The Messenger, the Muse, and the Redeemer

Why can’t I just turn away from the John Corapi story and leave it behind? All I can figure is that it is like the aftermath of a ferry boat accident. There are a lot of passengers that are still in the water and I have the conn of a lifeboat.

Or it’s like I’ve happened upon the scene of a passenger train wreck, and I’m stepping into the role of the Good Samaritan. I don’t know how effective I will be, but I’m trying to help move survivors back to safety.

As for John Corapi himself, it appears more and more to me that he has done as Shakespeare’s lines in Hamlet state: hoisted himself on his own petard. Perhaps he feels, though, that he is Hamlet reciting these lines,

There’s letters seal’d: and my two schoolfellows,
Whom I will trust as I will adders fang’d,
They bear the mandate; they must sweep my way
And marshal me to knavery. Let it work;
For ’tis the sport to have the enginer
Hoist with his own petard; and ‘t shall go hard
But I will delve one yard below their mines
And blow them at the moon: O, ’tis most sweet,
When in one line two crafts directly meet.

–Hamlet Act 3, scene 4, 202–209

No matter. His orders from his superior are clear and he is in direct violation of them. Obviously the best thing to do would be for him to obey, return to base, and stand the ecclesiastical version of a court-martial. But that isn’t happening, as Deacon Greg’s latest synopsis clearly shows.

Leaving the errant messenger, then, I give you Johnny Cash. Johnny knows addiction, pain, and hurt. So Johnny, the muse, can help assuage your wounds now. These songs may help as he points you toward the Redeemer, Jesus Christ, who also felt the betrayal that you feel now.  The Lamb of God took that burden all the way to hell and back.

Sing it Johnny,

Ring of Fire.

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I See A Darkness.

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Hurt.

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Why Me Lord?

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Dom Lou Tseng-Tsiang once wrote this about the faith,

In every period of transition the two opposing currents are very violent. To escape from them, one must be prepared to be judged unfavorably by both. So one must learn to be alone. The Christian life, for its part, does not escape this rule. Our Lord Jesus Christ is so often all alone on His Cross.

Solitary Man.

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And by reader request (thanks!),

Redemption Song.

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Redemption Day.

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Haul yourself into the lifeboat and head back to the barque of St. Peter.

So There I Was Driving Home…

from work. Glad the week was over. Looking forward to a busy weekend (a birthday, weeding, cutting the grass, preparing to send a child to camp, etc.) It’s been a busy week, both at work and here on the blog. Lots of news to digest.

But maybe it doesn’t need to be digested. Oops, lookie there. My little yellow fuel tank light just went off. Looks like I need to stop in at the gas station. Ease up on the throttle and set the cruise control to double-nickels.

Slow-lane time. Hey, how about some tunes? Nah, I don’t want to listen to Matt Maher. I did that on the way into the city. What’s on the radio? Do you think the Holy Spirit works through the radio? With God, you know, anything is possible. Here’s what came on,

Foo Fighters, My Hero. This band is led by the former drummer of Nirvana, Dave Grohl. Dave can play every instrument, and did so on his first solo album after Kurt Cobain committed suicide. What event do you think this song made me think of?

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Guess what came on next? I kid you not. Dig the background color.

Duran Duran, Hungry Like the Wolf.

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And then I said a quick prayer, stopped for gasoline, and continued on home.

To John Corapi, With Love (Two for Tuesdays) UPDATED

I missed doing a music post yesterday. I had a few other things on my mind. But I came up with a few selections today, and it being Tuesday, I figured you all might enjoy a Two for Tuesday music post.

The first two songs are to celebrate the official first day of summer. Who better than the Beach Boys for that? The remaining songs are all for Mr. John Corapi, and for those who may have followed him. You see, I have to say goodbye to John Corapi, much like I did for Anne Rice.

Now some of you may think that this isn’t the Christian thing to do. Well, I’ve prayed for John, but nowadays I’m praying more for those who he has let down. As for saying goodbye to him, I’d like to turn your attention to this,

Avoid foolish arguments, genealogies, rivalries, and quarrels about the law, for they are useless and futile. After a first and second warning, break off contact with a heretic, realizing that such a person is perverted and sinful and stands self-condemned.

—St. Paul, inspired by the Holy Spirit. Letter to Titus 3: 9-10

And taking it up the chain-of-command, Our Lord said,

“Beware of false prophets, who come to you in sheep’s clothing, but underneath are ravenous wolves. By their fruits you will know them.” – Jesus of Nazareth (Matthew 7:15-16)

Okey, dokey? So let’s play some tunes now as I say goodbye.

The Beach Boys, Catch A Wave. It’s the first day of summer. ‘Nuff said. And it turns out that since Mr. Corapi’s announcement, the web surfing has definitely been “up.”

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The Beach Boys, Deuce Coupe. Live, in Mono. Lip synching? I think not! However, the fans are a little rabid in their adulation, no? Screaming me-mees give me the he-bee ge-bees.

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Chris Isaak, Wicked Game. This might actually be the official song of Black Dog Up! Enterprises. The title is dead-on, for sure. And Chris Isaak and his band flat jam too. And what a clean video!

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Chris Isaak, Wrong to Love You. Well, let’s just say that today’s readings clarify how we should live and where our allegiance should lie. As for this song, I enjoy Isaak’s voice-over about teamwork and faith, not to mention the message.

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Billy Idol, Catch My Fall. Alrighty then. Two things. A) This musician has exactly the right name for a post like this, and B) we all fall down and need the Church and her Sacraments to catch us when we do.

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Billy Idol, Daytime Drama This is kind of how I feel about daily Mass. It’s where I meet my Hope, and your Hope, for the future day in and day out. It couldn’t happen without a priest dutifully providing the Sacraments. And not just 10% of his time, but nearly all of the time. Also, Steve Stevens is a great guitar player!

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Stevie Ray Vaughn, Dirty Pool. You all know I love SRV. He’s singing about a girl here (I think), but I believe lots of “dirty pool” has been played lately by a certain someone.

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Steve Ray Vaughn, Tightrope. It’s tough to be a “rock star” priest. In fact, it just might need to be outlawed going forward. Just my two cents. Listen to Stevie Ray for a second and you might agree.

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Sting, If I Ever Lose My Faith In You. Pretty self-explanatory, except I haven’t lost my faith in Christ or His Holy Church.

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Sting, If You Love Someone, Set Them Free. Why can I let John go? Because I must. Free will demands it. As St. John of the Cross said,

‎Live in this world as though there were nothing in it but God & your soul, so that your heart may not be detained by anything that is human.

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That’s it for this week. I hope you enjoyed the Two for Tuesday format. I’ll try to get MfM back on track next week.

Pax Christi

Love, the Blues, & Forgiveness (Music for Mondays)

In light of recent events, I am bringing this post back up to the top. Got the blues? First, may I suggest a 3-minute retreat? Then, dip into these waters…

  

We are called to love one another. A cursory look at the New Testament will show this time after time. But guess what? Love hurts too, and we all know it. Betrayal, denial, loss. These are the pathogens  of our brokenness.

The songs in today’s MfM set list move through the stages of Love that we all encounter. But we’ll be skipping the puppy love sweetness and head straight to the hard stuff.

Because love and forgiveness go together like peas and carrots, wrapped up in the to-go box called the blues.

Soft Cell, Tainted Love/Where Did Our Love Go. Whatever happened to these guys? Search me. But this hit was epic among the denizens of One Hit Wonderland. Their original song melding into the hit by the Supremes struck cords with many regarding a truth about the “double-edged” nature of love.

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The Smithereens, Blues Before and After. OK…you’ve never felt like this after being run through by Love, the double-edged sword? Come on now, be truthful with yourself. Confession time: I love this band, the groove of this song, and this is just a WAY COOL video too. It’s silent for the first few seconds and then…!!!

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Red Hot Chili Peppers, Scar Tissue. What happens when the double-edged sword of love wounds us? Scar tissue develops as part of the healing process.

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David Bowie, Changes. Do you know what happens if scar tissue is allowed to form naturally, with no further intervention? Rigidity, stiffness, inflexibility of the underlying intersitial tissues. I know a thing or two about this from experience. To regain suppleness, deep massaging of the affected area is needed. Changes…

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Wham!, Freedom. We move on to the forgiveness portion of our program now. Betcha didn’t see this one coming. Listen to the words though and I think you’ll see that it fits into this particular set nicely.

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The Corrs Forgiven, Not Forgotten. And you thought the Jackson 5 were talented? Get a load of the Corrs. They’re from Ireland, and make a point with this tune that we need to remember. Wounded? Yep. Got scars? Yep. Forgiven? Absolutely. Forgotten? Never!

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Don Henley, The Heart of the Matter I have no idea if Don Henley is a Christian or a Catholic. But he isn’t wrong when he notes that forgiveness is the heart of the matter. For as Our Lord said after he taught us how to pray, “But if you will not forgive men, neither will your Father forgive you your offences.(Matt 6:15).”

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Pearl Jam, Just Breathe. Because, when all is said and done, “did I say I need you?” Eddie Vetter and the gang at Pearl Jam remind us here…

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Have a good day folks. See you here on Monday.

Mr. John Corapi Goes. I Stay.

Hunter S. Thompson once remarked that, “When the going gets weird, the weird turn pro.” This seems like one of those times. Remember my post on what to do while Father John Corapi was on administrative leave? Well that leave has been indefinitely extended. Back in March I wrote, [Read more...]

Alan Rubin, Mr. Fabulous, Requiescat In Pace

I heard the news today that Alan Rubin, aka “Mr. Fabulous”, has passed away. Rubin was the trumpeter in the legendary, and Vatican-approved, Blues Brothers band.

Here is the official word from the Los Angeles Times obituary page,

Trumpet player Alan Rubin was recruited to join the Blues Brothers after backing up John Belushi and Dan Aykroyd in the “Saturday Night Live” television skits that spawned the band in the late 1970s.

One of many gifted session musicians in the group, Rubin became known for his movie portrayal of head waiter Mr. Fabulous in 1980′s “The Blues Brothers” and a 1998 sequel.

Rubin died Wednesday of lung cancer at Memorial Sloan-Kettering Cancer Center in New York City, said his wife, Mary Moreno Rubin. He was 68.

He was a premier New York City session musician who was “sought out for his expertise in playing every style of music — from classical to jazz to blues to rock and disco — authentically and artistically,” the Original Blues Brothers Band said in a statement.

When asked about his professional biography, Rubin liked to say: “Been everywhere, played with everyone.”

Read the rest here. Remember this scene with Rubin?

Here he is backing up Jake and Elwood with the rest of “the Band,” ahem, and the constabulary of the Greater Chicago area. Did I mention the Nazi Brownshirts too? The whole clip is available at You Tube. Below is a snippet.

http://www.wat.tv/swf2/283092nIc0K114958939

Ow…That dude could play. Say a prayer for Mr. Rubin’s soul, and also for his loved ones who mourn their loss. Thanks for the music Alan, and thanks for the memories!

To Run Against the Wind -UPDATED

What do you seek? I mean once you come to grips with your mortality. Especially when your best laid plans fall apart in an instant via illness, an accident, or perhaps a death in the family. There you were sailing along majestically, deluded by your own good fortune to the point that you actually thought you were controlling your destiny.

Perhaps you felt you had figured out the game of life. You believed you could will your way to an earthly heaven. Yes, you are a winner, and winners never quit. And then everything you had mapped out for yourself slipped away from you.

Your dreams slipped past you like a stranger in a crowd. Or just when thought you knew what would make you happy, and when your idea of what you would spend your life doing was coming to fruition, it became unobtainable through no fault of your own, either for the reasons outlined above or because the economy takes a dive.

The gifts given to you are not yours, see, but they are on loan to you. Besides that, your gifts span various disciplines, while the world forces you to specialize in one discipline to the exclusion of the others. Surely you’ve noticed that. The jack-of-all-trades is lampooned as a “master of none.” “Those who can, do. Those who can’t, teach.” And so it goes.

Suppose, for example, that the occupation you think will bring you the most personal satisfaction becomes impossible for you to do. Or perhaps there is no market for that pursuit which brings you the most personal fulfillment or happiness. Or it’s likely that many share the same calling you love, but the competition is so cut-throat that only a few actually succeed. Ideas of “follow your bliss” ring hollow then. Folks who are disabled due to an accident encounter this moment of truth in a rude awakening every day.

Or suppose the person you love reneges on their promise to love you back. Often that is how you come face to face with the supposed virtue of selfishness. Which brings me to this scene from the movie Forrest Gump. Remember it? Forrest’s mother has died, the love of his life is gone, so he goes running back and forth across the country. Why?

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There you are running back and forth through this life for no apparent reason. And then it dawns on you that the winds of the world are going every which way. They are blowing you hither and yon. At some point you realize that you need to stop. Time to head home.

Did you here that last song in the clip? That’s from Bob Seger’s eleventh album. It came out a few month’s after Pink Floyd’s The Wall. In a way, it is a song-story exactly like what I’m writing about here, only better. The album went to number one on the charts because it resonants with our experiences in this world. This could be a theme song for YIMCatholic.

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G.K. Chesteron, in his biography of Charles Dickens, weighs in with some thoughts to conclude this post with.

“If we are to save the oppressed, we must have two apparently antagonistic emotions in us at the same time. We must think the oppressed man intensely miserable, and at the same time intensely attractive and important. We must insist with violence upon his degradation; we must insist with the same violence upon his dignity. For if we relax by one inch the one assertion, men will say he does not need saving. And if we relax by one inch the other assertion men will say he is not worth saving. The optimists will say that reform is needless. The pessimists will say that reform is hopeless. We must apply both simultaneously to the same oppressed man; we must say that he is a worm and a god; and we must thus lay ourselves open to the accusation (or the compliment) of transcendentalism.”

And that is about all I have to say about that.

“Post-Rapture Scare” Music (Caritas in Veritate Edition)

Like a champion athelete that should retire when they are on top, I probably should have quit when I was ahead when it comes to the most recent Rapture scare. But the thing is, this isn’t the first prediction of the end of the world and it won’t be the last.

The Bible may not guarantee it, but I will. And we get to do this all over again in 2012 too? Sheesh! But wait a second; the Bible does guarantee something: there is no knowing when the end will come, so stop with the guessing already.

Not only does Christ the LORD state this clearly (see Photoshopped billboard above) once, but He does so repeatedly. Here, here, here, and here. For good measure, the Apostles Peter and Paul do so as well, here and here, respectively. And did I mention Christ said it again here? Practically everywhere throughout the New Testament! Sorry to engage in Shock and Awe scripture tactics but beware the Catholic who reads his Bible regularly.

So, you see, I’m still going to have some fun with this event while hopefully spreading the Truth with Charity (see above links, por favor). Oh, and before we get any further, the Catholic Church (the one founded by the Just Judge Himself) has stated unequivocally that what Christ and the Disciples said about all the end of the world stuff is absolutely and unchangeably true. Catholics believe in the end of the world. It will happen once, and for all. But not on the time-table of any charlatan who thinks he can decipher the mind of God the Father. Even the Son didn’t go there. So that idea is most assuredly laugh-out-loud funny.

So let’s get to some of the music that my friends and I thought of while waiting for this most recent bout of end-times silliness (see you again next year) to pass. First up, the best pop song I can think of that makes light of Apocalypse now!

It’s the End of the World, As We Know It (And I Feel Fine), R.E.M. No set up for this is needed, right? I felt fine, how about you? I didn’t even break out my stash of spare bricks for the post-Rapture looting I invited everyone to attend. Yep, I was that confident that God wouldn’t satisfy the pride of a huckster by showing up on the schedule (say that the British way, for effect) of a mere mortal.

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Rapture, Blondie. A number of my friends posted this one on their Facebook walls. About all that this song has in common with the end of the world is the word “rapture.” Deborah Harry helped bring rap music mainstream with this song. The Mars Attacks! theme sort of reminds me of the zombie apocalypse (see my “Theology of the Zombie” post for details) scenario in a way.

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Dueling Banjo, from the movie Deliverance. See, God is subtle, and as the scriptures (and the Church) clearly teach, the end is unknowable. And your personal end is unknowable too. But something like this happening might be a sign that you should pay attention to. Just sayin’.

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One of Us, Joan Osborne. Several of my friends shared their “If this was the last day on Earth” music as the clock ticked down. This tune made Catholic author Mary DeTurris Poust’s play list. She also wrote a little post about the event you may enjoy as well. Have a look while you listen to Ms. Osbourne.

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Everybody Wants to Rule the World, Tears for Fears. The idea for sharing this song just came over me. Perhaps it’s the name of the band, which fits this event to a “t”, as well as the general idea behind the song. Harold Camping, and his ilk, have a problem with letting the Maker of Heaven and Earth, of all that is seen and unseen, rule the world, see? Yo! Mr. Camping—get your hand off the tiller.

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Won’t Get Fooled Again, Pete Townsend. This song is about politics on one level, and about being duped (with startling regularity) on the other. A huge hit for Pete’s band the Who, he’ll go a little softer with his acoustic version. But not much.

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I Will Always Be True, Third Day. Rounding out this seven song set, the gang from Third Day puts this whole episode into the proper perspective for us. After all, Truth Incarnate said “Do not let your hearts be troubled. You have faith in God; have faith also in me.”

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Next week, I’ll get back to the Jesus Goes Mainstream series.

Jesus Goes Mainstream, Classical Music Edition

Over the last several weeks here on Music for Mondays, I’ve been exploring Jesus in mainstream culture through music. So far I’ve covered pop hits from the 1960′s and 70′s, as well as the 1980′s up through the early 2000′s. Last week I took you back to the times of Spain shortly after the Protestant Reformation.

Yes, I’m zig-zagging all over the timeline. For this week, I’m moving forward a bit starting in 1723 with pieces by Bach, then to the mid 1700′s with Handel (that’s him in the portrait above) and ending in 1825 with something by Franz Schubert.

First up is a selection that I always remember fondly because my wife chose it for our wedding. What, you too? Ain’t it grand?

Jesu, Joy of Man’s Desiring, J.S. Bach. Performed to a standing ovation of proud parents and admirers, kids from the Joven Orquesta del Club Argentino do Bach’s piece justice here,

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St. John’s Passion, J.S. Bach (1724). Performed by The Chamber Orchestra of Kazan State Conservatoire. You know what is neat about this performance from Russia? It’s so well done, and since the Feast of Our Lady of Fatima was last Friday, what better than to hear classical Jesus music from Russia? Thank God folks are able to worship there again! And play music like this too.

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St. Matthew’s Passion, J.S. Bach (1727). Bach also wrote a Passion from the gospel of Matthew. Possibly the gospels of Mark and Luke as well. This selection is performed by the Brandenburg Concerto with tenor Martyn Hill. I love the oboe in this piece, don’t you?

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Behold the Lamb of God, George Frideric Handel. This is performed by The London Philharmonic Orchestra and Chorus from Handel’s “Messiah.” Handel wrote this in 1741, and revised it in 1754. FYI, Handel is buried in Westminster Abbey and has a feast day on the Episcopal Church calender.

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And the Glory of the Lord, George Frideric Handel. Also from “Messiah,” this time performed by the Bow Valley Chorus, from Alberta, Canada.

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Ave Maria, Franz Schubert This was played at my wedding too (I married a Catholic girl, remember?). From Schubert’s Lady in the Lake, based on poems by Sir Walter Scott, this is the prayer of the character Ellen Douglas, sung to Our Lord’s (and our) Mother. Led by violinist Joshua Bell, this is the Verbier Fesitval Chamber Orchestra, with guest Angelika Kirchschlager as the mezzo soprano. Bravo!

That’s about all the time we have for today. I promise more for next Monday. Ciao!

Thanks to Tomás Luis de Victoria: Singer, Composer, Priest

Over the past couple of weeks, I’ve been sharing musical selections from contemporary culture that are Christocentric. This week I wanted to take that same theme, but apply it to a much earlier era. While attempting to do so, I stumbled upon the works of Tomás Luis de Victoria.

Now, if I was from Spain, I would probably have learned of de Victoria in grammer school. I’m not from Spain, but I’m a Catholic now, see, so Christ’s whole world is open to me. Call it Jesus’s Big Back Yard, and come along with me to learn about one of our neighbors.

I found an article about de Victoria in the on-line version of Gramophone, a publication out of the U.K. that purports to be “the world’s authority on classical music since 1923.” The author, Edward Breen (who packs enough musical/intellectual bonafides to fill a barn) writes,

Born into a large and influential family near Ávila in 1548, Victoria died in Madrid on August 20, 1611. As a choirboy in Ávila Cathedral he studied with the leading Spanish composers of his time, yet this great Spanish renaissance composer was to be active in Italy for an important part of his life. In the mid 1560s he was sent to the Jesuit Collegio Germanco (a seminary founded in response to the spread of Lutheranism) in Rome.

Avila? Where have I heard of that place before?

Enrolled as a singer, Victoria would have lived alongside English, Spanish and Italian boarders as well as those in training for the German missionary priesthood. In the period leading up to his first publication of motets (1572) it is most likely that Victoria knew Palestrina  (who at the time was maestro di cappella at the Seminario Romano) and may even have been taught by him. Certainly modern commentators feel that Victoria was the first Iberian composer fully to master Palestrina’s style. His work as a singer and organist in Rome lead to a teaching post at the Collegio Germanico and eventually to the priesthood after his wife’s death in 1577.

The “eventually to the priesthood after his wife’s death,” is the part that really woke me up. How many times have you heard that folks who become priests, or immerse themselves in the faith, just can’t cut the mustard in the arts? Or in the sciences, for that matter? But sticking to the musical arts, here is a guy who was perhaps a model for Fr. Antonio Vivaldi, a composer you may have heard of, to look up to and perhaps follow in his footsteps.

How important is this de Victoria guy anyway? As the Catholic Encyclopedia reference on Passion Music tells it, he is important enough for the experts to Italianize his name because,

Probably the most important musical interpretations of (the Passion) text are the two by Tomas Luis da Vittoria (1540-1613). Vittoria, retains the plain-chant melodies for single persons and makes them serve, after the manner of Obrecht, as canti fermi in the ensemble. The value of these works is proved by the fact that for more than three hundred years they have formed part of the repertory of the Sistine Chapel choir for Holy Week.

Make that 400 years now. I found another citation on Fr. Tomás where I least expected it. Would you believe Absolute Astronomy? That’s where I learned this about the guy I’d never heard of,

is the most significant composer of the Counter-Reformation in Spain, and one of the best-regarded composers of sacred music in the late Renaissance, a genre to which he devoted himself exclusively. Victoria’s music reflected his intricate personality. In his music, the passion of Spanish mysticism and religion is expressed. Victoria was praised by Padre Martini for his melodic phrases and his joyful inventions. His works have undergone a revival in the 20th century, with numerous recent recordings. Many commentators hear in his music a mystical intensity and direct emotional appeal, qualities considered by some to be lacking in the arguably more rhythmically and harmonically placid music of Palestrina.

Calm down though and remember who is writing this post. Like I said when I wrote about Fr. Vivaldi, I’m no music scholar; I only know what I like. So let’s have a listen to Fr. Tomás’ work and see what all the fuss is about.

Vox Coelestis, O Magnum Mysterium. All I can say is Alleleuia indeed! Here is the English translation,

O great mystery,
and wonderful sacrament,
that animals should see the new-born Lord,
lying in a manger!
Blessed is the Virgin whose womb
was worthy to bear
Christ the Lord.
Alleluia!

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Tallis Scholars First Lamentation for Maundy Thursday.

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Taedet animam meam. This is taken for the Book of Job (10:1-7) Get out your Bible and read along.

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Westminster Cathedral Choir, ‘Communio’ from Requiem

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Matritum Cantat Choir, Tenebrae factae sunt.

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Well, what do you think? Would you believe there are nine pages worth of videos of his works over on You Tube? You can learn more about Fr. Tomás in Grove’s Dictionary of Music and Musicians. Meanwhile, I need to get cracking on learning more about this fellow named Palestrina.


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