Teresa Deevy 1894-1963
Theater aims to rescue Irish Catholic playwright from unmerited obscurity
By Retta Blaney
National Catholic Reporter
She had six plays produced at Dublin, Ireland’s Abbey Theater in six years in the 1930s. When her seventh met with rejection, she began writing for radio, despite having been deaf since 19, the result of Ménière’s disease. In 1954 she was elected to the prestigious Irish Academy of Letters. The Irish Timescalled her one of the most significant Irish playwrights of the 20th century. Yet few people in Ireland today and even fewer in America know the name of Teresa Deevy.
The Mint Theater Company, an award-winning off-Broadway theater in New York City, plans to tackle that obscurity over the next two years with its Teresa Deevy Project, which will produce two of her plays as well as offer readings, recordings and publications.
“I found her because I asked the question, ‘Who were the woman writing plays in the first 50 years of the Abbey?’ ” said Jonathan Bank, the Mint’s artistic director. “I began with the perception that the history of theater in Ireland was a lot of men and then, oh, yeah, there was Lady Gregory.”
“What gets remembered and produced is a little bit arbitrary,” Bank said, sitting in his midtown office one hot summer afternoon during rehearsals for “Wife to James Whelan,” the play rejected by the Abbey in 1937 and subsequently only produced once, in 1956, when it received a critically acclaimed production at the small but influential Studio Theatre Club in Dublin. It has never been seen anywhere since. This should not be criteria for judging the play, Bank said, but many people think that if they haven’t heard of a work, it must not have been good in the first place.
“That’s not a great measure of talent of the playwright and the worth of the play, but once that idea gets set, it’s hard to overcome …
Continue reading here Lost Works Return to Stage
- Resurrecting Teresa Deevy’s Lost Irish Voice (nytimes.com)
- Theater Review | ‘Wife to James Whelan’: A Long-Forgotten Tale Rises From the Irish Sod (theater.nytimes.com)