{"id":73607,"date":"2019-04-28T17:15:18","date_gmt":"2019-04-28T23:15:18","guid":{"rendered":"https:\/\/admin.patheos.com\/blogs\/danpeterson\/?p=73607"},"modified":"2019-04-28T17:15:18","modified_gmt":"2019-04-28T23:15:18","slug":"playing-through-pain-and-the-insufficiency-of-this-life","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/danpeterson\/2019\/04\/playing-through-pain-and-the-insufficiency-of-this-life.html","title":{"rendered":"Playing through pain, and the insufficiency of this life"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p>\u00a0<\/p>\n<figure id=\"attachment_33811\" aria-describedby=\"caption-attachment-33811\" style=\"width: 597px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/186\/2016\/05\/800px-Utah_symphony_at_Abravanel_Hall.jpg\" class=\" decorated-link\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-33811\" src=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/186\/2016\/05\/800px-Utah_symphony_at_Abravanel_Hall.jpg\" alt=\"Utah Symphony Orchestra in SLC\" width=\"597\" height=\"380\"><\/a><figcaption id=\"caption-attachment-33811\" class=\"wp-caption-text\">The Utah Symphony, at Abravanel Hall \u00a0(Wikimedia Commons public domain photograph)<\/figcaption><\/figure>\n<p>\u00a0<\/p>\n<p>On Saturday night (27 April 2019), although we\u2019re facing numerous deadlines and really didn\u2019t have the time to do it, my wife and I, after having shared a good dinner from Market Street Grill with her father, attended a Utah Symphony concert at Abravanel Hall in Salt Lake City.<\/p>\n<p>\u00a0<\/p>\n<p>They played three pieces:<\/p>\n<ul>\n<li>Wolfgang Amadeus Mozart, Symphony No. 31 in D Major, K. 300a [297] (\u201cParis\u201d)<\/li>\n<li>Joaquin Rodrigo, <em>Concierto de Aranjuez<\/em> for Guitar and Orchestra<\/li>\n<li>Robert Schumann, Symphony No. 2 in C Major, Op. 61<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<figure id=\"attachment_39567\" aria-describedby=\"caption-attachment-39567\" style=\"width: 596px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/186\/2017\/02\/800px-Alhambra_by_night.jpg\" class=\" decorated-link\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-39567\" src=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/186\/2017\/02\/800px-Alhambra_by_night.jpg\" alt=\"The Alhambra by night\" width=\"596\" height=\"301\"><\/a><figcaption id=\"caption-attachment-39567\" class=\"wp-caption-text\">Until its surrender in 1492, the Alhambra (in Granada, Spain) was the last Arab holdout against the Spanish Reconquista<br>(Wikimedia Commons public domain)<\/figcaption><\/figure>\n<p>\u00a0<\/p>\n<p>We really went in order to hear Joaquin Rodrigo\u2019s <em>Concierto de Aranjuez<\/em>, which is one of the truly great pieces for classical guitar \u2014 one of my passions. \u00a0(The Spanish love for guitar, and the Spanish style of guitar playing, obviously derive in part from the eight centuries of Arab presence in Iberia, from AD 711 to AD 1492, and specifically from the influence of <em>al-\u2018ud<\/em>, which essentially became the European lute. \u00a0Flamenco music is plainly Arab-influenced.)<\/p>\n<p>\u00a0<\/p>\n<p>The <em>Concierto de Aranjuez<\/em>\u00a0was played on Saturday evening, and played masterfully, by Pablo S\u00e1inz Villegas, who quite deservedly received three standing ovations (following the Rodrigo <em>concierto<\/em> and then two solo encores, first of a piece from his birthplace of La Rioja in Spain, the name of which I didn\u2019t catch but which is the featured element of <a href=\"http:\/\/classicalguitarmagazine.com\/watch-pablo-villegas-rioja-promo-video-album-with-domingo-is-imminent\/\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">this short promotional film<\/a> that he recorded on behalf of his home, and then of Francisco T\u00e1rrega\u2019s\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=sdaPoUNk5R8\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\"><em>Recuerdos de la Alhambra<\/em><\/a>\u00a0[\u201cMemories of the Alhambra\u201d]). \u00a0We thoroughly enjoyed his performance.<\/p>\n<p>\u00a0<\/p>\n<p>We also enjoyed the Mozart and Schuman symphonies \u2014 and I enjoyed the program notes by Michael Clive that accompanied them.<\/p>\n<p>\u00a0<\/p>\n<p>For Mozart\u2019s \u201cParis\u201d Symphony, Clive remarks on the composer\u2019s travel correspondence that \u201cHis frequent grouchiness went undisguised in his letters. \u00a0We can only wonder how his correspondence might have been different if he had known that every word would be scrutinized and analyzed by later generations . . . perhaps not at all, since he was never one to self-censor.\u201d<\/p>\n<p>\u00a0<\/p>\n<p>But it ought to give the rest of us pause. \u00a0If nobody else is scrutinizing us and analysing us, God and his angels are.<\/p>\n<p>\u00a0<\/p>\n<p>Of his \u201cParis\u201d Symphony and its projected Parisian audience, Mozart wrote to his father, Leopold, \u201cI hope that even these idiots will find something in it to like.\u201d<\/p>\n<p>\u00a0<\/p>\n<p>But there is a weightier \u201cwhat if\u201d to contemplate here. \u00a0It\u2019s mentioned prominently in Michael Clive\u2019s program notes, and it echoes a theme that I\u2019ve sounded elsewhere, coincidentally also in the context of classical music:<\/p>\n<p>\u00a0<\/p>\n<p><a href=\"https:\/\/www.deseretnews.com\/article\/765590762\/Beethoven-is-a-study-in-hope-healing.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">https:\/\/www.deseretnews.com\/article\/765590762\/Beethoven-is-a-study-in-hope-healing.html<\/a><\/p>\n<p>\u00a0<\/p>\n<p>Joaquin Rodrigo, the composer of the\u00a0<em>Concierto de Aranjuez<\/em>, lived to be 98. \u00a0That\u2019s obviously unusual. \u00a0\u201cSo many of classical music\u2019s great geniuses,\u201d Clive writes, \u201cled tragically short lives \u2014 Mozart, Schubert, Mendelssohn, and Bizet all died in their 30s.\u201d<\/p>\n<p>\u00a0<\/p>\n<figure id=\"attachment_73613\" aria-describedby=\"caption-attachment-73613\" style=\"width: 595px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/186\/2019\/04\/GUERNICA-1.jpg\" class=\" decorated-link\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-73613\" src=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/186\/2019\/04\/GUERNICA-1.jpg\" alt=\"Guernica by Picasso\" width=\"595\" height=\"262\"><\/a><figcaption id=\"caption-attachment-73613\" class=\"wp-caption-text\">Pablo Picasso, \u201cGuernica\u201d (1937);\u00a0Wikimedia Commons public domain image<\/figcaption><\/figure>\n<p>\u00a0<\/p>\n<p>But tragic sorrows and limitations come in other forms, as well. \u00a0Rodrigo, for instance, was blinded by diphtheria at age 3. \u00a0\u201cHe credited the apparent calamity of his illness for his lifelong involvement in music.\u201d \u00a0And, to choose just one instance from his work, many have guessed that <a href=\"https:\/\/www.youtube.com\/watch?v=ekznnxaGzNU\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">the famous second movement of his\u00a0<em>Concierto de Aranjuez<\/em><\/a>, which was composed in Paris in 1939, was inspired by the horrific 1937 Nazi bombing of the Basque town of Guernica during the Spanish Civil War. \u00a0According to what I\u2019ve read elsewhere, though, Rodrigo\u2019s wife says that part of the \u201cinspiration\u201d for the piece was the utter devastation that the composer felt when they lost their first baby by miscarriage.<\/p>\n<p>\u00a0<\/p>\n<p>Genius is scarcely exempt from trial and sadness.<\/p>\n<p>\u00a0<\/p>\n<p>\u201cThroughout his adult life,\u201d Robert Schumann, the composer of the third piece on the program, \u201cexperienced bouts of crippling depression. . . . \u00a0His illness was so severe that he periodically needed hospitalization.\u201d \u00a0His life was \u201ca dark struggle.\u201d \u00a0And he, too, died relatively young, at 46.<\/p>\n<p>\u00a0<\/p>\n<p>He set out to be a virtuoso pianist, but an injury to his hand shut that door before him forever.<\/p>\n<p>\u00a0<\/p>\n<p>\u201cYet,\u201d comments Clive, \u201che managed to breathe the most positive elements of Romanticism into his music . . . he was a devoted husband, a productive composer, and a champion of up-and-coming composers.\u201d \u00a0\u201cIn his music we sense light.\u201d<\/p>\n<p>\u00a0<\/p>\n<p>From piano performance, Schumann turned to piano composition, then to full orchestral music, and eventually to symphonic composition.<\/p>\n<p>\u00a0<\/p>\n<p>Even so, Schumann\u2019s work on his Symphony No. 2 \u201cwas interrupted by bouts of depression, dementia, and tinnitus \u2014 a ringing in the ears that plunged his musical imagination into shadow, like an eclipse. \u00a0His joints ached, his head throbbed, but he persevered.\u201d<\/p>\n<p>\u00a0<\/p>\n<p>\u201cMusic history,\u201d Clive concludes, \u201cis full of what-if questions. \u00a0One of the most tantalizing is suggested by Schumann\u2019s illness, which afflicted him in both body and mind. \u00a0It would be treatable today. \u00a0What if it had been treatable during his lifetime?\u201d<\/p>\n<p>\u00a0<\/p>\n<p>What if?<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 \u00a0 On Saturday night (27 April 2019), although we\u2019re facing numerous deadlines and really didn\u2019t have the time to do it, my wife and I, after having shared a good dinner from Market Street Grill with her father, attended a Utah Symphony concert at Abravanel Hall in Salt Lake City. \u00a0 They played three [&hellip;]<\/p>\n","protected":false},"author":1019,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-73607","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Playing through pain, and the insufficiency of this life<\/title>\n<meta name=\"description\" content=\"&nbsp; &nbsp; On Saturday night (27 April 2019), although we&#039;re facing numerous deadlines and really didn&#039;t have the time to do it, my wife and I, after\" \/>\n<meta name=\"robots\" content=\"index, follow, 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