A Lenten Musical Journey, Day 38

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No, I’m not done with Bach this Lent. Not yet. Not by a long shot. Here’s the “Crucifixus” from his masterful, transcendent Mass in B minor. Crucifixus etiam pro nobis sub Pontio Pilato, passus, et sepultus est. And was crucified also for us under Pontius Pilate: suffered, and was buried. Attribution(s): “Cristo crucificado” by Diego [Read More...]

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A Lenten Musical Journey, Day 37

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Today’s piece is “Surely He has borne our griefs” by Kevin Sadowski. I don’t even know who this “Kevin Sadowski” fellow is. I stumbled across the recording by accident while researching #MyLentInMusic entries, and was transfixed. (I was searching for something else entirely, and the recording “Lamentations: Music of Tenebrae” by the ProMusica of Washington [Read More...]

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A Lenten Musical Journey, Day 36

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In honor of today’s feast, the opening chorus from Bach’s Annunciation cantata, Wie schön leuchtet der Morgenstern (How beautifully the morning star shines). The cantata, which can be found in its entirety here, is based on the hymn “Wie schön leuchtet der Morgenstern” by Philipp Nicolai. Wie schön leuchtet der Morgenstern Voll Gnad und Wahrheit von dem [Read More...]

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“I Don’t Have to Belong to the Catholic Church to Be in Love with Mary”

Dolores Maria

I love composers who love Mary. So I suppose my long-standing affection for the music of Morten Lauridsen should come as no surprise. Mr. Lauridsen, who has been described by musicologist Nick Strimple as “the only American composer in history who can be called a mystic” and who often spends his summers composing in seclusion on Waldron [Read More...]

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A Lenten Musical Journey, Day 35

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Today’s selection is the “Lacrimosa” segment from the Requiem of Francesco Durante. (The bit that really caught my attention the first time through? The violin in that opening section is almost harsh in its isolation, and contrasts with the chorus in a really effective way. It’s a subtle effect, perhaps. But one that definitely brings a “full [Read More...]

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A Lenten Musical Journey, Day 34

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Dropping back down into the Russians for a moment. (And when I say “down,” I’ve definitely got the Basso Profondos on my mind. The legendary Vladimir Pavlovich Pasyukov, in this case.) The key change that starts around 0:45 is just spine-tingling. Here’s the aforementioned Pavel Chesnokov’s “We Praise Thee.” Attribution(s): “Vladimir Pasyoukov” by Cormag100 is licensed under CC BY-SA [Read More...]

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A Lenten Musical Journey, Day 33

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For today’s musical meditation, English composer Thomas Tomkin’s “I Heard a Voice.” I heard a voice from heaven saying unto me, Write, From henceforth, blessed are the dead which die in the Lord: Even so, saith the Spirit: for they rest from their labours; and their works do follow them. Attribution(s): “John on Patmos” by [Read More...]

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A Lenten Musical Journey, Day 32

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Returning to my ancestral roots with “Quis Est Homo,” plucked from one of Czech composer František Ignác Antonín Tůma’s five setting of the “Stabat Mater.” (Yep. Five. Also, the whole setting is really wonderful. So HERE.) Quis est homo qui non fleret,Matrem Christi si videretIn tanto supplicio? Quis non posset contristari,Christi Matrem contemplariDolentem cum Filio? Is there one [Read More...]

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A Lenten Musical Journey, Day 31

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Antonio Lotti’s “Crucifixus.” The whole piece is powerful stuff, but I would call your attention in particular to the section that begins at the 1:50 mark, where Lotti transitions from “Pontio Pilato” to the suffering and burial of Christ. An astonishing moment. Crucifixus etiam pro nobis sub Pontio Pilato: Passus, et sepultus est. He was [Read More...]

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A Lenten Musical Journey, Day 30

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I’m always amazed at how little music there is that has been written in honor of Saint Joseph. Somehow, I suspect he’s pleased by that fact. But at the same time, it makes finding an appropriate musical selection for today’s feast a bit of a challenge. (I couldn’t very well ignore it, could I? It’s [Read More...]

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