Dolores Ashcroft Nowicki with donated Dion Fortune paintings.
“This previous weekend Dolores Ashcroft Nowicki gifted the NAL with paintings of the four Archangels painted by Dion Fortune that were used in Dion’s first ritual room and in Dolores’ first ritual room. We are very grateful.”
This is a high-profile gift for a library project that is still in its early stages, one that no doubt reflects well on its governing board. For ongoing updates on the New Alexandrian Library check out their Facebook page.
Today I’m going to take a break from my inevitable contribution to the ongoing debate about Christian Dominionism, and instead look at some arts and design-related news that might be of interest.
“The Greek God Dionysus does not only stand for revelry. He stands for the oppressed in an uncanny world. This film is dedicated to all those who are oppressed and who are affected by patriarchal society.”
I do have to admit that hearing lines like “the gods will offer you chances” and “the gods wait to delight in you” did produce a certain thrill, even if it was in the service of selling jeans.
Fine Arts and the Tarot:Calvin Tomkins at The New Yorker covers a new exhibit by Naples/New York artist Francesco Clemente at the Uffizi Gallery, in Florence. His latest body of work is a set of tarot card paintings featuring a variety of his famous friends and fellow artists appearing as different cards.
“Clemente’s portraits all tend to look alike at first glance—huge eyes, full lips, serious expression—but then you see something that, if you’ve met the person, is exactly right. The playwright Edward Albee, sitting for the Emperor, clasps his haunted-looking face in both hands as he gazes out from beneath a sixteen-pointed star. Fran Lebowitz, as Justice, holding scales in one hand and a sword in the other, regards the viewer with that dour look that sets up the punch line. Salman Rushdie (the King of Swords), Colm Tóibín (the Hermit), Philip Glass (the Judgment), Kiki Smith (the Queen of Disks), Diane von Furstenberg (the Force), Paz de la Huerta (the Wheel of Fortune), Sara Mearns (the World), and numerous others maintain their singularity while assuming new and mythic identities. The portraits were all done in Clemente’s studio, and they took about two hours apiece—he had drawn in the bodies and the backgrounds earlier.”
You can view a slideshow of some of the paintings, here. As someone who has engaged in using the tarot as artistic inspiration, it should be noted that Clemente is part of a long lineage of fine artists creating their own tarot cards. This includes Andy Warhol, Victor Brauner, and Salvador Dali, among many others. Above is his “Seven of Discs,” which doesn’t feature a famous face, but is one I particularly liked.
Aesthetically Challenged Pagans?Chas Clifton points me to a post by Unitarian-Universalist minister Victoria Weinstein, perhaps better known in the UU blogosphere as “PeaceBang”. In this post Weinstein covers the oft-covered ground of how UU ritual is “so deadly awful, drab, and painfully unbeautiful.” Truly, as someone who used to be quite invested in the UU world (I was once a member of a UU church and worked at a UU community center) these complaints are nothing new, and I quickly learned to avoid most services like the plague. You know what’s worse than having a Pagan sing dull Christian hymns? Having them sing sanitized dull formerly-Christian hymns. But I digress. In any event, the thing that caught Chas’ attention is in the comments where she takes a swipe at the aesthetics of UU Pagans.
“And not to dismiss the contribution made by the Pagan contingent but when I think “aesthetics” the pagan community is most decidedly NOT what comes to mind. In fact, I believe that the neo-pagan community has done more harm than good by inflicting too many embarrassingly bad rituals, dances and music on our worshiping communities.”
I find it interesting when someone says they don’t want to dismiss someone’s contribution and then proceeds to dismiss it. Not to get into this too deeply, but I question the depth of Ms. Weinstein’s knowledge of modern Pagan ritual, dance, or music. I don’t remember seeing her at any of our big national festivals or indeed, remember any history of engagements on her part with modern Paganism in general. Perhaps all the Pagan rituals, songs, and dances she has encountered in her limited experience have been “embarrassingly bad” but I would also wager that her sample-size is quite small and not representative of our larger movement. There’s no accounting for taste they say, but I hasten to point out that it isn’t modern Paganism that is having a growth and retention problem. So we must be doing something right in the aesthetics department. One wonders how many UU congregations would collapse if they were to remove all traces of the harmful Pagan influence.
“Abigail The Salem Witch Trials A Rock Opera is a balls-to-the-wall hard rock exploration of the roots of Christian theocracy in America. While last year’s production was a somewhat muddled mess saddled with an awkward venue and abysmal sound system, this year’s production is far more clear and clean. A strong effort has been made to clarify the motivations of the characters, and the multimedia elements have been vastly improved in way that enhances the experience rather than providing a constant distraction. The cast has uniformly embraced the swagger of the music, and so what was once a substantially lopsided confrontation between the Christian Patriarchs of Salem Village and the people that they oppress is now far more equal (at least on a raw, emotional level – the men still have all the political power in the setting). The young Abigail (played this year by CASEY CASTILLE) now stands toe to toe with DANIEL KNOP’s Reverend Parris in a rock and roll confrontation which, in no small way, shaped our nation.”
Pagan Community Notes is a companion to my usual Pagan News of Note series, more focused on news originating from within the Pagan community. I want to reinforce the idea that what happens to and within our organizations, groups, and events is news, and news-worthy. My hope is that more individuals, especially those working within Pagan organizations, get into the habit of sharing their news with the world. So lets get started!
Top Story: Pagan chaplain and activist Patrick McCollum has recently returned from the first International Conference on Transforming Conflict in Amman, Jordan. The event centered on dialogues with youth and adults from Israel, Palestine, Jordan, Syria, Lebanon, and other countries, for which McCollum served as a speaker and facilitator. “It is clear to me that the younger generation in particular, has a clearer vision of what it means to be a global citizen, and it is this shift, in my opinion, that gives us hope for a better future” said McCollum, praising the Arab and Israeli youth who attended the conference. During the conference McCollum also met and spoke with Sharif Zeid Bin Hussein, the cousin of King Hussein the II, and former Jordanian Prime Minster Taher Nashat al-Masri.
Patrick McCollum with Taher al-Masri
“His Excellency was very gracious in his invitation to me, and I thoroughly enjoyed our discussions. Over the course of the evening, we touched on US-Arab relations, the Palestinian–Israeli conflict, the part youth has played in the Arab Spring revolutions and beyond, and new ways to move forward toward peace.”
In addition to his work at the conference, McCollum also met with local Bedouins, and visited the famous sacred sites Petra, Mt. Nebo, and one of the possible sites of Jesus’s baptism by John. In summing up his trip and experiences, McCollum said that “it is clear to me that I will return once again to the Middle East, not only to Jordan, but also to visit Palestine and Israel. And I look forward to once again to be present in the company of the many new friends I’ve made in each of these countries. I firmly believe that drawing on the touchstone of our common humanity, rather than focusing on the age-old narrative of our geographical and cultural differences, is the key to world peace.” The Patrick McCollum Foundation blog is now posting his daily thoughts from the trip if you’d like to know more about his experiences in Jordan, and the work of the conference.
In Other News:
Sacred Paths Center, a Pagan community center serving the Minneapolis/St. Paul area (aka “Paganistan”), has been able to reach its fundraising goals, and will be staying open. The center announced $13,140 had been raised during the past month, they needed to raise $12,000 to restructure for long-term survival. You can read all of my coverage on this story, here.
There are lots of articles and essays of interest to modern Pagans out there, sometimes more than I can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up.
Kathryn Price NicDhàna links to a transcription of the closing prosecution arguments in the almost finished trial of New Age prosperity guru James Arthur Ray, accused of negligent homicide in the deaths of three participants in a sweat lodge ceremony gone horribly wrong. For a wrap-up of the marathon closing argument by Ray’s defense team, click here. Once we have a verdict you can expect a long wrap-up with commentary at The Wild Hunt.
Salon.com travel column Trazzler (Trazzler? Really?) features a slide show of places to celebrate tomorrow’s Summer Solstice. They note that “the primal desire to be outside dancing and carousing late into the night is irrepressible at this time of year.”
K.C. Hulsman updates us on the ongoing effort to to have the U.S. Army recognize and add Asatru/Heathenry as a religious preference for the official U.S. Army database. This is being spearheaded by the Open Halls Project, who says they need “one thing from you, the soldiers, former soldiers, and military spouses. We need you to send use your name, rank, Status (active, reserves, national guard, veteran, or spouse) to our email. heathenopenhalls@gmail.com” So spread the word!
Ann Coulter rips into Ron Paul, and uses Wicca to illustrate her point about Paul’s marriage plan: “Under Rep. Paul’s plan, your legal rights pertaining to marriage will be decided on a case-by-case basis by judges forced to evaluate the legitimacy of your marriage consecrated by a Wiccan priest — or your tennis coach.” This makes it so Paul’s defenders have to mention Wicca too. Keep this up and soon every prominent conservative will be dropping Wicca into their conversations.
There are lots of articles and essays of interest to modern Pagans out there, sometimes more than I can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up.
An interesting history of Salem’s slogans. From the current ‘meh’ of ”Still Making History,” to the 1920s-era unintentionally awesome suggestions of ”City of Shoes” and “Where We Make Your Sheets.” I bet “The Witch City” doesn’t sound so bad now, does it?
“The Kathimerini story did not claim that Polytheists were the ‘troublemakers’ in contrast of what To Vima clearly states that “members of polytheistic organizations, which had occupied the site where archaeological reburying work was undergoing for the antiquities.” It is important to note the language used by the newspaper To Vima which is clearly biased. It is also important to underline what Kathimerini notes that the reburying has been called “emerging” - Central Archaeological Council has approved the reburial of the altar, faithful to the notion that the monuments are better protected hidden - as part of a renovation of the Metro line exactly were the altar exists which is one of the greatest archaeological discoveries of recent years.According to reports, citizens formed a cordon around the monument, which was split violently by the riot police who up to now patrol the site. The work had continued.”
You can read an April 13th update (in Greek) from Thyrsos Hellenes Ethnikoi, here. More on this situation (in English) here, here, here, and here. Petition, here. It looks like things are becoming heavy-handed in Greece, and reburial is moving forward. I’ll update when I have more information.
“Born in 1970, Constant is a self-taught flagmaker whose artistry is rooted in her skills as a seamstress and the beading techniques that she learned from her mother as a child. While in her teens, both of them had worked in a wedding dress factory. Her foray into the world of flag making coincides with a story of self-emancipation from exploitative factory labor. In a public dialogue in Kreyol that I had with her at Brown last Wednesday, Constant recalls quitting her job at the factory over a compensation dispute. When her mother who still worked at the factory asked her what she would do, she responded, she didn’t know. She then found herself tracing the outline of what would eventually become her first flag, an homage toDanbala that was purchased by singer and bandleader, Richard Morse, also owner of the Hotel Oloffson, where the flag still hangs.”
The exhibition runs through April 21st, and will feature a talk by Haitian-American writer Edwidge Danticat at its closing. I also wanted to mention that Ulysse linked to a very interesting-looking new book in her article, “The Spirits and the Law: Vodou and Power in Haiti” by Kate Ramsey. The work looks at “the long genealogy of anti-Vodou rhetoric” in Haiti, and might be a must-read for those interested in gaining a deeper understanding of struggles Vodou currently faces.
“…as they follow those rituals, they will be evoking age-old, pre-Christian practices so familiar that few people give them a second thought. No one knows this better than Kendra Vaughan Hovey of Duxbury, a former Wiccan priestess who is now Christian. She sees reminders of her former religion at every turn this time of year, and she still embraces much of it. “It’s a holiday of new life,” she says of Easter. “There’s a beauty in that.” Hovey notes that even the name Easter has a pagan source – most likely from Ostara, the ancient Norse goddess of spring. Ostara’s festival was always around the spring equinox, which is still used to calculate Easter Sunday dates.”
I have to say, kudos to Lane Lambert at the Patriot Ledger for finding a new angle to this old chestnut of space-filling holiday-themed content. One wonders if this was accidental serendipity due to out-of-date source lists, or if it was planned. In any case, it was novel enough to gain my attention.
If the power of divinity was to be measured in the number of adherents, in the number of times they are invoked, in the number of images, statues, and icons depicting them, then Mary would be the most powerful of goddesses. The Christian Theotokos (“the one who gives birth to God”) has become ubiquitous, ecumenical, and multi-religious; an object of veneration for staunchly conservative Catholics, jaded post-modernists, indigenous peoples in Mexico, and Vodouisants alike. In her new book “Full of Grace: Encountering Mary in Faith, Art, and Life” author Judith Dupre takes us on a journey through the art, history, and traditions that surround Mary, dedicating an early chapter to the connections between Mary and pre-Christian pagan goddesses.
“While Mary’s role in salvation can be detected in writings before the Council of Ephesus, the title Theotokos is from Isis, who had been called both the “Mother of the God” and the “Great Virgin.” Isis’s popularity, in fact, peaked in the eastern Mediterranean just as Christianity began to spread. When Mary replaced Isis in popular devotion, she also assimilated her symbols, an appropriation that can be observed frequently in the formation of Christian iconography. The familiar description of Mary from the first-century Book of Revelation as a woman who is “clothed with the sun, with the moon under her feet, and on her head a crown of twelve stars,” correlates closely to a second-century description of Isis, who emerges from the sea, her ringlets crowned with a diadem, on her forehead a moonlike disc, and wearing a mantle scattered with stars and a full moon that radiated flames of fire. (This is also how Our Lady of Guadalupe would appear, centuries later and half a world away, on Juan Diego’s cloak.)”
Far from being a dry academic tome, the book is filled with quotations, poetry, art, and a travelogue of visits to Mary shrines and places of sightings. Dupre counts herself as a devotee to Mary, and credits Our Lady of Guadalupe (and image of Mary long thought to be a Christianized version of the Aztec moon goddess Tonantzin) with saving the life of her son.
“I’d like to think of it as a book of hours, providing different glimpses of Mary that can be contemplated, savored, in light of a number of life circumstances that we often have little choice but to accept. Most of all, I wanted to make Mary real because that’s how I’ve experienced her in my own life, not as a distant figure from the past but as a loving mother and a living example of empowered womanhood. In these times, which are difficult for so many, Mary models an ideal way to live—faithfully, with grace and radical acceptance of what is and what cannot be changed. She has responded with such wit to my many prayers that I can’t help but think she also has a good sense of humor. So I think she’d appreciate Full of Grace—after all, what other book on Mary quotes Woody Allen, provides a recipe for Italian pepper biscuits, and tells you where to get your hair done in Palestine? Mary is real in every way!”
With the feast day of Our Lady of Guadalupe fast approaching, not to mention Christmas, this is a perfect time for Pagans to consider the place of Mary in our world today, and how the veneration of her many aspects and images represents the divine feminine for billions.
