War Horse is not a postmodern film.  Steven Spielberg’s latest offering does not aim for the stylish irony of a Quentin Tarantino film, the melancholic psycho-spirituality of Darren Aronofsky, the stylized editing of David Fincher, the staggering reversals of M. Night Shyamalan or powerful complexity of Christopher Nolan’s multi-layered masterpieces.  I’ll publish a review of [...]