Lincoln’s core premise seems to be this: presentations of history should be slow and dull, like a Ken Burns documentary. I knew a handful of minutes in, a few lines of dialogue past the gratuitously brutal and out-of-place war scene, that I would not love this movie. What I did not expect was how uninteresting I would find it throughout. I love history. I revere Lincoln. But at 1:15, almost exactly the half way point, I was distracted by an email and put the screener copy on hold, got caught up in a few things and darned near forgot all about it.
Many have commented before on the odd coincidence of two blockbusters on the same subject, slavery, by two of modern filmmaking’s most beloved directors coming out at the same time: Spielberg’s Lincoln and Tarantino’s Django Unchained. I saw Django back in December. Last month, I also watched the PBS documentary series, The Abolitionists. I found The Abolitionists — all three+ hours — engaging, informative and moving . I found Django emotionally powerful, morally powerful and absolutely entertaining. Lincoln… is dull as drying paint. [Read more...]