What would happen if you took a copy of Les Miserables and highlighted the bits about Jean Valjean, that illustration of grace and mercy, and Javert, relentless man of the law, and left out all that other stuff about student revolutions and orphaned waifs and the never-ending Battle of Waterloo? Okay, yeah, you would get The Fugitive. But add in trains, carnivals, cowboys, and the dying dream of the Old West, and you’ve got Leif Enger’s So Brave, Young, and Handsome, a distinctly American tale of redemption. Read more