s Television Programs

As I count the hours to the day I return to Malaysia, I’m compiling my notes and thoughts for a small research project on media images of women in the capital. But I’ve already started collecting preliminary data; my immense curiosity in the representation of Muslim Malay women in the current media took me as far as binging on toxic levels of Malaysian online television recently. So in a way, this post will serve as an introduction to an analysis of the popular trends affecting Muslim Malay women as depicted in the media in Malaysia today.

Far from the most progressive form of mainstream media, Malaysian television plays host to boring gender stereotypes in film, advertising and, most prominently, in women’s programs. Yet, it’s a place where women rule. The majority of programs, whether they’re dramas, sitcoms, or day-time talk shows, are aimed at women. Not only does this suggest that a bigger proportion of the TV audience is female, but also implies the fact that more women spend more time at home than men do.

Further, the growing visibility of women in hijab on television in recent years goes hand in hand with the glamorous and ‘sellable’ image of the hijab and the increased religiosity of the mass media. Personally, I find the diversity of Muslim women on TV a positive change, but when I watch two extravagantly-dressed women talking on a half-hour segment about nothing but pillows and mattresses, I begin to feel a disconnect between the image and the message: it’s all looks but zero substance.

Which brings us neatly to the consumerist and image-centric approach to Malaysian women’s TV programming and definition of modern femininity. To begin with, hotels, cellphone companies, fashion labels, and banks all feature as the major sponsors of such programs, indicating the rise of female purchasing power. Filming sometimes take place at shopping complexes and beauty spas to promote a range of products that stretches the imagination. “Newsworthy” items include a newly opened designer boutique in Kuala Lumpur. There can be no doubt that the love affair between merchandising and women’s programs plays into the beliefs and assumptions that Malay women are constantly preoccupied with shopping and image.

Just as important as shopping is being an amenable, obedient wife. An entire episode on Wanita Hari Ini (Today’s Women) was dedicated to the topic of wives who hold grudges against their husbands. When interviewing a group of elderly women for advice, all of them agreed that being disagreeable with their husbands was an act against the teachings of Islam, while one suggested the consultation of religious texts and rituals to find an “answer” to marital disputes.

Image via Wanita Hari Inis website.

Image via Wanita Hari Ini's website.

The same unproductive, non-confrontational approach to serious matters had also found its way into neutralizing the issue and effects of breast enlargement on Nona some time ago. I remember watching in both disbelief and disgust in the way boob jobs were promoted primarily for the sexual pleasure of married men; not a word about how natural it looks or how safe the procedure is, or a comment on the objectification of female bodies.

One of the main factors contributing to the dumbing-down of women’s programs is the broadcasting companies’ refusal to engage with challenging issues, resulting in half-baked discussions on what women really want to talk about like sex education and contraception, for example. Instead, TV producers make do with “major” topics like different ways to consume nutmeg and the nutritional value of oranges (as shown last week on Wanita Hari Ini).

The overwhelming amount of content viewed as “women’s issues”, which are limited to fashion, shopping, and marital relations, gives the impression that Muslim Malay women care little about the deeper and thought-provoking issues that pertain to their discrimination in the eyes of the law and society. But then, there is the view that Malaysia has achieved gender equality when we see more women with successful, high-flying careers, and a relative freedom to dress as we like.

And so women’s programs are seen as simply an aspirational extension to a material facade of success. But not far beneath all that superficiality, women in Malaysia are still expected to play a secondary role in all institutions – marriage, the family and the workplace. This has come to be reflected and propagated on television, the producer of cultural meanings and dominant images of women.

The Stoning of Soraya M.

This was written by Pedestrian and originally appeared at her blog.

When you come from a broken home, it’s tough to talk about your past – or present.

How much do you let out? How much does the world need to know?

I couldn’t help ponder the issue over and over as I was watching clips from The Stoning of Soraya M. on YouTube.

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At surface level, it sounds simple. Before we solve age old questions about the questions of religion and state, velayat-e faghih, the right of inheritance, etc, etc, we need to act now. It may take decades for us to solve these dilemmas, but we need short term solutions for people who are suffering today.

One such horror is too many.

And yet, it is not representative of an entire population. It is a symptom, a disease that needs dire attention. Even if there was one such incident every year, it would resonate with so many of us because it is done under sharia law. There is support for it. That is what makes it so different than other forms of brutal domestic violence around the world.

And yet, how do we act? And what do we do?

Take Ms. Nazanin Afshin-Jam who takes credit for influencing the state of child executions in Iran. The truth is that Ms. Afshin-Jam has done nothing, has zero influence and is absolutely devoid of the least bit of credibility inside Iran. She is as unknown and uncared for as Ellen De Generes or Lauren Conrad (possibly less so because as I hear, The Hills is pretty popular in Iran). By going on CNN and taking credit for work she hasn’t done, she is only undermining the thousands of lawyers and activist in Iran who put their life on the line every single day just to make the smallest difference.

There are thousands of people out there, lawyers, journalists, activists, teachers, mothers who are putting themselves in harm’s way hoping that something different will eventually come out of this.

Why do we not hear their stories?

Why do we mostly hear the Azadeh Moavenis and Afshin-Jams of this world?

No, thousands of women are not being stoned to death everyday, but tens of thousands are being molested, raped and abused in much more subtle ways. Since we seem to love focusing on the negative alone, why not focus on them? The so called “ghanoon-e khanevade” (family legislation), which has been going in and out of parliament for the greater part of the last three years has received almost zero attention in media circles. That is what the everyday Iranian woman will worry about. That is what will undeniably affect millions of Iranian woman whose names we will never hear and whose stories we will most certainly forget.

But where are they in the news? On the movie screen? In The New York Times? Why are they missing?

Why not focus on all that these women have been able to achieve despite a myriad of dilemmas and obstacles?

I’ll tell you why: because on the surface, those stories are much less melodramatic. They make for far less entertaining sequences on prime time and public rallies.

…. But that is only one flip of the coin. The other is simply that if you come from a broken home too, quit fucking with me!

[The American] system that is accountable for some of the most violent atrocities in the past century has no right to criticize me on national television. Leave me to my own misery, and to my own ordeals.

Halal TV: Before and After

These articles were written by Tasnim and was originally published at epiphanies. For another perspective on Halal TV, check out Ethar’s analysis here.

Critical Storm before the program begins–Halal TV:

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“Critical storm before the program begins” the headline reads, and that, it seems to me, is exactly what happens whenever a head-scarf wearing Muslim woman makes up her little hijabied head to step into the public sphere, the limelight, the media, and presume to take on a role that contradicts the cherished stereotype of the “quiet Muslim wife”. It was what happened over Asma Abdul Hamid, the first hijab-clad presenter on Danish TV, and it is also what has happened now that SVT has decided that Dalia Azzam Kasseem, Kadiga El-Khabiry and Cherin Awad should be the presenters, or to use the less contentious words of the project leader, the “main characters” of Halal TV.

This critical storm response seems a little contradictory, considering the very many efforts exerted to encourage the supposedly too-secluded and sequestered veiled Muslim woman to step out of the private enclosure of her home. It is not, however, as strange as it seems, because in most cases, the criticism focuses not at all on that much-discussed creature, the Muslim Woman, but rather on the effect she will have on others, should she appear on TV.

For example: Dilsa Demirbag-Steen compares Halal TV to letting three Nazis write the script of a documentary, or letting a priest present it. Basically, ‘veiled’ women come with their agendas wrapped round their heads and she wants her TV visually agenda-less.

I’m not so unbalanced that I will not admit her point of view is convincing, though in this particular instance a very little bit offensively phrased. However, it is a point of view that comes with assumptions attached. Demirbag-Steen evidently feels that everyone everywhere will share her own opinion on what kind of people are presenter-material and that everyone everywhere will react to the same type of person as obviously neutral.

Except, I would argue that in doing so, they would only be reacting to a carefully modulated appearance in keeping with the latest memo on how to look neutral – that is, as western, secular and uniform as possible.

But of course, like the colour white, to be western/secular is a point of invisibility. The key words here are conforming and assimilation, and that type of multiculturalism seen exclusively from the melting-pot, subsume-all-difference into WASP-equivalence angle.

Veiled women, unlike “ethnic” dress or pink hair, are especially galling because, in addition to looking so full of hidden agendas and secret plots and covered hair, they obliquely commit that worst of atrocities in a postmodern world. They announce that they believe they have found the truth. That is, you can identify their religion, as well as their skin colour, just by looking at them. This is apparently offensive to some.

Because, as Luis Bunel said: “I would give my life for a man who is looking for the truth. But I would gladly kill a man who thinks that he has found the truth” – a sentiment he shares with the executioners of Al Hallaj, who in 922 announced: “ana/ara alhaq, I am/I see the Truth,” and was promptly dispatched for this outrageous presumption.

There’s just no escaping the glorification of doubt, the popularity of forever questing and questioning. I have nothing to say against that. That’s fine. Although it seems to me that “to choose doubt as a philosophy of life is akin to choosing immobility as a means of transportation”, I like the open-minded open-endedness doubt-glorification aspires to as much as I like to quote Life of Pi.

Seriously though, if in a postmodern world all truths are equal, why can’t a discipline of one particular truth be a TV presenter? Why kick up such a fuss over a woman whose religion you can identify appearing onscreen? Over, basically, a piece of cloth?

The critical storm has, as usual, shoved the attention away from the subject to the object. Halal TV is supposed to take up questions of equality and immigration. Not, or not exclusively, hijab. The three headscarf-clad presenters say, as they always say, that they are weary of negativity and want to change things. Just as this show seeks to make use of the shock value of three headscarf-clad women with “orthodox” Islamic values as presenters, the three headscarf-clad women seek to make use of the opportunity the show gives them to speak for themselves, and perhaps, alter misconceptions.

It doesn’t seem they have much of a chance, judging from this article, which begins with Demirbag-Steen’s full scale Nazi-comparison attack, mentions a worried woman who says that she “fled from this sort of thing in Iran” and demands the presenters tell her why Muslim women inherit less than men. The article ends disappointingly with the defensive project leader muttering that he honestly fully understands those who have “grim experiences of Islam”, but that he also thinks people should be “allowed to say they think Islam is good”. Note the “should be allowed to say they think.” Now that’s neutrality.

More on Halal TV

It seems that the shock value of three head-scarved women presenters is not quite as much of a draw as some expected. The first episode of Halal TV did not meet expectations, Metro reports, drawing only 295 000 viwers. Few young people tuned in, although they were apparently the target group, while a surprising 8.4 % of people over 60 watched the first episode. The director pointed out most young people would watch it on the net.

The metro article goes on to talk about the fierce criticism Halal TV has met, including the argument that three hijab-wearing Muslim women cannot be representative of all Swedish Muslims. I very much agree with that point, although I don’t think they’ve claimed to be representative. In fact they go out of their way to say they are not representing anyone other than themselves, fighting a losing battle against that old assumption that one person of an ethnic minority can speak for the entire community. The same assumotion Kobena Mercer has argued is based on the racist idea that “every minority subject is effectively the same.”

I personally think the programme would have been much more interesting if they had chosen a more diverse group. And another name. But only more interesting; I find it quite interesting as it is.

The metro article continues with a summarization of the handshake debate. Having listened to the tape, personally, what surprised me most was that they managed to talk about shaking hands for 9.49 minutes. But in any case, Metro’s summary goes something like this:

1. Two of the three presenters of Halal TV would not shake hands with Carl Hamilton of Aftonbladet (one did).

2. Carl Hamilton would not accept Cherin and Khadiga’s explanation that they greet people by putting a hand to their heart (think national anthem).

3. Hamilton “angrily” brings out the Swedish equivalent of When in Rome idioms (Ta seden dit du kommer).

4. Hamilton criticises SVT’s decision “secret tape” and their decision to make the squabble public in his article in Aftonbladet, (entitled: Is it racist to want to shake hands with a Muslim?)

5. Gunnar Hofvberg doesn’t think the handshake debate is what has made viewers turn away from Halal TV and says it was definitely the right desicion to make it public, arguing that “Respecting others differences is not always easy, in practise. Hamilton expresses this very tangibly, casting some illumination on the question in this discussion.”

A Swedish Radio presenter was disappointed by the handshake debate: “Just when the programme was beginning to get interesting, this silly tape appeared. Is this programme for children or adults?” This disappointment becomes more understandable when you turn to the blogosphere, where there’s a wide variety of opinions on Halal TV, but a lot of the debate is concentrated on this handshake issue. The same article which quotes the Swedish Radio presenter quotes this:

Medioman wants to see more of the programme, and how it deals with the subject of racism in Sweden. “I am convinced it will tell us a lot about gaps in todays Swedish society, about prejudice and hidden racism.”

But first and more emphatically, this: “I feel stupid, dirty, insulted and shamed when a Muslim man won’t shake my hand,” writes Morina on Metrobloggen.

It’s not that I don’t understand that feeling of being offended. I can see how someone refusing to shake your hand would result in, at the very least, an extremely awkward moment. It happened to me once, though it had nothing to do with religion or belief. Just someone who didn’t particularly want to shake hands.

But I don’t think getting all defensive about it does anyone any good. I mean, Muslims rushing in to explain, calm, justify etc., etc., etc. I’m just sick of all that. Some Muslims shake hands. Some don’t. Dalia did. Khadiga and Cherin didn’t.

Meanwhile, on SMP, Halal TV is referred to as Intolerance TV. Marcus Svensson’s sub-heading reads “Halal Tv is not becoming to SVT”. He argues that those who demand respect for themselves and don’t give it to others are intolerant, irrespective of whether they belong to the minority or majority.

Svensson somewhat weakly includes Hamilton in his criticism, although he hastens to add that everyone can become angry and had previously stated that Hamilton had an undeniable right to show he was offended. Svensson concludes: “With knowledge and respect we can come a long way. Will we get such a in-depth dialogue from Halal TV? The hope unfortunately died with the first episode.”

Perhaps that illusive in-depth dialogue can be found in the petition to put a stop to Halal TV. Or in the poll: which is the most beautiful woman hosting Halal TV? How thought-provoking.

The Struggle to Wear Hijab on Egyptian TV

Ghada El-Tawil (pictured below) is an Egyptian anchorwoman who just recently returned to television. Six years ago, she was pulled from television after she began wearing a headscarf. The BBC has published a new story about El-Tawil in which she discusses her legal battle, why she wears hijab, and the struggles for Egyptian hijabis in the media. El-Tawil is not the only woman in Egypt who was pulled off the air after deciding to wear hijab. Her story highlights issues of image in the media–even media in a Muslim country where many women wear hijab.

Ghada El Tawil. Image via BBC.

Ghada El Tawil. Image via BBC.

Even now, El-Tawil does not know why her employer, Channel 5 in Alexandria, initially took her off the air. She speculates that her employer might view hijab as being associated with religious fanaticism. “I don’t know for sure why the management doesn’t like us wearing it. Maybe they thought we belonged to a very religious group, or something. They never gave us a proper reason.” I also wonder if the reason for the initial decision is because of the emphasis on women’s image in the media, even in the news. Was El-Tawil no longer seen as being attractive when she began to wear hijab? Did her employer feel that El-Tawil would not be taken seriously as a hijabi? Even now, El-Tawil has only been given one of her original posts (presenting a discussion program that is aimed mostly at women). She has not been given back her other post: reporting the English news bulletin.

El-Tawil’s reasons for wearing hijab may be based on an exclusive reading of the Qur’an (“The rule is, when a girl gets her first period, she has to cover her hair. I didn’t – but sometimes you don’t do many things you should”). However, whether one agrees with her reasoning for wearing hijab, El-Tawil brings up another relevant point, which is that a lot of Muslim Egyptian women wear hijab. I say this point is relevant because it further begs the question of why the Egyptian television media would not want women on air who look like many Egyptian women. Non-representation or under-representation of certain segments of a population is a problem that affects television news media throughout the world. In fact, I wish El-Tawil would have expanded on that point and more importantly, what the implications are for both hijabis and non-hijabis in Egyptian society.

El-Tawil brought up important points, but I wished she had gone into more depth about the issues she discussed. She may have been limited by space constraints (the BBC does limit how much one can write for their site) or her story may have been edited. Despite this, I think her story is a starting point for representations of Muslim women in television news.

Editor’s Note: You can read more about El Tawil’s legal battle in this piece from the BBC from last year.

Shabana Azmi plays Devil’s advocate

At 13% of the population, Muslims are a significant demographic in India. However, relations between Muslims and other populations in India, most notably the Hindu population, have not always gone smoothly. Shabana Azmi is an Indian actor, social activist and ex-MP who spoken extensively on various issues impacting Indian Muslims. Some of her views have caused controversy. For instance, after September 11th, she criticized a religious leader who advocated that Indians join Afghans in their fight by asking the leader in question to fight himself alone.

Azmi recently sat down for an interview on the show Devil’s Advocate to discuss various issues facing Muslims in India (part one below, parts two and three can be seen on YouTube). One of the first issues discussed was what it means to be a Muslim, especially after September 11, 2001. Azmi discussed how she was not raised in a religious family and how the meaning of being a Muslim is not monolithic. For her, Islam was and still remains a cultural identifier rather than a religious identifier. This brings up an interesting idea about Islam and whether or not it is a cultural marker. For some Muslims, the idea of Islam being a cultural identity as opposed to a religious identity is an idea that is challenging to the idea of Islam as a religious identity. Azmi’s idea about cultural Islam highlights the tension that exists among Muslims over what and who constitutes a Muslim.

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Throughout the interview, Azmi discussed both the discrimination that Muslims in India receive and also the ways that Muslims isolate themselves from Indian mainstream society. She takes strong exception to the religious leaders who are taken as the only voices representing Muslim thought. She takes issue with communalism.

While watching the interview, I wondered what Azmi meant by some of the terms she used. For instance, what did she mean by ‘liberal’, ‘moderate’, and ‘extremist’ Muslim? These terms may seem obvious at first glance, but there’s often overlap between them. Thus, a Muslim who is viewed as ‘liberal’ by one person may be seen as ‘extreme’ by the other.

During the interview, Azmi made a statement about embracing her Muslim identity after the 1993 riots. She discussed Muslims, especially Muslims in the West, taking on various “markers” of Muslim identity while not fully knowing what those markers meant. One of the objects she mentioned as a means of identification was the burqa. I was left wondering what Azmi meant by this. Did she mean that Muslims who embrace a more “conservative” form of Islam are not sure of themselves or their place in society? It made me wonder if there is a bit of a disconnect between Azmi and some segments of Indian Muslim society.

Azmi pointed out that Islam is not monolithic and that is an important point to make about both Islam in India and Islam across the globe. That was probably the most important point she made in the interview and one that should be a starting point for both Muslims and non-Muslims in discussing Islam.

Drawn-Out: Stan of Arabia

So this is old. 2005 old. But I just saw it so I’m writing.

I’m not the biggest fan of animated cartoon series like South Park, The Simpsons, Family Guy, and American Dad. Mainly because I believe that there are so many underlying messages that you don’t notice you’re exposed to because they’re packaged in this cutesy way that makes you let down your guard and get sucked in. They perpetuate ideologies and modes of thinking according to the whims of the scriptwriters—whether they be supremacist, Orientalist, anti-fat, etc. Intentional or not, it happens.

(And this is true even if you go way back to Disney when messages weren’t as overt. The Little Mermaid? Disobey your parents [while of course having impossible body proportions]: you’ll still get the person you love and your parents will eventually come around to your way of thinking. Aladdin? A thief. Etc., etc.).
So let me demonstrate this reality using the episode of American Dad I happened to watch while waiting for iftar with baited breath: “Stan of Arabia.”

The title itself should have given me fair warning that this wasn’t going to be a mindless piece of entertainment (It’s a spin off of Lawrence of Arabia).

American Dad revolves around Stan Smith, a CIA agent who is constantly on the alert for terrorist activity to protect his beloved America. He’s a titular giant-jawed all American super-patriot with a blonde wife (Francine) and two kids: a surly feminist teenage daughter and a dorky pre-teen son. And for some reason there’s an alien (Roger) living with them in the house.

You can watch the part 1 of the episode here and part two here. Or you can just read the synopsis here.
But basically, the story is that Stan gets his boss mad and is sent to Saudi Arabia as punishment.

Since our job here is to critique portrayals of Muslim women, I won’t really get into the way Saudi Arabia itself is portrayed. I’ll just list some of the many horrendous generalizations and messages that made me gnash my teeth:

• The first clip we see is sand and desert, of course.
• In the airport Stan says “Quick cover your mouths, that’s how they [Saudi Arabians] enter your body and lay their eggs.”
• Stan locks the doors “so [Francine] won’t get beheaded when I’m out.”
• Everyone rides camels (you can even pack them onto the plane, haha).
• Everyone has a gun: the Smith family hears them in the car, a little boy has guns in his room, and the men have guns slung over their shoulders.
• Houses are castles straight out of Aladdin.
• The Committee for the Propagation of Virtue and the Prevention of Vice carry swords and run after ‘whores’ and ‘harlots.’ They shoot you for singing in public.
• Jews are horrible and Saudis hate them.
• Infidels are stoned in a big coliseum-type stadium, with people watching while wearing foam fingers. The stoning is shown on TV.
• Hypocrisy abounds: a Saudi man seduces Stan’s daughter by telling her he was a terrorist; alcohol is available in certain homes, R-rated movies are sold in the bazaar, etc.
• The bazaar sells: guns, chickens, watermelons, carpets etc. The typical bazaar image. There’s even a moustache shop. And background music is always Oriental music (you know what I’m talking about).
• A woman was in jail for 23 years for stealing a candy bar. And her left hand was cut off.

Oops, that was a long list. But now on to the meaty stuff: women.

Saudi Arabia, I’m sure we all know, is a restrictive country when it comes to women. As pops up in almost any news story about Saudi women: Saudi Arabia is a patriarchal country where women have to abide by a dress code, need a male escort for many things, and can’t drive. Though they can, of course, leave the house without a male escort.

But the way women are portrayed in this episode is just… there are no words. This clip of Francine complaining of what she doesn’t like about Saudi Arabia will give you a small idea of what the episode is like:

http://video.google.com/videoplay?docid=-8691142418537649695

(Particularly horrendous for me are the men portrayed with their feet on women’s head, and the man asking ‘what’s a clitoris?’ i.e. an allusion to circumcision/ clitoridectomy, which doesn’t even exist in Saudi Arabia).

First off, the episode turns all women into a homogenous bunch, with no character or individual personalities. They all exist to serve men, and what’s more, they’re happy doing so. Stan’s wife visits her neighbours, and all three women get up immediately as soon as “husband is home,” the first asking him how was his day, the second if he wants a snack, and the third saying she will draw him a bath, with the latter two actually carrying him into the house on their shoulders.

And the men of course tell Stan “what do you mean you asked your wife and she said no? You mean you told her and she obeyed.” Stan is ecstatic, because of course that’s the dream of every man: that his wife obeys his every word (Stan actually sings “I don’t want a partner, I want a wife” early on in the episode). Women in Saudi Arabia are also portrayed as property—the police who bring back Francine at knife point when she goes out alone ask Stan, “This belongs to you?”

Later on in the episode, Stan marries a Saudi woman as a second wife. She of course has a husky come-hither voice; arched eyebrows plucked to within an inch of their lives; Bratz doll eyes (huge eyes with long eyelashes) and is wearing green eyeshadow.

Because even though she’s this oppressed woman having to cover her face and hair, well, she still must be exotic and sexual. Who cares if that’s a dichotomy? And since she’s Saudi of course she’s just a mindless drone—”I will serve husband in this life and the next” she intones. She cooks, she actually bows (!) when handing Stan a sandwich, and is seen by him as a maid to help Francine around the house. He can’t pronounce her name so he calls her Thundercat (a reference to the animated TV series perhaps? Cat-like humanoid aliens?) She’s just a Saudi woman after all; she doesn’t really need an identity right?

Dress-wise, all the women are portrayed as wearing abayas, headscarves, and face veils (never mind that face veils are not mandatory in Saudi Arabia, nor are headscarves). The alien Roger is ‘sold’ to a fat old Saudi ruler who lives in palace where alcohol flows freely and the women there (of course) live in a harem-type setting, all in bikinis (but with their faces and hair covered), swimming in the pool, being fed grapes, getting massaged and fanned.

The first problem I see with an episode like this is that it selectively chooses the worse aspect of the culture to portray. Not to mention introducing things that are blatantly untrue. And not only that, but it takes truths and twists them or portrays them in a way to make them seem so much worse than they really are (for example, if you do go out alone, you’ll immediately be trailed by men with swords who will chase you). It makes a mockery of aspects of Arab culture and reinforces all the stereotypes the ‘West’ has of Arab women: oppressed sexual beings.

The message here is clear: by going to Saudi Arabia, the fundamentalist Islamic state, the Smith family gets to see how much they appreciate America (in fact, while almost getting stoned for being infidels Stan fantasies about President Bush showing up to save them, bringing democracy, Bibles, and jeans to Saudi Arabia. Now that’s a whole different post).

Popular culture is so much stronger than many people give it credit for. “It’s just a cartoon” some people will say, “it’s meant to be humorous and of course we know that it’s not really like that—you’re not really going to be killed for singing or held at sword point for flashing your ankles.”

But visual ‘input’ is rarely forgotten. Think of any movie you’ve seen. Can you visualize at least one scene? Chances are, you will. (And this is real by the way, research it online).

Not to mention that for those who don’t really know anything about Saudi Arabia, chances are they’re not going to watch this episode and then immediately go and research the country and its culture and norms. And even if they do, what’s going to be more memorable? A broadly stereotyped nightmare of the Middle East which made them laugh, or the Girls of Riyadh?

And just like this article mentions,

“Stereotypes brought to the public through media as overtly innocent as animated cartoons might be more effective than actual news broadcasts. The stereotypes of Saudis promulgated in “Stan of Arabia” are probably therefore extremely effective and penetrating.”

Portraying Saudis as woman-hating murders and thugs (and would-be terrorists at one point) may make for entertainment, but it’s wrong on so many levels. It’s demeaning and downright insulting to Saudi Arabians to have them portrayed like this. It’s bad enough that we as Muslims or Arabs have to deal with all the negative media now (we’re terrorists, we hate America, yada, yada). Why dredge up misconceptions that we’ve more or less dealt with (I really do hope no one still thinks I live in a pyramid and take a camel to university).

According to the Fox Network, the original broadcast of Stan of Arabia brought in approximately 7.3 million viewers. That’s not counting the millions who have watched it since.

I think the only part of the episode I laughed at was Stan staying: America doesn’t want to enslave all Arabs. Just the ones with oil.

So I have a twisted sense of humor.