In my recent round-up of 2011′s top stories there were many topics I wanted to cover, that I thought were important, but couldn’t include for the sake of brevity. One of those stories was the rise of independent Pagan filmmakers in 2011, a phenomenon that Pagan media critic Peg Aloi mentions in her own round-up of 2011.

“Indie Pagan Cinema makes its mark. From the ambitious music-based SPIRIT OF ALBION (with songs by Damh the Bard) to the spooky, blood-soaked, folklore-laden horror flick CALL OF THE HUNTER, there’ve been a lot of great attempts to bring paganism into the theatres. There is also AMERICAN MYSTIC, a fascinating documentary by Alex Mar (interviewed here by Jason Pitzl-Waters) about alternative spirituality which profiles an African-American Spiritualist, a Native American Sundancer, and a Caucasian Wiccan priestess.”

Perhaps the highest profile Pagan-produced film might be the still-in-pitch-phase adaptation of Starhawk’s novel “The Fifth Sacred Thing,” a project that managed to raise over $75,000 in small donations from supporters. At the kick-off of that fundraiser I noted the growing number of movies produced and directed by Pagans and occultists.

“Films made by and for modern Pagans is a newly emerging phenomenon. Recently, film projects like “Our Pagan Heart,” “Dark of Moon,” “Tarology,” “The Spirit of Albion,” and the recently completed “To Dream of Falling Upwards” have woven explicit Pagan and occult themes into visual storytelling. Considering the popularity of Starhawk’s novel, this may be the biggest project of its kind to ever be undertaken. We’ll keep you posted as things develop on this project.”

Now, at the beginning of 2012, there are three projects, out now, or being released soon, that we’ll get to consider as we look at the growth of indie Pagan and occult film-making. First, Taliesin Govannon’s “Dark of Moon,” which was released on DVD at the beginning of December. Govannon describes “Dark of Moon” as film “about friends, lovers, and choices. It’s also filled with Pagans.”

Next up, scheduled for its premier in February, is Antero Alli’s “Flamingos.” An “outlaw romance noir” that features “two enigmatic entities from the Bardo interzones” who “take interest in” the fates of the main characters.

Alli, a prolific indie director, released the well-received Thelemic-themed occult comic drama “To Dream of Falling Upwards” in 2011 (and which I was supposed to review, but it somehow kept getting pushed aside, a condition I’ll try to correct soon). Finally, we have a trailer for “The Spirit of Albion,” due out on DVD in May.

“The Spirit of Albion” is an adaptation of a stage play, and is built around the music of Damh the Bard.

The question isn’t when there will be an oeuvre of independent “Pagan” of “occult” films made or overseen by practitioners, as it is happening now, as we speak. The real question is will these film resonate with our interconnected communities, and will these directors, producers, and performers, find enough support to continue doing this work? If, like Starhawk’s planned film, we are willing to support these efforts, we could see a real flowering of films that speak our language, understand our concerns, and reflect our struggles. A healthy culture needs vibrant artists to help shape our sense of ourselves and our values, and while the budgets may be small, these films seem to be moving us in the right direction.

There are lots of articles and essays of interest to modern Pagans out there, sometimes more than I can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up.

• The New York Times does a profile of Lady Rhea, “the Witch Queen of New York.” The article focuses on how Lady Rhea doesn’t fit the profile of the fantasy witch, noting that she is “no cartoon witch. She is a no-nonsense Bronx native who drives a Ford Focus and tells it like it is. No black robe and pointy hat here. On Wednesday night, she wore slacks, a sweatshirt and designer glasses and jewelry.” Actually, Lady Rhea’s non-pointy-hat wearing fashion sense is pretty much the norm for most Pagans, and it seems strange that the fact that we don’t dress like Elphaba Thropp is still a story hook to hang a profile on. Still, it’s a positive look at a local figure, and I’m glad the NYT devoted time to doing the story.
• Remember all my talk about Pope Benedict XVI meeting with Vodun leaders in Benin? Turns out it didn’t happen, at least according to the National Catholic Reporter. Quote: “One might think the trip afforded a chance to open lines of communication with a religious movement that enjoys a vast following, estimated at between 30 million and 60 million people worldwide — comparable to the global footprint of, say, Methodism. Yet Benedict never made any reference to voodoo, and didn’t meet a priest or other exponent. His rhetoric in Ouidah, asserting that Christianity represents a triumph over “occultism and evil spirits,” was taken by some as a swipe.” NCR reporter by John L Allen Jr surmises that the controversy over Pope John Paul II’s 1992 meeting with Vodun leaders made Benedict gun-shy about doing something similar. So much for the “importance of dialogue with practitioners of indigenous African religions.”
• The Los Angeles Times looks at Pagans and Paganism in the Air Force Academy, focusing on the $80,000 outdoor worship center for “earth-based” and Pagan religions that was recently installed. Quote: “Witches in the Air Force? Chaplain Maj. Darren Duncan, branch chief of cadet faith communities at the academy, sighs. A punch line waiting to happen, and he’s heard all the broom jokes.” It’s a fairly decent story, but I have to say, and maybe I’m biased, but I felt Cara Shulz’s recent story for PNC-Minnesota focusing on the same topic (which was reprinted here) was better.
• Ritch Duncan, co-author of “The Werewolf’s Guide to Life: A Manual for the Newly Bitten”, writes about the bizarre media panic that ensured after a “Satanic sex ritual” resulted in a man being hospitalized, and his book was listed as being found at the scene. Quote: “Even worse than being misrepresented in the media was how lazy it all seemed to be. If the reporters charged with covering this story actually spent five seconds looking up what the book was about (they certainly had the time to do a Google search and steal an image of the cover), they could have mentioned it was filed under the “humor/parody” section.” The piece is a great look at how moral panics are fueled just by shifts in emphasis.
• Amanda Marcotte writes an editorial for Reuters on the “increasingly Godless” American future. Quote: “The more that religion can be pushed off into the realm of private practice and out of the public square, the better for public discourse, as we can dispense with the God talk and move on to reality-based discussions about what we want and how we can get it. The Millennials have the right idea when it comes to dismissing the belief that religion somehow improves politics. Now we just have to wait for the religious right to finish with their temper tantrum over this, and then we can move on to the future.”
• This year the Christmas Tree at the United States Capitol was given a traditional Native American blessing by an elder from the Tuolumne Band of Me-wuk tribe, the first time such a thing has happened. Quote: “It was an amazingly moving ceremony they sang and blessed the tree and blessed the people there on site and blessed our safe journey for the tree.” You can watch a video of the blessing, and the tree being harvested, here.
• The Guardian looks at the rise and mini-revival of “occult rock,” highlighting Rise Above Records, the return of Black Widow, and Swedish band Ghost.  Quote: “Whether it’s a heartfelt expression of devilish beliefs or simply a good excuse to wear a spooky mask and annoy a few Christians, occult rock can hardly fail to provide a welcome antidote to an increasingly soulless and cynical music world that prizes profit over atmosphere, and perfection over power. Perhaps more importantly, its newest exponents seem to have abandoned shock tactics in favour of a subtle, persuasive approach worthy of Eden’s duplicitous serpent himself.”
• The Times of India has yet another article about the spread of Wicca in India, this time focusing on Swati Prakash, head of The Global Wicca Tradition. Quote: “In the middle and dark ages, anyone who followed any ancient belief was falsely accused of ‘consorting with the devil’ and was tortured into accepting the new faith. Ironically, you will note that male wizards are always depicted as wise old men in fiction and art throughout history while women witches were shown as cunning and ugly. Clearly, there has been a gender bias in favour of male spiritualists and gurus.”
• The Associated Press explores American Indian reactions to the James Arthur Ray verdict, with some hoping that it will result in better safety when non-Natives try to appropriate Native ceremonies. Quote:  Bill Bielecki, an attorney representing the Black Hills Sioux Nation Treaty Council on South Dakota’s Pine Ridge reservation, said the trial would encourage non-Natives to focus on safety when running sweat lodge ceremonies. “They’re going to look at the facts,’’ said Bielecki, who also was party to the lawsuit, “You don’t use a large sweat lodge, you make sure people can leave and you don’t coerce the occupants into staying beyond their limits or capabilities. If you do that, then you avoid gross negligence.’’ You can see a round-up of my coverage regarding this case, here.
• Why do Catholics think the worship of Maria Lionza is so popular in Venezuela? Why, “poverty and poor education are contributing factors,” naturally. But they better be careful what they wish for, because isn’t Catholicism’s main growth areas with the very same “people lacking education and social services?” Do I sense a double-standard here? Are the poor and uneducated Catholics actually wise, then?

That’s it for now! Feel free to discuss any of these links in the comments, some of these I may expand into longer posts as needed.

Well-respected esoteric publishers Scarlet Imprint, producers of high quality limited-edition volumes on such topics as the cult of Pomba Gira, Palo Mayombe, and magical grimoires, has announced that they are going to start releasing their titles as ebooks.

A selection of Scarlet Imprint titles.

“The e-book hopefully means more people will read books. That can only be a good thing. It also means that we can create affordable versions of our work so that readers can take the risk on new authors and unfamiliar subjects. You can dare to read and enrich yourself outside of your field, perhaps you haven’t encountered Pomba Gira or Palo Mayombe before, or you want to see if the poetry cuts it. It allows you to travel with a library rather than dislocating your shoulder with a satchel full of books- as we often do. It makes unwieldy reference texts quickly searchable for research. To this end, we are issuing all of our future paperback Bibliotheque Rouge titles in epub and mobi format.”

The move is part of their Bibliotheque Rouge line, which made cheaper paperback editions of their high-quality collectors editions available to the general public, and this latest expansion is being made in hopes that by “embracing the digital revolution” they can “get these relevant voices of modern magick to the new generation.” How are small metaphysical booksellers reacting to this move by Scarlet Imprint? I spoke with David Wiegleb, owner of Fields Books in San Francisco, about the new digital turn, and he expressed support and optimism for Scarlet Imprint’s new initiative.

“I applaud Scarlet Imprint for making their materials available in a variety of formats. They have fine editions available for the collector, nicely designed standard editions for those who want a copy for their permanent library, Bibliotheque Rouge unlimited paperback edition for the curious, the budget conscious, and future readers, and now ebook editions for those that want them. And the ebooks probably substantially help their bottom line. As a bookseller (and as a reader), whenever I see a publisher pursue a strategy that helps them not only survive into the future, but do so in a way that honors their commitment to good material and well-produced physical books, I will celebrate it. It looks to be a strategy other publishers should emulate.”

Also enthused by Scarlet Imprint’s new digital editions is poet, performer, and writer Ruby Sara, who edited the publisher’s recent collection of esoteric poetry, “Datura,” and is currently working on their new poetry collection, “Mandragora.”

“From a publisher that has amply demonstrated its continued commitment to the fine-bound book, I think the decision to offer digital editions represents an excellent, relevant, and holistic approach to the entire project of book-making. It simultaneously affirms the important place of the bookbinder’s art while ensuring that the words themselves – the blood, sweat and tears of the writer/occultist – are accessible to all. I’m personally very excited that the poetry in Datura, and the forthcoming anthology Mandragora, will be even more accessible through a variety of mediums, from the tactile beauty of the physical books to the economy of the digital editions.”

All digital books can be purchased directly from Scarlet Imprint, and are being released in EPUB (Nook compatible) and MOBI (Kindle compatible) formats. In addition, the company says they’ll “replace lost files for you free of charge as long as the lights stay on.”

While other Pagan and esoteric publishers have made digital editions of their releases available in recent years, I think Scarlet Imprint’s move deserves special notice for making limited edition works accessible to a larger audience. Like it or not, e-readers are here to stay. Millions of people use iPads, Nooks, and Kindles to read books in a variety of contexts. While there will always be a place for traditionally published books, digital editions offer a cheap(er) and convenient way to  experience works that may not be easily acquired otherwise. It can also act as a deterrent to those who would pirate their books, removing the excuses of price or availability from normal rationales. Here’s hoping more specialty publishers make their works available in electronic formats, creating real options for those who prefer using e-readers. Our thanks to Scarlet Imprint for “offering a free and unfettered choice.”

[The following is a guest post by Dr. Amy Hale. Dr. Hale is an anthropologist specializing in contemporary Celtic cultures, with an emphasis on modern Cornwall and contemporary Esoteric culture and history. She recently attending the Esoteric Book Conference in Seattle and files this report. All the photos used in this post were provided by Anima Nocturna via EBC Administrator William J. Kiesel.]

A couple of weekends ago, on the 10^th and 11^th of September, Seattle was again host to the Esoteric Book Conference, superbly organized by William Kiesel of Ouroborous Press and Catamara Rosarium of Rosarium Blends. Now in its third year, the EBC is becoming the go to event for thoughtful discussion on a variety of esoteric topics ranging from historical approaches to well considered practice. For many visitors, the highlight is on the books. The showroom presented 22 esoteric publishers such as Fulgur Limited, Ouroborous Press, Concrescent Press, Mandrake, Immanion and Ars Obscura, who featured their back catalogues and new releases. It provided a fine opportunity for excited shoppers to see what is new on the market, find a previously owned treasure, and also to peruse and fondle some exquisitely crafted specialist books. Authors had the opportunity to promote their work as well, for example, on Saturday afternoon, Brandy Williams launched her exciting new offering The Woman Magician hot off the presses from Llewellyn.

William Kiesel and Catamara Rosarium.

The EBC program of eleven speakers this year was ironically light on women presenters, but women featured heavily as topics of interest and exploration. Just to mention a few here, Brian Butler spoke on the life of the magician and artist Marjorie Cameron, wife of Jack Parsons, and shared with the audience some amazing rare film footage that demonstrated the power of this intriguing and compelling magician. Vere Chappell presented a standout and very touching lecture on the life and work of Ida Craddock, a pioneer of sexual education for both men and women who tragically became a martyr to the cause of sexual expression. Barbara Cormack led a refreshing and solid panel discussion of women involved with the practice of the Golden Dawn magical system. Another highlight of the lectures was the talk by Alchemist Robert Bartlett, who delighted the audience with a brief romp through the history of alchemy and shared some wonderful illustrations of his own practical alchemical work.

A panel discussion of women involved with the practice of the Golden Dawn magical system.

The EBC isn’t just about feeding the mind, however, there was plenty on offer to stimulate all the senses. Performance artist Oryelle engaged the audience with his multimedia piece Solve et Coagula, and the Saturday evening event showcased passionate performances from Amodali, LUX Interna and Waldteufel. EBC also hosts an art show, ranging from the ceramics of Seattle based artist and magician Denny Sargent to the whimsical and delightful prints of Liv Rainey-Smith and the oils of Daniel Schulke. One can only hope that this section of the EBC keeps expanding! On Sunday night the Open Source Order of the Golden Dawn hosted a prosperity ritual based on the opening of their Neophyte Hall, which gave conference participants a rare opportunity to experience a full blown, formal Golden Dawn ritual.

Amodali performing at the Esoteric Book Conference.

Overall the Esoteric Book Conference is a fantastic event which is becoming very well beloved by its regular attendees. I look forward to seeing what next year will bring.

There are lots of articles and essays of interest to modern Pagans out there, sometimes more than I can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up.

• Michael York, author of “Pagan Theology: Paganism as a World Religion”, writes a response to Christian apologist Peter Kreeft. Kreeft’s article “Comparing Christianity & The New Paganism” says that “new paganism is a joining of forces by three of the enemies of theism: humanism, polytheism and pantheism,” to which York counters that “Kreeft betrays the essential dichotomizing bi-polarity of the theistic construct.” I recommend reading the entire, highly enjoyable, response.
• SF Weekly blog Exhibitionist looks at recent incidents of animal sacrifice in the Bernel Heights area and explains why they probably weren’t committed by Satanists or adherents to Santeria. The article by Beth Winegarner interviews Mary Ehm, owner of La Sirena Botanica, and yours truly. My two cents: “A good deal of the fear, misinformation, and rushed conclusions in these matters is partially due to anxiety over cultures and traditions we don’t understand, and partially due to the actions of various ‘occult experts,’ who have been sensationalizing and over-stating the problem of ritual animal sacrifice to law enforcement and animal welfare officers.”
• A former Liberty University student reflects on Jerry Falwell’s infamous “the pagans, and the abortionists, and the feminists, and the gays and the lesbians” 9/11-blaming comment. While Austin Carty is still an evangelical Christian, he says that he now sees “through this miasma of misunderstanding to see such a mentality for the insidious lie that it is.” My final word on Falwell came at his passing in 2007, where I pointed out that his “intolerant buffoonery was the perfect caricature of anyone opposing the free exercise of our faiths.”
• Tanja Diamond, author of “Beyond Sex: Tantra- A Practical Guide to Extraordinary Living,” blasts the Phoenix Goddess Temple for giving tantric sex practices a bad name. Meanwhile, in the comments of my initial report on the arrests, clients, and visitors, have been speaking up with their thoughts. In addition, some local Pagans have been giving their perspective in my follow-up post.
• In a clip provided by Right Wing Watch, Cindy Jacobs, a leader within the New Apostolic Reformation, lays out the theological importance of Rick Perry’s ‘The Response’ event: What did the indigenous people worship? [...] in Texas here and all of the coast around Houston and Galveston and some of that area, the Native American people were cannibals [...] We just had a prayer meeting in Houston a little a week ago, the governor of Texas, really as an individual instigated this, and 35,000 people showed up to pray and it was only a prayer meeting called within three months, three month period of time. So what happened? The land is starting to rejoice, you see, because of that prayer.” Jacobs, you may remember, gloried in the destruction of Haiti for breaking the “strongman of the occult”, and blamed Shinto for the destruction and horror that the citizens of Japan faced in the aftermath of the recent earthquake/tsunami. She’s now involved in the DC40 campaign.
• British actor, mixed-martial-artist, and reality show contestant Alex Reid has allegedly been knighted by King Arthur (no, not that King Arthur, this King Arthur). Reid traveled to Stonehenge earlier this year to  “find peace and draw energy from the earth,” after a public breakup with wife Katie Price.
• At Patheos, P. Sufenas Virius Lupus sings the praises of smaller, more specialized, deities, specifically Sterculinus, the god of manure-based fertilizer.
• Last month I reported on the decline of religion in the West, and how “least-religious” Estonia seemed to have plenty of religion, just not the formal church-based Christian religion that many consider the default. This assertion is backed up by a new editorial by Ringo Ringvee, adviser at the religious affairs department at the Estonian ministry of the interior, who says the Paganism is thriving in Estonia. “A new phenomenon during the last 15 years has been the rising number of Estonians identifying themselves with a nature-spirituality that could be defined as the Estonian neo-paganism.” It should be noted that Ringvee also stresses that this isn’t a majority of Estonians, and that “during the ancient holy days the groves are not filled with people.” Still, this is a data point in the assertion that Paganism can and does grow in a post-Christian secular environment.
• According to an Asia Times editorial, Taiwan is still ruled by the occult (yay?).
• The bared breast of the Roman goddess Virtus will grace a proposed 23-foot-by-11-foot mural depicting the progress of Norfolk, Virginia.
• Our condolences go out to the family, friends, and fans of actor Andy Whitfield. Whitfield recently passed away after a long fight against non-Hodgkin lymphoma. He is perhaps best known for playing the Roman gladiator Spartacus in the Starz series “Spartacus: Blood and Sand.”

That’s it for now! Feel free to discuss any of these links in the comments, some of these I may expand into longer posts as needed.

I’ve often been intrigued by the novels written by Pagans and occultists. Whether well-known like Starhawk’s “The Fifth Sacred Thing,” now in the process of being pitched as a feature film, or obscure like Stewart Farrar’s post-apocalyptic Wiccans-save-the-world (or at least Britain) novel “Omega.” I feel that religiously-motivated works like this can often tell you a lot about the beliefs, ambitions, and hopes of the author. While “religious fiction” is often synonymous today with Christian literature, we shouldn’t forget that modern Paganism and the occult/magickal arts have a long used fictional stories as a way to teach and entertain, from Gerald Gardner’s “High Magic’s Aid” to Dion Fortune’s “The Sea Priestess.” One of the most influential novels of all time is “The Metamorphoses of Apuleius” (aka “The Golden Ass”) by Lucius Apuleius, an initiate to the cult of Isis, written between 160-170 CE. So it’s fair to say there’s a long lineage of “Pagan” novels.

Lon Milo DuQuette has now added his own volume to this tradition, a work that takes a romping fictionalized look at the early life and magical adventures of the notorious occultist Aleister Crowley. “Aleister Crowley – Revolt of the Magicians” is set during Crowley’s time with The Golden Dawn and features a who’s who of famous occultists from that period, including William Butler Yeats, Maude Gonne, and Bram Stoker. DuQuette, who has written several texts on magick and the occult, and is something of an expert on the subject of Crowley, brings a knowledgeable flair to the dramas and intrigues of the time, putting his own unique spin on history. I was lucky enough to have  brief email exchange with DuQuette  about the new work, how it came about, and what he really thinks about Crowley’s fiction.

Lon Milo DuQuette

Several occult authors over the years have dipped their toes into writing fiction, most recently Raymond Buckland and Donald Michael Craig, what prompted you to go this route?

“Aleister Crowley — Revolt of the Magicians” is actually my second novel. The first, “Accidental Christ — The Story of Jesus as Told by His Uncle” came out a few years ago. “Revolt…” began not as a book but as a screenplay I was hired to write about 10 years ago. It was optioned by a film production company, and for a while looked like it would actually be produced … but nothing came of it. I had more or less forgotten about it when I was contacted again about nine months ago. As it turns out another film company is interested in the story but in order for the project to qualify for partial funding from (whatever the newest incarnation of …) the UK Film Council the screenplay must be written by a Brit or a Commonwealth citizen. They could, however, adapt the screenplay from a novel written by a non Brit. So I transformed my screenplay into a novel so it might be transformed into a screenplay. Have I confused you enough?

I love the genre of fiction. It is like taking a holiday. I love creating characters and breathing life into them … observing them develop and behave in my mind like independent entities. It’s very magical.

‘Revolt’ is a fantasy (albeit based on historic events and characters) about Crowley and his involvement in the breakup of the Golden Dawn.

You’ve written about Aleister Crowley and his teachings for several years, so it must be something of a “no-brainer” to make him the protagonist of your novel. Did your experience and history make it easy or hard to put yourself inside the head of this fictionalized Crowley?

It was curiously easy, and lots of fun.

Literary works featuring Crowley, or ficitonal characters based on Crowley, have been appearing since 1908. Crowley himself engaged in the practice for “Moonchild”. Do you feel this long literary history influenced you at all? Is there a sort of “fictional” Crowley egregore that feeds the many, many, “Crowleys” in various mediums?

I can’t say it influenced me at all. I wanted to follow a young Crowley, brilliant, naive, passionate … encountering for the first time the world of magick and the secret forces that would later shape him into an adept. This Crowley has never to my knowledge been explored in literature.

In addition to Crowley, your book features Bram Stoker, Moina and MacGregor Mathers, William Butler Yeats, and Maude Gonne, among others. Was it a challenge bringing all these larger-then-life figures together in one book, or did the real-life events on which the novel is loosely based help drive the drama and characterization?

Yes, the real-life events drove the plot, and I shamelessly used the dramatis personae as caricatures. It was great fun, and not at all hard. People point out that there is no evidence that Bram Stoker was a member of the Golden Dawn … I ask them to read the book to see how his presence is justified. Besides … It’s a fantasy people …. lighten up!

Now that the book has been out for over a month now, have you gotten much reaction from occultists, Thelemites, modern Golden Dawn members, and other interested magick-makers about the work? Has the response to these “fairytale caricatures,” as you put it, been largely positive?

So far the personal feedback and the few Amazon reviews have been positive. I’m sure I’ll eventually catch s–t from all directions.

In the book, one of your characters says that “this story can‘t be told as a history because truth cannot be revealed in history.” Do you believe that’s the case with the infamous Golden Dawn schism? Do you think that someday we’ll have more fictionalized retellings of famous incidents in Pagan and occult history? Sort of like Katherine Kurtz’s ”Lammas Night” or even Gardner’s “High Magic’s Aid”?

The development of myth is a strange and inscrutable process. It isn’t people or institutions that drive the process, but the alchemy of human consciousness that chisels the elements of a myth upon the stone of our souls. No one at this point, I believe, can predict what the mythological Crowley will eventually become.

If someone wanted to research the real events that inspired your novel, where would they start? Are there any good books covering that period?

“Perdurabo: The Life of Aleister Crowley” by Richard Kaczynski is the most complete and brilliant biography of Crowley. Kaczynski takes great pains to put all the events of Crowley’s life within the context of the history and characters of his world.

Also, “The Battle of Blythe Road: A Golden Dawn Affair (Golden Dawn Studies No 14)” capably edited by Darcy Kuntz

What authors inspire you in your own writing? Are there any occult-themed works of fiction that you find yourself returning to again and again? What would you suggest to someone who loves “Aleister Crowley – Revolt of the Magicians” and wants to read more?

You know … It’s even hard for me to read Crowley’s fiction. It’s like trying to be detached and objective when reading the manuscript of a friend’s novel. You know the author too well … you spot the phoniness of it all … embarrassed by the transparent affectations of the ‘voice’. I feel the same way about Dion Fortune’s fiction … only she is, in my opinion, painfully and distractingly obvious in her attempt to be 19th century-ish.

Other than Crowley himself, the writers who inspire me the most are for the most part not occultists at all … Mark Twain, Jane Austen, the screenplays of Robert Benchley, Shakespeare, Oscar Wilde, and (believe it or not) the lyrics of Cole Porter, Ira Gershwin, and Dorothy Fields. Great wit is the voice of the gods. I worship wit. Wit is Ruach sizzling upon the altar of the Neshamah.

Now that you’ve written one novel, are you going to write more? If so, will they also be themed around the occult and magic(k)al history? What other works outside of novels do you have planned for the near future?

Who knows when I’ll feel called to write another novel. I’m currently working on two magical texts with a spring 2011 deadline. I’d talk about them but it’s a little early in the game.

–

I’d like to thank Lon Milo DuQuette for taking time out of his busy schedule to answer some of my questions. In addition to  “Aleister Crowley – Revolt of the Magicians” he recently published “Low Magick: It’s All In Your Head … You Just Have No Idea How Big Your Head Is” a follow-up to his acclaimed autobiography, “My Life With The Spirits: The Adventures of a Modern Magician”.

There are lots of articles and essays of interest to modern Pagans out there, sometimes more than I can write about in-depth in any given week. So The Wild Hunt must unleash the hounds in order to round them all up.

• Not too long ago hardliner Iranian clerics accused associates of President Mahmoud Ahmadinejad of “witchcraft” and “summoning genies.” If you’re President Ahmadinejad how do you respond to that? By launching a “non-governmental organisation to identify those engaged in divination and exorcism as well as ‘deviant schools of thought and false Gnosticism’”. They are hoping an attack on “nonconformist youth culture, Sufi sects, [and] non-Islamic Gnostic groups such as popular Indian theosophical cults” will distract the public from their own “occult” scandal.
• Kathryn Price NicDhàna links to a transcription of the closing prosecution arguments in the almost finished trial of New Age prosperity guru James Arthur Ray, accused of negligent homicide in the deaths of three participants in a sweat lodge ceremony gone horribly wrong. For a wrap-up of the marathon closing argument by Ray’s defense team, click here. Once we have a verdict you can expect a long wrap-up with commentary at The Wild Hunt.
• The Tarotpuu blog reprints a 1942 lecture by artist and occultist Lady Frieda Harris, who is best known for providing the artwork for Aleister Crowley’s Thoth Tarot. Thanks to Mary K. Greer for the link.
• Mississippi Justice Court Judge Theresa Brown Dearman has been sanctioned by Mississippi Supreme Court for, among other things, “ordering someone to attend church, on pain of being sent to jail if he doesn’t comply.” It seems, thankfully, that compulsory worship is still unconstitutional.
• Juxtapoz finds some occult-themed street art. More here.
• Salon.com travel column Trazzler (Trazzler? Really?) features a slide show of places to celebrate tomorrow’s Summer Solstice. They note that “the primal desire to be outside dancing and carousing late into the night is irrepressible at this time of year.”
• K.C. Hulsman updates us on the ongoing effort to to have the U.S. Army recognize and add Asatru/Heathenry as a religious preference for the official U.S. Army database. This is being spearheaded by the Open Halls Project, who says they need “one thing from you, the soldiers, former soldiers, and military spouses. We need you to send use your name, rank, Status (active, reserves, national guard, veteran, or spouse) to our email. heathenopenhalls@gmail.com” So spread the word!
• PZ Myers infamously doesn’t like religion or the belief in magic all that much, but he seems pretty OK with Alan Moore. In response The Daily Grail calls Moore “one huge gateway drug to the woo,” while  Technoccult thinks the real question may be “whether what he describes as magic is truly ‘magic’ at all.” All I know is that “Promethea” is one of the best comics ever.
• Ann Coulter rips into Ron Paul, and uses Wicca to illustrate her point about Paul’s marriage plan: “Under Rep. Paul’s plan, your legal rights pertaining to marriage will be decided on a case-by-case basis by judges forced to evaluate the legitimacy of your marriage consecrated by a Wiccan priest — or your tennis coach.” This makes it so Paul’s defenders have to mention Wicca too. Keep this up and soon every prominent conservative will be dropping Wicca into their conversations.
• Our best wishes to the on retreat Buddhists at the  Diamond Mound Retreat Center near Bowie, Arizona, who are currently right in the path of the Arizona wildfires.

That’s it for now! Feel free to discuss any of these links in the comments, some of these I may expand into longer posts as needed.