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<oembed><version>1.0</version><provider_name>Drishtikone</provider_name><provider_url>https://www.patheos.com/blogs/drishtikone</provider_url><author_name>Desh Kapoor</author_name><author_url>https://www.patheos.com/blogs/drishtikone/author/drishtikone/</author_url><title>The Art of Great Movie Direction</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="YR4Z5LbCqA"&gt;&lt;a href="https://www.patheos.com/blogs/drishtikone/2007/07/art-great-movie-direction/"&gt;The Art of Great Movie Direction&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.patheos.com/blogs/drishtikone/2007/07/art-great-movie-direction/embed/#?secret=YR4Z5LbCqA" width="600" height="338" title="&#x201C;The Art of Great Movie Direction&#x201D; &#x2014; Drishtikone" data-secret="YR4Z5LbCqA" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><description>I believe all GREAT directors - when they direct a movie - embed an emotion .... underlying and intangible but very prominent in their movie. So primarily, great film direction involves being able to inject and steep your movie in a certain ethos that you espouse and can effectively create. It is the second nature or the very core of the director's existence. You cannot do it until YOU completely have it as your passion and core of being. So, only the most profound of people at their core become Great Directors. Technique is not what makes a good director Great - but his/her own CORE OF BEING! Guru Dutt's favorite emotion was PATHOS. Everyone who sees the movie can feel that pathos written all over EVERY bit of the movie. His movie Pyaasa was ranked by TIME as one of World's Greatest movies of all times. Of course, while compiling the list, the "judges" were obviously heavily Hollywood centric so most of the movies (in true tradition of most "World championships" in the US) are from ... well.. the US! If you saw Raj Kapoor's movie - it was ALWAYS that "other-worldly romance" that was the underlying emotion. He had - I think in Aag, his very first directorial movie - described beauty and romance as first purest dew drop being touched by the first rays of sun.. FANTASTIC visualization of what ultimate beauty and romance could be. THAT emotion was his underlying theme.</description><thumbnail_url>http://ec1.images-amazon.com/images/I/41BifTaM3jL._AA240_.jpg</thumbnail_url></oembed>
