{"id":10735,"date":"2017-01-24T11:25:53","date_gmt":"2017-01-24T15:25:53","guid":{"rendered":"http:\/\/admin.patheos.com\/blogs\/evetushnet\/?p=10735"},"modified":"2017-01-24T11:25:53","modified_gmt":"2017-01-24T15:25:53","slug":"roes-missing-stories-im-first-things","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/evetushnet\/2017\/01\/roes-missing-stories-im-first-things.html","title":{"rendered":"&#8220;&#8216;Roe&#8217;s&#8217; Missing Stories&#8221;: I&#8217;m at First Things"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p>playwatching:<\/p>\n<blockquote><p><i>Roe<\/i>, the new play from Lisa Loomer about the woman at the heart of the 1973 Supreme Court case legalizing abortion, is much like its main subject: easily distracted, unbalanced, but undeniably compelling.<\/p>\n<p class=\"Standard\"><i><a href=\"https:\/\/www.arenastage.org\/shows-tickets\/the-season\/productions\/roe\/\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Roe<\/a><\/i> (at Arena Stage in Washington, DC through February 18) at first suggests that it will be a story of two women. The play opens with Norma \u201cJane Roe\u201d McCorvey (Sara Bruner) and lawyer Sarah Weddington (Sarah Jane Agnew) speaking in unison. We\u2019re encouraged to think that their life trajectories, before and after the case that brought them together, will tell us something about abortion and moral conflict in America.<b><\/b><\/p>\n<p class=\"Standard\">\u2026 Norma transforms more than once\u2014from lesbian barfly to abortion-rights icon to Christian conservative\u2014and her hunger and vitality blaze out at you in every stage of her life.<\/p>\n<\/blockquote>\n<p><a href=\"https:\/\/www.firstthings.com\/web-exclusives\/2017\/01\/roes-missing-stories\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">more<\/a>; spoilers for, I guess, the real life of Norma McCorvey. (Although my thoughts at the end refer to \u201cNorma\u201d the character, not McCorvey the real person, about whom I have only Wikipedia-level knowledge.)<\/p>\n<p>By the way, I thought about how to present images of fetal life in a way that would be artistically- and not just philosophically-justified\u2013a way to make these images serve the play\u2019s aesthetic as well as its ambition to provoke debate. The strongest way to do it would be if every time we see a pregnant woman onstage (or learn that a woman is pregnant), we at some point see a projected image of her unborn child. That would fit the play\u2019s stylization, and give the visual design a collage texture similar to the script\u2019s use of fourth-wall breaking. It also suggests the play\u2019s theme that in any situation there are multiple unseen forces, unspoken realities which may or may not be acknowledged in our partisan histories. \u2026I do realize this would be even harder for many women who have had abortions to watch than other approaches to images of the unborn, and I think it\u2019s fair for a theater to take that into account.<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>playwatching: Roe, the new play from Lisa Loomer about the woman at the heart of the 1973 Supreme Court case legalizing abortion, is much like its main subject: easily distracted, unbalanced, but undeniably compelling. Roe (at Arena Stage in Washington, DC through February 18) at first suggests that it will be a story of two [&hellip;]<\/p>\n","protected":false},"author":1071,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15,9,7],"tags":[162,101,158,1264,32,11,30,271],"class_list":["post-10735","post","type-post","status-publish","format-standard","hentry","category-art","category-gay-catholic-whatnot","category-mackerel-snapping","tag-abortion","tag-america","tag-and-i-will-kneel-in-the-big-church","tag-gay-catholic-whatnot","tag-gayer-than-a-picnic-basket","tag-his-banner-over-me-was-love","tag-mackerel-snapping-2","tag-sun-sex-sin-death-and-destruction"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&quot;&#039;Roe&#039;s&#039; Missing Stories&quot;: I&#039;m at First Things<\/title>\n<meta name=\"description\" content=\"playwatching: Roe, the new play from Lisa Loomer about the woman at the heart of the 1973 Supreme Court case legalizing abortion, is much like its main\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/evetushnet\/2017\/01\/roes-missing-stories-im-first-things.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&quot;&#039;Roe&#039;s&#039; 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