Quick Note: Ancient Greeks & Environmentalism

Blogger and classicist Mary Beard reports back from the annual Classical Association conference and relates her experiences at a talk by noted author Richard Seaford concerning the ancient Greeks and what they can teach us concerning wealth, our environment, and global warming.

“The modern world had bought into the idea of the limitlessness of money, he suggested. The Greeks warned about just that aspect with instructive mythological exampla. What is the myth of Midas except the terrible story of a man whose whole aspirations are focussed on the ‘sign of money’. Greek culture, as Seaford sees it, insisted on the culture of limit. And that has implications for environmental issues too. The modern disregard for the signs of global warming is reminiscent of Greek stories of those who allow their limitless desires to bring about their own destruction (sometimes even when they know what the consequences of their desires wlll be). One of these is the myth of Erisichthon, who first of all destroys a tree in the grove of the nymphs, in such a way that it brings down most of the grove — and then, in punishment, is afflicted with insatiable desire for food in the midst of a famine and ends up consuming his own body. So what can Greek culture do for us in our present dilemmas? It can allow us to see alternatives to our own culture (and cult) of ‘the unlimited’?”

These attitudes shouldn’t surprise anyone familiar with ancient Greek culture and religion, after all, the temple of Apollo at Delphi bore the inscription “Meden Agan” (nothing in excess) and the ancient myths are full of punishments for those who are overly greedy or unthinking in their acquisition of wealth, land, or power. Certainly there were/are permitted times of excess, but these are again placed within certain limits, and balanced by forces of order and sobriety. The question remains if we can embrace a new narrative of “limit” regarding our environment in order to avoid a future straight from a Greek tragedy.

ADDENDUM: More on this talk from The Guardian.

Unleash the Kraken!!!

If you’re around my age, and you had cable television, you have probably seen the 1981 film “Clash of the Titans” around a thousand times. Based very (very) loosely on the legend of Perseus, the story was truly epic, featuring a wide array of Harryhausen monsters and glowing, berobed gods and goddesses meddling in human affairs.


Harry Hamlin as Perseus

So imagine my surprise (and, I must admit, delight) in learning that not only are they remaking “Clash of the Titans” but the film is in direct competition with another film steeped in Greek myth and legend entitled “War of Gods”.

“The race for “War of the Gods” and “Clash of the Titans,” two rival projects set up at Relativity and Warners, is quickening. Both are close to casting their leads, with “Stardust” topliner Henry Cavill set to star in “Gods” and “Terminator Salvation” star Sam Worthington in negotiations to climb aboard “Titans,” which Thunder Road is producing and Legendary Pictures is co-producing.” In addition, the projects have set start dates. “Gods” would seem to have the edge — it’s tentatively planned for a February shoot, while production on “Titans” is slated to begin in April.”

What is interesting about both of these films, especially from the perspective of Pagans and Greek myth fans, is that they will directly address and involve mythological beings and deities. Breaking a recent trend to secularize or demean pre-Christian religion in films like “300″ or “Troy”.

“‘War of Gods’ concerns the battles waged by Theseus, a warrior from Greek mythology, who leads a fight against the imprisoned titans. Among the hooks is that, unlike some mythological tales, gods fight alongside mortals.”

While I sincerely doubt either film will hew close to actual Greek myth (Theseus never fought Titans alongside the gods), I’m not adverse to seeing new myths constructed for new times. Plus, with today’s green screen technology, you can expect some truly spectacular effects (though Harryhausen monsters will always hold a special place in my heart). Both films are scheduled to be released in 2010. It should be interesting to see who triumphs at the box-office, the son of Zeus, or the son of Poseidon?

Sunday Comics

If you’re a fan of “Oh My Gods!” and wish there were more Pagan-friendly comic strips, why not check out Mark Weinstein’s “Prometheus”, the wacky adventures of a Titan who was cursed by Zeus to have his liver eaten by a eagle on a daily basis.

The strip is published three times a week, and runs in two Greek publications. To read every strip in order, click here.

Le Guin Explores Lavinia's Perspective

The Oregonian reviews a brand new book by Ursula K. Le Guin that explores the perspective of Lavinia (daughter of Latinus, wife of Aeneas) from Virgil’s “Aeneid”. Giving a feminine perspective to the male-centric Roman epic.

“Lavinia, an 18-year-old princess in “The Aeneid,” Vergil’s 2,000-year-old epic poem about the origins of Rome, gets little attention from Vergil as a background figure. He gives her not a single speech in his shimmeringly melodious, 10,000-line poem, despite that she is daughter to King Latinus, who rules the region; that multitudes of men die over who should marry her; and that her eventual marriage is crucial to the founding of Rome. The book “Lavinia” (Le Guin’s 56th!) repairs Vergil’s lapse and is also a loving tribute to the poet. It’s an earthy retelling of the last six books of the 12-book poem, told from the point of view of Lavinia herself.”

According to the review, Le Guin explores her “rich, pagan life”, and brings a feminine “balance” to Virgil’s work while avoiding outright revisionism. A work on par with Robert Graves’s “I, Claudius”, according to Publishers Weekly.

In an interview with Le Guin about the work, the author explains that she isn’t trying to improve on Virgil, merely telling tales he didn’t have time to get to.

“Virgil didn’t have time for little Lavinia,” Ms. Le Guin says. Virgil died in 19 B.C. and many scholars believe he still planned to do some work on the Aeneid. “I didn’t feel I was correcting Virgil, but here was something he didn’t have the time to do, and I did.”

“Lavinia” promises to be an interesting exploration of the early mythic history of Rome. You can read an excerpt of the book, here.