Will Heterosexuality and Anagrams Save Us from Tyranny?<\/title>\n<meta name=\"description\" content=\"So on Sunday I went to the Kennedy Center for a children's show, "Where Words Once Were." Cannot confirm the effect on actual children of this fable about\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/evetushnet\/2016\/11\/will-heterosexuality-anagrams-save-us-tyranny.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Will Heterosexuality and Anagrams Save Us from Tyranny?\" \/>\n<meta property=\"og:description\" content=\"So on Sunday I went to the Kennedy Center for a children's show, "Where Words Once Were." 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{"id":10681,"date":"2016-11-30T14:00:07","date_gmt":"2016-11-30T18:00:07","guid":{"rendered":"http:\/\/admin.patheos.com\/blogs\/evetushnet\/?p=10681"},"modified":"2016-11-30T14:00:07","modified_gmt":"2016-11-30T18:00:07","slug":"will-heterosexuality-anagrams-save-us-tyranny","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/evetushnet\/2016\/11\/will-heterosexuality-anagrams-save-us-tyranny.html","title":{"rendered":"Will Heterosexuality and Anagrams Save Us from Tyranny?"},"content":{"rendered":"\n<\/head>

So on Sunday I went to the Kennedy Center for a children\u2019s show, \u201cWhere Words Once Were<\/a>.\u201d Cannot confirm the effect on actual children of this fable about totalitarian control of language, since the lad with whom I saw the play was (ironically) disinclined to offer his commentary. But the show offered a window into what our artists and teachers can and can\u2019t imagine.<\/p>\n

So here\u2019s the thing: It\u2019s probably a fine show, if heavy on the explanations. The look and feel is very \u201cturquoise-gray dystopia where it rains all the time,\u201d the characters dress exclusively in drab, but it\u2019s fine. The idea is that the government of \u201cThe City\u201d controls which words people can use, and limits them to a vocabulary of 1,000 words. (The explanation for this is nonsense about resource wars; fine, whatever, we are all vulgar Marxists now apparently.) If a government-approved word gets added, like the fictional tech term \u201cphotosubmissionization,\u201d then a normal word like \u201cbeautiful\u201d must be booted.<\/p>\n

A lot of my work, as it happens, is based on this idea that losing the word for a thing means losing a source of hope and a form of love. Lots of my work on vocation is about rescuing words: beguinage, covenant friendship, godsibling, bridal mysticism. There\u2019s a terrifying forgetfulness in our culture\u2013and in our churches\u2013an unwillingness to see ways in which people used to understand and organize their lives and their relationship with God. Many of the lost words that interest me are themselves shadowed with structural sin: public penance, usury<\/a>. But at the very least let\u2019s not pretend we\u2019ve made the world a better place by excising \u201cwhipping post\u201d from the dictionary only to replace it with \u201csolitary confinement.\u201d<\/p>\n

So, okay, I was sympathetic to the basic idea of the show. But in a grimly ironic twist, the show\u2019s most memorable elements for me turned out to be the limits of its own imagination.<\/p>\n

This is just a relentlessly heterosexual and romance-minded play. The two relationships which most clearly spark resistance to tyranny are both relationships where a man and a woman are mysteriously drawn to one another by the one power which is acknowledged to be stronger than that of the state. Every main character is paired off, and paired off in a specifically romantic way. The idea that same-sex friendship (for example) could be an equally strong bond between people is just nowhere. \u201cWhere Words Once Were\u201d isn\u2019t as egregious about this as \u201c Lava<\/a>\u201c\u2013its human ecology includes filial love, and eventually the bond between uncle and niece. But the phantom hero of this show\u2013the motive, the engine of resistance\u2013is heterosexuality.<\/p>\n

That\u2019s made clearer because the show, like so much contemporary dystopian fiction, doesn\u2019t really believe that people believe<\/em> things. Every motivation reduces to personal relationship: He loves her, she loves him, that\u2019s the only reason anybody ever does anything. Nobody discusses ideals, virtues; or the place where belief and personal relationship meet, which is our relationship to God.<\/p>\n

I don\u2019t know that I wanted the Kennedy Center to make up some fake religion. (Could they all just be Jews, though? I think I would\u2019ve made them all Jews.) But when you lose the relationship to God\u2013probably the single type of relationship that has inspired the most, and the most uncompromising, resistance to state tyranny\u2013you also lose a compelling alternative to heteronormativity. If somebody in this play was motivated by love of God it would be by far the queerest relationship in the show.<\/p>\n

The message of \u201cWhere Words Once Were\u201d is, \u201cHeterosexuality and anagrams will save us from dictatorship!\u201d I suspect that only works when the Czechs do it<\/a>.<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"