Pagan Film Rising: Dark of Moon, Flamingos, and The Spirit of Albion

In my recent round-up of 2011′s top stories there were many topics I wanted to cover, that I thought were important, but couldn’t include for the sake of brevity. One of those stories was the rise of independent Pagan filmmakers in 2011, a phenomenon that Pagan media critic Peg Aloi mentions in her own round-up of 2011.

Indie Pagan Cinema makes its mark. From the ambitious music-based SPIRIT OF ALBION (with songs by Damh the Bard) to the spooky, blood-soaked, folklore-laden horror flick CALL OF THE HUNTER, there’ve been a lot of great attempts to bring paganism into the theatres. There is also AMERICAN MYSTIC, a fascinating documentary by Alex Mar (interviewed here by Jason Pitzl-Waters) about alternative spirituality which profiles an African-American Spiritualist, a Native American Sundancer, and a Caucasian Wiccan priestess.”

Perhaps the highest profile Pagan-produced film might be the still-in-pitch-phase adaptation of Starhawk’s novel “The Fifth Sacred Thing,” a project that managed to raise over $75,000 in small donations from supporters. At the kick-off of that fundraiser I noted the growing number of movies produced and directed by Pagans and occultists.

“Films made by and for modern Pagans is a newly emerging phenomenon. Recently, film projects like “Our Pagan Heart,” “Dark of Moon,” “Tarology,” “The Spirit of Albion,” and the recently completed “To Dream of Falling Upwards” have woven explicit Pagan and occult themes into visual storytelling. Considering the popularity of Starhawk’s novel, this may be the biggest project of its kind to ever be undertaken. We’ll keep you posted as things develop on this project.”

Now, at the beginning of 2012, there are three projects, out now, or being released soon, that we’ll get to consider as we look at the growth of indie Pagan and occult film-making. First, Taliesin Govannon’s “Dark of Moon,” which was released on DVD at the beginning of December. Govannon describes “Dark of Moon” as film “about friends, lovers, and choices. It’s also filled with Pagans.”

Next up, scheduled for its premier in February, is Antero Alli’s “Flamingos.” An “outlaw romance noir” that features “two enigmatic entities from the Bardo interzones” who “take interest in” the fates of the main characters.

Alli, a prolific indie director, released the well-received Thelemic-themed occult comic drama “To Dream of Falling Upwards” in 2011 (and which I was supposed to review, but it somehow kept getting pushed aside, a condition I’ll try to correct soon). Finally, we have a trailer for “The Spirit of Albion,” due out on DVD in May.

“The Spirit of Albion” is an adaptation of a stage play, and is built around the music of Damh the Bard.

The question isn’t when there will be an oeuvre of independent “Pagan” of “occult” films made or overseen by practitioners, as it is happening now, as we speak. The real question is will these film resonate with our interconnected communities, and will these directors, producers, and performers, find enough support to continue doing this work? If, like Starhawk’s planned film, we are willing to support these efforts, we could see a real flowering of films that speak our language, understand our concerns, and reflect our struggles. A healthy culture needs vibrant artists to help shape our sense of ourselves and our values, and while the budgets may be small, these films seem to be moving us in the right direction.

Unleash the Hounds! (Link Roundup)

There are lots of articles and essays of interest to modern Pagans out there, sometimes more than I can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up.

That’s it for now! Feel free to discuss any of these links in the comments, some of these I may expand into longer posts as needed.

Unleash the Hounds! (Link Roundup)

There are lots of articles and essays of interest to modern Pagans out there, sometimes more than I can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up.

That’s it for now! Feel free to discuss any of these links in the comments, some of these I may expand into longer posts as needed.

Passages: Bert Jansch and Diane Cilento

This week has seen an unusually high number of high-profile deaths, from Apple co-founder Steve Jobs to civil rights icon Rev. Fred Shuttlesworth, but perhaps lost among the many (deserved) tributes and remembrances are two other figures who have had an indirect but palpable influence on modern Pagan culture: Bert Jansch and Diane Cilento. Jansch, who died on Wednesday from lung cancer was a hugely influential guitarist and founding member of the British folk-rock band Pentangle. Pentangle, along with Fairport Convention, The Incredible String Band, and Nick Drake were part of a movement that re-contextualized and reinvigorated folk music and tradition in the late 1960s and early 1970s. They also, as historian Rob Young notes, had striking parallels with the emerging British Witchcraft traditions, and ended up providing an inspirational soundtrack for the nascent movement.

“In terms of their status in popular understanding, British Pagan Witchcraft and folk music are strikingly similar. Both are believed, even by many of the people who practice them, to afford a link to the distant medieval past or pre-Christian antiquity, but many of their identifying features are actually relatively modern inventions.”

Bert Jansch

Bert Jansch

During his career Jansch recorded at least 25 albums and toured consistently, inspiring Jimmy Page of Led Zeppelin and Johnny Marr of The Smiths with his unique guitar style. Towards the end of his career he collaborated with contemporary artists like Hope Sandoval (of Mazzy Star), Beth Orton and Devendra Banhart, inspiring a new generation of psych-folk and “freak” folk performers. Still, to many of us, he’ll be remembered as part of that band with the pentagram logo, which, along with the mythological and folkloric themes in their music, was more than enough to consider them one of “our” bands in the Pagan movement’s early stirrings. For his deep contributions to music, and for all those he inspired, Bert Jansch will live on for generations to come.

Another death that will have reverberations among many modern Pagans is the passing of actress Diane Cilento, famous to many as the first wife of Sean Connery, but beloved to us as “Miss Rose” in the 1973 cult-classic film “The Wicker Man”.

Cilento would go on to marry “Wicker Man” writer Anthony Shaffer, and was a spiritual seeker who eventually studied Sufism.

Diane Cilento

Diane Cilento

“It doesn’t really matter what basically the religion is, it’s all the same thing. It’s all oneness. And I don’t think you can divorce or segregate or pigeonhole life in that way much. It is just life, and poetry’s part of that.”

Cilento was also the mother of Jason Connery, who played the second Robin Hood in the Pagan-drenched English series “Robin of Sherwood.” Her role in creating a “microcosm of what sacred and profane life in a village might be like if Christianity had never been imported to the Isles” will forever endear her to generations of modern Pagans. May her spirit be united with the oneness she sought in life.