{"id":3813,"date":"2013-04-28T04:01:05","date_gmt":"2013-04-28T08:01:05","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/anxiousbench\/?p=3813"},"modified":"2013-04-25T14:01:59","modified_gmt":"2013-04-25T18:01:59","slug":"westerns-theology","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/anxiousbench\/2013\/04\/westerns-theology\/","title":{"rendered":"WESTERNS THEOLOGY"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p>No, the title isn\u2019t a typo. From my earliest years, I have always had a special affection for Western films, and a few of these at least make powerful religious statements.<\/p>\n<p>Westerns after all are set in a particular period of US history, roughly 1870-1900 or so, a time when religion broadly defined played a huge part in American life. The best films amply reflect the social history of the period. Some directors, above all John Ford, make wonderful and highly appropriate use of the hymns of the era. (See for instance Kathryn Kalinak\u2019s <em><a href=\"http:\/\/www.amazon.com\/How-West-Was-Sung-Westerns\/dp\/0520252349\/ref=sr_1_1?ie=UTF8&amp;qid=1366912727&amp;sr=8-1&amp;keywords=how+the+west+was+sung\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">How the West Was Sung: Music in the Westerns of John Ford<\/a><\/em>). Actually, there\u2019s still room for a more general book on Hymns and Westerns. There may be people who can hear \u201cShall We Gather at the River?\u201d without thinking of Sam Peckinpah\u2019s <em>The Wild Bunch<\/em>, but I am not one of them.<\/p>\n<p>One of my all-time favorite films is Peckinpah\u2019s 1962 <em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Ride_the_High_Country\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Ride the High Country<\/a><\/em>, a magnificent story of two very old gunfighters adrift in a modern world that no longer needs or understands them. Gil Westrum (Randolph Scott) and Steve Judd (Joel McCrea) are hired to carry a gold shipment from a mining camp down to the town that represents commerce and civilization. Westrum, though, plans to steal the gold, and tries subtly to win Judd over to his point of view. Judd will have none of this. Having lived a long and hard life, he says, he has little in the way of material possessions. Now, \u201call I want is to enter my house justified.\u201d Realizing his cause is hopeless, Westrum must seek other means of winning his goal.<\/p>\n<p>\u201cAll I want is to enter my house justified.\u201d What exactly is this? Partly, it\u2019s adapted from the New Testament tale of the Pharisee and the publican in Luke 18. The publican does not dare to pray at length. He \u201cwould not lift up so much as his eyes unto heaven, but smote upon his breast, saying, God be merciful to me a sinner. I tell you [says Jesus], this man went down to his house justified rather than the other: for every one that exalteth himself shall be abased; and he that humbleth himself shall be exalted\u201d (vv.13-14).<\/p>\n<p>But I show my ignorance here. Judd\u2019s citation does not precisely match the Biblical text \u2013 he wants to enter his house, rather than go down to it. And in the context of nineteenth century America, the word \u201cjustified\u201d carries a huge amount of Protestant theological freight. Does Judd\u2019s version follow a particular nineteenth or twentieth century source? Is he quoting the language of revivalists at the time?<\/p>\n<p>To provide a context, Peckinpah\u2019s biographers agree that the Steve Judd character borrows heavily from Sam\u2019s own father, David Peckinpah. We also know that Sam often gave his characters lines that he had heard growing up on a Californian ranch. Sam himself was born in 1925, so the older people around him would have been the children of the pioneer generation. I am wondering, then, whether \u201center my house justified\u201d might have been a common phrase from the turn of the twentieth century\u00a0 or before. Perhaps particularly in the West?<\/p>\n<p>Can anyone assist me?<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>No, the title isn\u2019t a typo. From my earliest years, I have always had a special affection for Western films, and a few of these at least make powerful religious statements. Westerns after all are set in a particular period of US history, roughly 1870-1900 or so, a time when religion broadly defined played a [&hellip;]<\/p>\n","protected":false},"author":1001,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[726,824,823,822],"class_list":["post-3813","post","type-post","status-publish","format-standard","hentry","category-philip-jenkins","tag-hymns","tag-john-ford","tag-ride-the-high-country","tag-sam-peckinpah"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>WESTERNS THEOLOGY<\/title>\n<meta name=\"description\" content=\"No, the title isn\u2019t a typo. 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