Quick (Pagan Music) Notes

As you may know, in addition to this blog, I also maintain a weekly ongoing streaming radio show and podcast dedicated to darker streams of Pagan music. So in that spirit, I have a few music-related news items to share with you today.

New Album From Omnia: Gothtronic alerts us that European Pagan folk act Omnia have scheduled a new album release, entitled “Wolf Love”, for September.

“Dutch pagan folk band Omnia will release their new album ”Wolf Love” at 10.09 through Screaming Banshee records. 2011 will bring the band to many German festival stages. With this event the conquering of the German medieval music market has started. First the band Omnia can be seen at the biggest fantasy festival of Holland, Castlefest, and at a theater tour through The Netherlands.”

For those lucky enough to go to this year’s Castlefest, you’ll be spoiled by performances from Pagan acts like Omnia, Faun, and The Moon & The Nightspirit. You’ll also be able to buy an advance copy of “Wolf Love”. Makes you want to see Holland, doesn’t it?

Speaking of Pagan Music Performances: Holland too expensive? How about Eugene, Oregon? Faerieworlds 2010 is coming up, July 30th – August 1st, and will feature Pagan and Pagan-friendly acts like Faun, Stellamara, Australia’s Wendy Rule, and Tricky Pixie among others.

“Faerieworlds is famous for introducing international acclaimed bands to the West Coast festival scene. This year we are taking out all the stops: we are featuring seven new bands who will perform on the Faerieworlds stage in Eugene for the first time. This is the most amazing main stage line-up we have ever presented: check it out!”

It’s a fun time, and hopefully it won’t be in record-breaking heat again this year. Probably the biggest Pagan-friendly music event this year, though October’s Pagan Music That Doesn’t Suck festival may rival it.

Mysticism and Music: Lashtal passes the word that Weiser has just released the John Zorn-edited “Arcana V: Music, Magic and Mysticism”, featuring contributions from Genesis Breyer P-Orridge, Meredith Monk, Larkin Grimm, and several other luminaries who walk that liminal space between music and magic.

“Mysticism, magic and alchemy all come into play in the creative process. For centuries musicians have tapped into things spiritual, embracing ritual, spell, incantation and prayer deeply into their life and work. Although the connection of music to mysticism has been consistent, well documented and productive, it is still shrouded in mystery and largely misunderstood. For this special edition, Arcana focuses on the nexus of mysticism and spirituality in the magical act of making music. Far from an historical overview or cold musicologist’s study, these essays illuminate a fascinating and elusive subject via the eloquent voices of today’s most distinguished modern practitioners and greatest occult thinkers, providing insights into the esoteric traditions and mysteries involved in the composition and performance of the most mystical of all arts.”

Sounds like a must own for anyone who is interested in explorations of how the performance, creation, and experience of music is one of the greatest mystical and magical practices.

The Apocalypse According to David Tibet: In a final quick note, for fans of David Tibet’s magick-making gnostic music project Current 93, The Quietus has a review of their latest offering “Baalstorm, Sing Omega”.

“Current 93′s progression from their post-industrial loops roots, through occultscapes with a heavy Crowley lean and pastoral pentagram/pentecostal folk, has seen them recently arrive at hyper-visual prog-folk-rock preaching. Surprisingly sharp on the heels of last year’s Aleph at Hallucinatory Mountain and as the final piece of a trilogy, Baalstorm Sing Omega sees the band withdrawing from their recent heavier rock-rooted sound. Where the first two-thirds of the trilogy went for the horizon blotting sounds of a bigger, more typical rock aesthetic, the band here are a far gentler collective. Melancholia lies heavy in their hands.”

For those intrigued by this review, but overwhelmed by Current 93′s impressive breadth of output, here’s a quick guide to what the album’s sound like.

That’s all I have for now, have a great day!

Adventures in the (Pagan) Underground

“In the presence of a moment divine, As the shadows gather at the shrine, We retreat and advance, In the spell of the dance, Familiars all, Tonight”“Sovereign” by Faith and the Muse

Last night I had the distinct pleasure of attending a concert featuring Faith and the Muse, a seminal darkwave band who’ve long enjoyed an ardent Pagan following for their songs that explore mythology, nature, and the sacred experience. I wasn’t planning on doing a formal write-up of the show, but what I experienced was so liminal, so ritualistic, and in the sense that I understand it, “pagan”, that I felt I would be remiss in not sharing my impressions so that others might not miss the opportunity to experience it for themselves as the tour stretches across America.

Let me begin by saying that I came in expecting a great show. I’ve heard some amazing things about Faith and the Muse live, and the pre-show DJing by Chicago/German promoter Scary Lady Sarah (who’s touring with the band), as well as the short set by recently formed opening local band Splendor and the Resistance, who show a lot of potential, had made me optimistic about the main event. But what I ended up experiencing wasn’t so much a great “rock show”, but a 3-hour musical ritual that invoked the powers of nature. This became clear as the second opening act, Soriah, who’s opening for all of Faith and the Muse’s Pacific Northwest dates, came onto the stage.

It wasn’t so much a concert set, but a full-blown shamanistic ritual art experience. Melding Tuvan throat-singing, smoke, incense, incantations, and ornate costume with guitar/keyboard soundscapes crafted by Trance to the Sun veteran Ashkelon Sain. It not only affirmed that I made the right decision in making Soriah and Sain’s album “Atlan” one of my top picks for 2009, but also put the audience on notice that this was now a holy venture, and that we were standing on holy ground.

That theme, the ritual if you will, was carried to the next stage by a short butoh performance introduction by the fusion bellydance duet of Serpentine, who describe themselves as “temple dancers of the serpent mythos”, and who are an integrated part of Faith and the Muse’s live experience for their “Ankoku Butoh” tour. Then the band came on stage and converted all doubters and hangers-on to the unique power of William Faith and Monica Richard’s musical and artistic vision.

In addition to Serpentine, who performed alongside, and in once instance, walked the perimeters of the venue with smoking cauldrons of incense, the band featured a taiko drummer, a string section, and two guitar players. Effortlessly moving between old and new songs, between Eastern and Western conceptions of the sacred, of songs that sang of ruin and hopeful rebirth, of solidarity and being true to who you are. By the end of the show, the entire crowd, whether they had come to see Faith and the Muse or not, were pounding their feet clamoring for an encore. It was an event, that like any true otherworld experience, no Youtube video or photo can properly capture.

From time to time there is talk as to what a modern “Pagan music” would sound like, and we are often ready to throw laurels at the feet of any singer-songwriter or band willing to cater to our tastes and attend our festivals. However, I have long felt that the vibrant sacred music of today, the creative force that speaks to the Pagan soul, isn’t necessarily seeking our attention, or longing to  attend our conventions. They are instead sending their message, and sharing their sacred works, with those who go to the trouble of seeking them out. They are in the underground, playing at clubs, rented halls, or even massive multi-band European festivals, but ignored by most critics and media outlets. They are singing and performing for those willing to step outside of the boundaries and labels so craved by those hoping to capitalize on a “scene” or “subculture”.

The modern Pagan music, the music of sacred nature, old gods, myth, reverence, and rebirth is out there, and some of us lucky searchers have found it. Though the artists I describe would most likely never label it “Pagan” for our easy consumption, nor fit into our own narrow ideas of what form the sacred musics should take, they are indeed speaking to us if we will listen. I hope you will listen too.

For more of my own explorations of underground music that speaks to the Pagan soul, please check out my radio show/podcast A Darker Shade of Pagan. You may also want to check out my top 10 albums for 2009.

Bad Solstice Math and other Pagan News of Note

Top Story: Hey, it happens to the best of us sometimes. Apparently around 300 Pagan revelers showed up to Stonehenge for the Winter Solstice a day early, under the mistaken assumption that the date is fixed on the calendar.

“A crowd of around 300 people, wearing traditional costume, met at the mystical stone circle on Monday morning to mark the rising of the sun on the shortest day of the year. But unfortunately their calculations were slightly out meaning they had in fact arrived 24 hours prematurely … A spokesman for English Heritage said: ‘About 300 people turned up a day early on Monday morning. We took pity on them and opened the stone circle so they could celebrate anyway. They were a day early but no doubt had a wonderful time as well.’”

While this has inspired some snark, it also provides a helpful reminder that the solstices (and equinoxes) are moving targets, and that you should always check before inviting 300 of your closest friends to frolic at the stones.

In Other News: Mistakenly early-bird Pagans weren’t the only bit of Pagan-oriented solstice coverage going on, the South Yorkshire Star interviews 82-year-old Wiccan Elder Patricia Crowther (one of, if not the, last living High Priestesses initiated directly by Gerald Gardner) for the holiday and finds her remarkably well-preserved.

“Patricia’s appearance – a full head of thick curls, barely wrinkled skin, and a razor-sharp mind – belies her years. “On my natal chart the moon is in Gemini, which is the sign of youth and the young-at-heart, and I know that has something to do with it,” she says. Her home is filled with unusual ornaments, most of which represent figures from mythology or the Goddess herself. There are also dozens of pictures of Patricia as a glamorous young woman. One particularly striking image is that of Patricia sitting naked on a stool for her initiation. “That’s what you have to do when you’re initiated – you go as you were born into life,” she explains. “There’s nothing dirty about it.” As with any qualification, becoming a High Priestess takes time and training.”

Crowther has a new book, “Covensense”, that was released this year. According to one review it contains some “narrow convictions” that will please some BTWs, and frustrate some of the more eclectic Wiccans out there. Personally, I think it’s wonderful that she’s still writing books, no matter how opinionated they might be.

Turning from Solstice-related stories for a moment, I want to quickly highlight two interviews with Pagan-friendly band Faith and the Muse, who’s latest Shinto-inspired album, “Ankoku Butoh”, was a top pick in my year-end best-of list. First Liz Ohanesian of the LA Weekly chats with them about the new album, then gets them to pick their favorite supernatural J-Horror films.

“Japan has one of the oldest traditions of ghost tales, even as far back as 1776, scholar and artist Toriyama Sekien attempted to categorize them in his illustrated series of collections of ghosts and spirits. But their origins can be found even earlier, and coincide with oral tales of Nature spirits – these are actually classic Goddess tales, found not only in Japanese Shinto belief, but in Celtic, Nordic and even Native American mythology – all the same foundation of the consequences that await when one messes with Nature. J-Horror has its very own Nature Mother, with snow-white skin and unbelievably long black hair, the vengeful spirit of the Woman Wronged.”

It’s an interesting-sounding round-up of films, especially for those who thought J-Horror began and ended with “Ringu”. For more Faith & The Muse goodness, and to order a copy of “Ankoku Butoh”, check out their official web site.

The Philadelphia Daily News has a cautionary tale about getting into arguments over religion. It seems that after two men had an argument over whose tradition of Santeria was better, one decided to end the argument permanently with a sawed-off shotgun.

“Hernandez, of Camac Street, North Philadelphia, shot Luis Freire, 55, because they had argued over whose version of the Afro-Caribbean religion Santeria was better, according to the statement, which the prosecution presented as evidence. “Unfortunately, in this day and age, it’s a sad commentary that killings happen over disputes ranging from heated arguments about religion to minor disputes over someone looking at someone the wrong way,” said Assistant District Attorney Brian M. Zarallo.”

Needless to say, Christian Hernandez’s strain of Santeria, whatever it was, won’t be well-served by having a convicted murderer in its ranks. It certainly makes the Internet flame-wars and rampant snark within the Pagan community seem sedate by comparison.

In a final note, the Suwanee, Georgia, school board is wrestling with how to handle public invocations after two substitute teachers, both Wiccans, asked for fair and equal treatment. This led to rumors that invocations would be eliminated entirely, an aim that was denied by the couple.

“Locals John and Rene Checkett addressed board members Tuesday and noted it was in no way their “aim or goal to remove prayer from our school system.” A story in last Friday’s Democrat quoted Rene Checkett to that effect, after rumors to the contrary drew a standing-room only crowd to a scheduled Dec. 15 board meeting. That meeting was canceled due to lack of public notice. The issue, Rene Checkett explained, was fair treatment for those with minority religious views. The couple, both Wiccans, met with Supt. Jerry Scarborough and board chair Jerry Taylor behind closed doors Friday to make their case for fair and equal treatment, particularly in regard to district policies. Both Checketts are substitute teachers. Taylor addressed a full crowd at the 6 p.m. meeting and made clear the district’s intent to handle the matter. “As a school district we need to adopt a policy that deals with religious activities in our school system that adheres to the rights of everyone based on the law of the land, which protects everyone,” Taylor said.”

The school board is going to be unveiling a new policy on public invocations in January, and it should be interesting to see how they address the concerns of religious minorities without causing an uproar with the local Christians.

That’s all I have for now, have a great day!

A Few Pre-Solstice Notes

I have a few news stories I wanted to share before tomorrow’s Winter Solstice, starting with a look at the annual pilgrimage for Saint Lazarus in Cuba, that not only draws devout Catholics, but devout adherents to Santeria as well.

“Several thousand people walked to the church during the morning clutching bunches of mauve gladioli, pink bougainvillea and fat cigars to leave as offerings to the saint, who also symbolizes the deity Babalu-Aye in the Afro-Cuban Santeria faith. Experts explain this fusion of Santeria and Christian figures by saying that African slaves in Cuba originally pretended to worship the Catholic saints of their Spanish masters while secretly paying homage to their own deities.”

The Reuters article notes that religious expression, particularly Catholic religious expression, has become more pronounced in Cuba since the Pope John Paul II’s visit in the late 1990s. However, despite this relatively recent religious openness, Cuba is still rated as the least religiously free country in the Americas by a recent study of global restrictions on religion released by the Pew Forum. Santeria was initially suppressed by the Communist government, though those restrictions have lapsed over the decades, especially now that the faith draws in tourists interested in witnessing rites, or receiving initiations.

Over at the Washington Post/Newsweek’s On Faith religious blogging brain-trust, Starhawk weighs in on whether action regarding global warming is a moral imperative.

“Responding to climate change is the moral imperative of our time, and people of spirit and faith can play a vital role in helping us make this crucial transition. God, Goddess, Allah, Jehovah, Buddha, Krishna and the Great Spirit know that the politicians aren’t doing it! Watching the manipulations, stalling and deceptions going on in Copenhagen is enough to make us wonder if the Goddess really knew what she was up to in involving human beings–or if she simply didn’t finish the job … we need real commitments. What if every church, synagogue, mosque, temple, and Pagan grove committed to reduce their carbon footprint by the 90 percent that we truly need to reach by 2050? What if they started study groups and chevras and support groups to help people learn the skills and fund the projects and make the changes together?”

In addition to calling for stronger leadership on this issue within religious communities, Starhawk will also be attending the upcoming Gaza Freedom March along with 1300 other activists and notables, including Alice Walker and Roger Waters. You’ll be hearing more about her participation in this event soon. It should be interesting to see what ramifications, if any, her 2008 deportation from Israel will have.

In Australia, the Sydney Morning Herald conducted a Nielsen poll concerning religious belief, and found that 6% followed “obscure faiths” like Wicca, while 22% of the total population believe in the existence of witches.

“Committed Christians are even more likely to believe in witches (35 per cent). This may surprise many, but not Pastor Daniel Nalliah of Catch the Fire Ministries, who in October this year organised a prayer offensive on Mount Ainslie after the discovery, it seems, of an altar for black masses. It was, said Nalliah, “the work of dark forces wanting to cast spells on Australia and Federal Parliament [which Mount Ainslie overlooks] – witches have been at work to tear down the fabric of the robust democratic system of Australia through spells”. The offensive appears to have worked.”

The manner in which the survey and the results were conducted and reported didn’t please some local Pagans, who didn’t like being lumped in with UFO-believers, Jedi, and other “obscure” religions. That the 22% who believed in witches weren’t superstitious, just “informed”.

“…the 22 per cent who said they believed in witches are not necessarily superstitious but just informed. In the last Australian census more than 22,000 people admitted to following a pagan religion, many of them Wiccan or witches. To put this in perspective, this is more people than the Australian followers of the Jains, Ba’hai and Sikh religions combined. At the recent World Parliament of Religions hosted in Melbourne, witches and other pagans had their own educational stream just like the Christians and Buddhists. As for the 78 per cent who don’t believe in witches . . . I don’t believe in you either.”

That’s all I have for now, have a happy Solstice tomorrow. If you are looking for some Pagan-friendly holiday music, why not check out my just-posted A Darker Shade of Pagan 2009 Winter Holiday Music Special. It’s sure to put you in a proper Winter-feasting, welcoming-the-light-back sort of mood.