Leonard Wieseltier, literary editor of The New Republic, explains why he doesn’t read blogs — and consequently explains why I don’t enjoy reading Leonard Wieseltier.
"Test everything; hold fast to what is good."
Leonard Wieseltier, literary editor of The New Republic, explains why he doesn’t read blogs — and consequently explains why I don’t enjoy reading Leonard Wieseltier.
Ye cannot serve God and Mammon. Persecuted hegemons. The Lunachicks! “But if you’re not doing anything wrong, what are you worried about?” New Jersey dodges a bullet. Personal testimonies in Grand Rapids. The Pledge of Allegiance is creepy.
You may approach the bench. Evangelism is hospitality. “Sousveillance” and school lunch. Stupid questions. An unjust law. Wolf Blitzer’s teachable moment. Taking God’s name in vain.
But don’t worry, LaHaye and Hagee believe they have this covered. They believe that after all the real, true Christians are snatched off the earth — which could happen at any moment — the RTC gospel will then be preached to every tribe and nation by an army of singing Jewish virgins.
And Achan answered Joshua, “It is true; I am the one who sinned against the Lord God of Israel. This is what I did: when I saw what it meant to devote to destruction by the edge of the sword all in the city, both men and women, young and old, oxen, sheep, and donkeys, my conscience cried out within me. I saw among the spoil the children of Jericho who do not know their right hand from their left, and I hid them. They now wait hidden in a cave outside our camp, and their mothers with them.”
Tony Perkins opposes gender integration and women’s empowerment. He opposes protecting the rights of women and he opposes women having any right to reproductive health care. He claims that he opposes all of these things based on his opposition to abortion, but that train won’t get him there. He got there all on his own. Concern for the rights of the unborn had nothing to do with it.
Here, roughly, is how it sometimes worked: Everybody meets at the theater on Friday night at 9. Nothing has yet been written, cast or rehearsed, but 24 hours later — on Saturday night at 9 — you’ll be staging a series of short plays as a full production for a paying audience.

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