“Breaking Bad” Season 6 Episode 3 “Confessions”: Unleashing Chekhov’s Arsenal

One of the reasons Breaking Bad is such a great series is that it somehow manages to feel surprising while also entirely inevitable. Most narratives implicitly follow the law of cause-and-effect, but few showrunners actually hold to it as tightly as Vince Gilligan has with his tale of Walter White’s fall from grace. This is why it’s emerged as one of the most profoundly moral shows on television: it’s a show in which actions always have consequences.

Author and playwright Anton Chekhov famously said that you should never show a loaded rifle on stage if you’re not going to fire it; Breaking Bad isn’t about Chekhov’s gun, it’s about Chekhov’s arsenal. These weapons can take the form of seemingly innocent objects that suddenly become instrumental to the plot—a box cutter, a cigarette, a tap bell—but they more often show up as bits of knowledge, or secrets waiting to be exposed. A typical episode juggles several of these elements, and a great deal of the show’s tension derives from the careful balancing act Gilligan and the writers have maintained when crafting each season, figuring out which rifle to fire at particular points and which to leave until later. Breaking Bad is a structural symphony, and Chekhov’s gun is the notes.

“Confessions,” the eleventh episode of the fifth season—or the third episode of the sixth season if you’re thinking of this last batch of episodes that way—would have made Chekhov proud. It’s an episode in which several figurative guns were finally fired and others (including one actual gun) were set on stage. The slow burn of Season 4 is a thing of the past. We’re in free fall now, and the show is hurtling towards a definitive conclusion.

It all feels so methodical and obvious in retrospect. Of course Jesse wouldn’t tell Hank anything, given their history. Of course Walt would find a way potentially turn Hank into the fall guy. Of course he wouldn’t kill Jesse, his pseudo-son—he tends to only resort to murder out of a last grasp for self-preservation. Of course Jesse can’t dig himself out of his spiritual hellhole until he’s discovered the truth about Brock’s poisoning (though the circumstances of Jane’s death, Walt’s final secret, remain unspoken). And of course once he realizes the extent of Walt’s deception, his immediate reaction will be a wild dash for revenge.

The scene where Walt confronts Jesse in the desert takes their relationship to its only logical conclusion given the elements in play. There is no explosive act of violence, no sudden reversal or unexpected twist. The only thing that changes is Jesse’s willingness to say what’s on his mind. He’s done paying lip service to Walt’s lies, and he lays it all out on the table, from his certainty that Mike died at Walt’s hands to his understanding that Walt only really cares about himself. But just as he did two episodes ago, Walt doesn’t break character. He’s become such a master manipulator that he himself can’t separate truth from falsehoods, so he takes the lie to its breaking point, embracing Jesse like a prodigal son. I think there’s a part of Walt that really does love Jesse, and it’s that side of him that ironically allows him to take Jesse further down the rabbit hole. As much as he’s willing to kill and cheat his way to the top, he also wants to deny that he’s that kind of person. This is one of life’s great paradoxes: No matter how evil we become, we all still want to believe that we’re good.

Walt’s lies have now so affected everyone around him that there appears to be no hope to take him down. The confession tape he gives Hank reveals the full extent of his moral bankruptcy—he’s so determined to get away with it, to die without facing a jury, that he’s willing to frame it all on his arch nemesis, the show’s moral core. He has subverted the very essence of a confession; he hasn’t atoned for his sins, he’s only transferred them to someone else. Because his medical bills were inadvertently paid for with drug money, there’s likely no way for Hank to come out of this unscathed. Like the ricin, the DVD is Walt’s last resort, the simpler version of Saul’s escape plan—if he can’t become someone else, he’ll turn someone else into Heisenberg.

With Hank out of the way, the only apparent wild card is his former protégé. But even if he takes care of Jesse (one way or another), there’s still another party that could ruin Walt’s plans: Todd. This episode opens with Lydia’s new cook recounting their train robbery to his uncle like he’s speaking about a folk hero—Heisenberg has once again become the stuff of legend. He views Heisenberg as a role model rather than a cautionary moral tale, and he’s so captivated that he can barely leave a voicemail message informing Walt of the “change in management.” This subplot involving Madrigal and the continuation of Walt’s meth enterprise continues to play out largely in the background, only taking up a scene or two each episode, but I suspect it will soon play a major role in how Breaking Bad ultimately ends.

After all, once you’ve shown us the rifle, you can’t just let it sit there.

What did you think of this episode of Breaking Bad? Let us know in the comments below!

Read More:

Breaking Bad Season 6 Episode 1: Blood Money.

Breaking Bad Season 6 Episode 2: Buried

Breaking Bad Season 6 Episode 4: Rabid Dog

Breaking Bad Season 6 Episode 5: To’hajiilee

Breaking Bad Season 6 Episode 6: Ozymandias

Vote on how the series should end here.

  • Susan_G1

    Breaking Bad has been one of my favorite shows ever, and I love Vince Gilligan’s commitment to honest moral consequences.

    The only problem I have with this season was in the last episode; I don’t believe that Jesse’s sudden insight into where the ricin cigarette went was quite as believable as other developments. But his acting chops have really been highlighted, as they should be for this character who is the one person who can (and probably will) bring down Walter White.

    • Andrew Johnson

      I agree, Aaron Paul was arguably Emmy-worthy in this episode. I’m willing to buy his sudden realization about the ricin, though, because to a certain extent Breaking Bad has always flirted with the fantastic. It feels so much like a moral fable rather than a “realistic” story that it seems natural for massive coincidences like that to occasionally occur. I don’t think Jesse’s going to bring down Walter, though. I fear the worst for him.

      • Susan_G1

        I hope not (about Jesse). It does not look good right now, though, with the ending of the most recent episode.

        I am personally entangled with these characters, of course, but not to the point of denying the possibilities. While Hank has been the “good guy” to Walt’s “bad,” the last season started to develop Jesse’s moral conscience in a way that, at the beginning of this season, really pits him against “Mr. White” (love that he still calls him that.) The first episode especially makes it clear that Walt’s emotional opposite is Jesse, who honestly wrestles mightily with the death of the witness of the methyamine heist, then Mike – and maybe Mike’s 9 and the lawyer – when they are sitting on the sofa and they contrast Jesse’s struggle and fear with Walt’s easy rationalizations and lies. The moment he closes the door on Walt, collapses against the wall, removes his gun and pushes it away… the way he’s throwing the money away while Walt is hoarding it… I just got the impression that it will come down to Walt against Jesse. My guess at the beginning of the season was that the last people standing were going to be Jesse, Marie, and Saul.

  • #1BBfan

    Great writing Andrew Johnson!! I had forgotten about Walt’s role in Jane’s death. That was too cold.
    I don’t think Jesse will work with Hank..he hates Hank and he is just mad with Walt because…those two have a crazy bond. They have escaped so many deaths together, the bond is just there. What use is there to burn up an empty house? He is just angry.
    I know Todd’s revelation to his new cooks will have something to do with the eventual ruination of Walter White. I am still not sure why they would leave a house in that neighborhood in such poor shape…weird.

    • Susan_G1

      The house is RICOed. You know how slowly bureaucracies move.

  • nick seditious

    I think todds scenes are actually flash fowards. If todd has the small army who wiped out all the guys cooking walt would need a preety damn big gun to take them out. And aren’t they at the same diner walt is in as he picked up his new machine gun? I think he already killed skylar with the ricin jesses dead the kids are dead hank and marie are dead (hank kills marie then himself for ruining his life) and walt his nothing left but bis drug empire that my good sirs is chekovs gun. In my opinion


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