Welcome to (Pagan) Music Mondays, a new semi-regular feature here at The Wild Hunt! As many of you may know, I’m a lover of music, and have spent many years exploring albums and artists that appeal to the Pagan spirit. I’d like to expose you to new releases by Pagan artists, and also to bands that explore lyrical themes relevant to our worldviews. This week for our inaugural edition I’d like to look at two albums that were released this past Friday: Faun’s “Eden” and “Before and After the Storm” by The Machine in The Garden.
German Pagan folk act Faun’s new full-length “Eden,” is the follow-up to 2009’s “Buch der Balladen.” Unlike that album of largely sedate, well, ballads, “Eden” follows more in the footsteps of 2007’s “Totem” or 2005’s “Renaissance,” the album that helped introduce them to the United States. For those of us in the states who were lucky enough to catch them live at Faerieworlds in 2009 and 2010, you’ll find much of the energy and charm in this new work that won over so many new fans.
“Eden” features guest performances from the Mediaeval Baebes and Adam Hurst, among others. They also honor their recent experiences with the Faerieworlds crew by including contributions from storyteller Mark Lewis and illustrator Brian Froud. If you’re a fan of bands like Omnia, Woodland, or Daemonia Nymphe, you’ll probably enjoy this as well. Plenty of rollicking Pagan-inflected folk music to cheer your inner Green Man (or Woman). The album can be purchased digitally from Amazon.com, or a physical copy of the CD can be ordered directly from the band.
The second album I’d like to highlight is from American Darkwave duo The Machine in the Garden. While not a Pagan band, the new album “Before and After the Storm,” their first in six years, uses myth and mysticism as a lyrical anchor throughout the album. “I looked to mythology and mysticism when I was writing the lyrics for these songs. I wanted to think about other cultures and their origin stories as a mirror of returning to many of our musical roots with this work” says singer/lyricist Summer Bowman. Songs like: “Cimmerian,” “In the Vanir,” or “Power and Prophesy” drip with allusions to an ancient folkloric past while marrying them to their dark modern sound.
The opening track, “Cimmerian,” excerpted in a promo video below, is a stunning anthemic tone-poem prayer driven by insistent drums and the layered post-punk guitar work of Roger Fracé. A song that perfectly sets the stage for what’s to come.
“Before and After the Storm,” was well worth the wait, and is available digitally from Bandcamp, CD Baby, and iTunes. A limited edition CD version will be available via mail order from the band’s website.
That’s our first edition of (Pagan) Music Mondays! I hope you enjoyed it. Next week I’ll be discussing the musical legacy of Dead Can Dance and covering new releases from Atrium Animae and Seventh Harmonic.


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