Review: ‘Wreck-It Ralph’

If Disney’s latest creation, Wreck-It Ralph feels a little familiar, hewn a little close to the lines of Pixar’s Toy Story, who can say that’s a bad thing?

It’s like comparing a new car to a Ferrari. It may not be entirely original, but it’s darn good.

Like the Toy Story franchise, this film takes us into a world that comes to life when human beings go away. This time, we travel into the circuits of the video games in an arcade and experience the struggles and dreams of those blinking bundles of code that entertain us when we plunk in our quarters.

Those characters that race and fight and fly and bash and eat on the arcade screens? They’re just like us. They work their day job, endlessly taking laps around a track or blasting invading enemies. But when the day ends and the arcade closes, they socialize, celebrate, and dream of bettering themselves.

They travel through the electrical wires to a sort of Grand Central Station of games, where they compare notes and drink root beer at the restaurant game. They celebrate anniversaries, bicker amongst themselves, and hassle each other. They even care for those poor homeless characters whose games broke, leaving them stranded without a job.

Ralph (voice of John C. Reilly), particularly, dreams of bettering himself. A denizen of an old, basic game, he spends each day wrecking a brick building. The hero, Felix (voiced by 30 Rock’s Jack McBrayer), springs into action, fixing Ralph’s mayhem. It’s a living, but Ralph wants more. He would like to be the hero, to win accolades, to build instead of destroy. Besides, the other members of his game see him as nothing more than the villain, leaving Ralph to sigh alone on his pile of bricks while they party the night away with PacMan.

In a cyber mid-life crisis, Ralph breaks the primary law of video game characters. He abandons his post and enlists as a fighter in a shoot-em up, modern sci-fi warfare game. He wants to be a hero and here’s his chance; it’s right there in the game title! Pursued by a no-nonsense, shapely warrior with a suitably sadly written backstory, Calhoun, Ralph careens through the battle-weary game.

But it isn’t until it all goes wrong and Ralph finds himself elbow deep in a pool of chocolate in a candy-themed game that he gets a chance to be a true hero. Little Vanelope (Sarah Silverman) just wants a chance to race in the game’s sticky-sweet cupcake go-cart trails, but she has been relegated to obscurity.

Unfortunately, Vanelope is a glitch, a character with a slight tendency to flicker in times of stress. In King Candy’s confectionery kingdom, she is defined by her disability and restricted from participating in the game.

Ralph knows a little something about being left out. The two outcasts make the perfect team.

Showing the influence of Pixar who merged with Disney in 2006, the movie is a good time with attention to detail and easy humor. There are nods to beloved video games, to be sure, but also a deeper playing with the video game meme. Older, 8 bit characters live and move in jerky, square movements while citizens of newer games are rendered in vivacious 3D. In fact, one thing Fix It Felix first notices about Calhoun (Jane Lynch) is her remarkable, um, rendering.

The wizards of animation really had fun with creating interior worlds for the games. The candy kingdom, complete with cheering lolypop citizens, candy cane forests, and landscaping of gumdrops, is particularly delightful.

But the creators, more than most, understand that a good setting and fun sight gags are secondary to a story with heart. The unlikely friendship of a mild villain and a little glitch carries the movie. At its core, it’s a story of creating family between two lonely hearts.

Rated PG, the film has good-humored crudity, mostly Ralph and Vanelope calling each other mildly rude names in affection (Hello, frazzle-butt! How are you, stinkbrain?). There are some fairly intense parts that may be frightening for younger viewers: A zombie at a villain support group, a swarm of attacking bugs in the shooting game. However, when the true villain is revealed toward the end, he becomes an honest-to-goodness bad guy, complete with a scary clown face and pincers. Even my twelve year old said it was pretty freaky.

Wreck-It Ralph offers a movie that is thoroughly entertaining and satisfyingly warm. I recommend it.

Note: A previous version of this review credited Pixar with making the movie. I can only blame a hurricane-addled brain that lived without power for days for the error. The review has been updated to reflect reality.

Review: Surprising ‘Brave’ Tells Sweet Tale of Family Love

Brave, the first release from Pixar to star a female lead, is a bit of a conundrum for the movie critic.

It’s one of those flicks in which a writer should not reveal the central surprise that comprises the bulk of the movie.

Is it a review if I say I liked it very much and just leave it at that?

I suppose not.

I will tell you, however, that the film is nothing like what you expect going in, having seen the trailer and ads.

The set-up is there, to be sure. Merida (voice of Kelly McDonald) looks at first glance to be your now-typical modern girl-power female warrior. A mess of raucous red hair and inappropriate table manners, she does not want to marry a leader of a local clan and settle into a feminine world of gentility. She’d rather shoot her arrows and ride her horse and let her hair flow untamed.

Girls are as good as boys. They can fight too. Blah blah blah. That seems to be about the only story we get nowadays.

But Brave only begins there. That Merida is strong and capable is a given, a starting point.

Her mother (Emma Thompson) desperately wants Merida to conform, and not entirely for selfish reasons. The two females talk but do not speak the same language, hear each other but do not listen.

And so Merida comes to her choice and a spell that sets the story on its path.

The story we expect to be about girl empowerment is, instead, about family love. And it’s lovely.

That’s all I can say.

The film differs from Disney princess movies in tone and content. Although there are funny and light moments, there is no wisecracking animal sidekick such as the chameleon in Tangled or the genie in Aladdin. Nor is there a villain with evil schemes. The witch who does show up is more of a goofy shopkeeper and not at all sinister or bad intentioned, although she is tricky. Little spirits inhabit the woods, but they are helpful sprites. The movie is not a musical, in the sense there are no singing cutlery, menagerie, or undersea creatures.

As one would expect from Pixar, the animation shines, with Merida’s hair alone radiating tangled, curly glory. The Scottish setting is rendered in lush vibrancy, now green and rich with moss, now foggy and mysterious, but always beautiful. Set against a score from Scottish composer Patrick Doyle and Gaelic singer Julie Fowlis, the film evokes the feeling of the Scottish highlands of long, long ago.

Rated PG, there are a few suspenseful sequences which will scare the youngest viewers, but no disturbing violence, no sexuality, and no inappropriate wink-wink jokes.

In fact, the film is an unexpected and delightful departure from ordinary animated family fare. It’s not really a princess movie, and that’s a good thing. Nor is it a wacky animated adventure. Instead, it’s a misty and lovely foray into the heart of families and their love for each other, love that is stronger than either the stubborn will of the heart or exterior dangers.

It’s a welcome change. I highly recommend it.

Pixar and Disney announce New Kids’ Flicks

Last week at the CinemaCon convention in Las Vegas, Disney announced upcoming projects. (Pixar is owned by Disney.)

Deadline reports:

The Muppets director James Bobin will return to helm with a script written by Bobin and Nicholas Stoller. A release date has not been announced.

The Good DinosaurThe Pixar comedy is from director Bob Peterson, co-director Peter Sohn and producer John Walker. According to Pixar, it’s about what would happen “if the cataclysmic asteroid that forever changed life on Earth actually missed the planet completely and giant dinosaurs never became extinct?” It will be released in the U.S. on May 30, 2014.

Untitled Pixar Movie That Takes You Inside The MindFrom Disney-Pixar’s announcement: “Pixar takes audiences on incredible journeys into extraordinary worlds: from the darkest depths of the ocean to the top of the tepui mountains in South America; from the fictional metropolis of Monstropolis to a futuristic fantasy of outer space. From director Pete Docter (Up, Monsters, Inc.) and producer Jonas Rivera (Up), the inventive new film will take you to a place that everyone knows, but no one has ever seen: the world inside the human mind.” The film is slated for release June 19, 2015.

Untitled Pixar Movie About Dia De Los MuertosPer Disney-Pixar: “From director Lee Unkrich and producer Darla K. Anderson, the filmmaking team behind the Academy Award-winning Toy Story 3, comes a wholly original Pixar Animation Studios film that delves into the vibrant holiday of Día de los Muertos. No release date yet.

 

Related:

Read our Muppets review.

Watch the trailer for Pixar’s Brave.

New ‘Brave’ Trailer and Clip: Red-Haired Toughie

Pixar’s much-anticipated movie Brave is coming! It’s the first time the (mostly) boys at Pixar have had a female protagonist and she leaves oldschool Disney princesses in the dust.

Recent ones, not so much.

Still, I have to say, I’m getting a little tired of the modern Disney girl, the “I’m not going to get married” and “I just want to fight like the boys” and “I can be as tough and independent as any prince charming” girls.

Yeah. We get it. You’re liberated.

It just feels like they’re fighting yesterday’s battle. What about the “I want to have it all” girl or the “I know I’ll have to make hard choices to do everything in life and I will be very grateful to have a good man by my side” girl.

Can we get that?

Still, the movie looks beautiful and funny, so I’m hopeful it’s more than just a girl who wants to shoot arrows like the boys.

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DVD Release: Cars 2

“Cars 2″ is out on DVD today.

Bottom Line: It’s preachy and silly and slow at times, but it’s from Pixar and even their worst is better than most of the rest.

Read our original review.

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Cars 2 Misfires

Maybe this is a good time to talk about expectations. Pixar, the company of swollen-brain geniuses who brought you the “Toy Story” franchise, “Up,” “Finding Nemo,” and “Monsters, Inc.,” has a reputation to protect. When they misstep, as they have with “Cars 2,” released today, it’s a bit like catching the Glee concert when Lea Michele has a sore throat. It’s not pretty, but it’s better and more exciting than anything you’d hear at the bar down the street. They’re in a whole other league.

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