For All Creatures, Great and Small

Howdy fellah!

This is Reason #374 why I don’t live in “the big city.” I rumbled up the driveway in the Mustang, and as I lined her up to back into the garage, I spied “Mikey” in all his camouflaged glory crawling up the side of the other car. Sounds like a lead-in for an article in Big Backyard magazine, doesn’t it?
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The Rose of Sharon

The Rose of Sharon
by Anonymous. Arranged by Barney E. Warren (pub. 1911)

Lord Jesus, my sweet Rose of Sharon,
My Prophet, my Priest, and my King—
To Thee I will sing all my praises,
For blessings Thy mercy doth bring.
All glory and honor to Jesus,
Who offered His life on the cross,
To open a fountain for sinners,
And purchase a world that was lost.
(refrain)
Sweet Rose of Sharon,
Blooming above for me.

Oh, come help me sing of my Savior,
For He is the joy of my heart;
Come join in His service forever,
He will His rich graces impart.
I gaze at the wounds of my Savior,
From which that great fountain doth flow;
His word is my shield and my buckler,
By faith I’m made whiter than snow.

Sweet Rose of Sharon,
Blooming above for me.

In love’s verdant vale I am resting,
In Christ all my hope I confide;
My heart and my life He is blessing,
As humbly I walk by His side.
I’m living low down in the valley,
Where sweet Rose of Sharon doth bloom;
Oh, glory! its heavenly odor
With fragrance my soul doth perfume.

Sweet Rose of Sharon,
Blooming above for me.

Come, sinner, thy heart like the desert,
With sweet Rose of Sharon shall bloom;
’Twill blossom as flowers of summer,
His Spirit thy heart shall illume.
He paid all thy debt on Mount Calv’ry,
He suffered that you might be free;
Oh, look, guilty one, there is mercy,
There’s life and salvation for thee.

Sweet Rose of Sharon,
Blooming above for me.

My study…

Jesus Goes Mainstream, Classical Music Edition

Over the last several weeks here on Music for Mondays, I’ve been exploring Jesus in mainstream culture through music. So far I’ve covered pop hits from the 1960′s and 70′s, as well as the 1980′s up through the early 2000′s. Last week I took you back to the times of Spain shortly after the Protestant Reformation.

Yes, I’m zig-zagging all over the timeline. For this week, I’m moving forward a bit starting in 1723 with pieces by Bach, then to the mid 1700′s with Handel (that’s him in the portrait above) and ending in 1825 with something by Franz Schubert.

First up is a selection that I always remember fondly because my wife chose it for our wedding. What, you too? Ain’t it grand?

Jesu, Joy of Man’s Desiring, J.S. Bach. Performed to a standing ovation of proud parents and admirers, kids from the Joven Orquesta del Club Argentino do Bach’s piece justice here,

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St. John’s Passion, J.S. Bach (1724). Performed by The Chamber Orchestra of Kazan State Conservatoire. You know what is neat about this performance from Russia? It’s so well done, and since the Feast of Our Lady of Fatima was last Friday, what better than to hear classical Jesus music from Russia? Thank God folks are able to worship there again! And play music like this too.

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St. Matthew’s Passion, J.S. Bach (1727). Bach also wrote a Passion from the gospel of Matthew. Possibly the gospels of Mark and Luke as well. This selection is performed by the Brandenburg Concerto with tenor Martyn Hill. I love the oboe in this piece, don’t you?

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Behold the Lamb of God, George Frideric Handel. This is performed by The London Philharmonic Orchestra and Chorus from Handel’s “Messiah.” Handel wrote this in 1741, and revised it in 1754. FYI, Handel is buried in Westminster Abbey and has a feast day on the Episcopal Church calender.

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And the Glory of the Lord, George Frideric Handel. Also from “Messiah,” this time performed by the Bow Valley Chorus, from Alberta, Canada.

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Ave Maria, Franz Schubert This was played at my wedding too (I married a Catholic girl, remember?). From Schubert’s Lady in the Lake, based on poems by Sir Walter Scott, this is the prayer of the character Ellen Douglas, sung to Our Lord’s (and our) Mother. Led by violinist Joshua Bell, this is the Verbier Fesitval Chamber Orchestra, with guest Angelika Kirchschlager as the mezzo soprano. Bravo!

That’s about all the time we have for today. I promise more for next Monday. Ciao!


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