{"id":122,"date":"2012-03-07T15:36:00","date_gmt":"2012-03-07T15:36:00","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/evetushnet\/2012\/03\/122\/"},"modified":"2012-03-07T15:36:00","modified_gmt":"2012-03-07T15:36:00","slug":"122","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/evetushnet\/2012\/03\/122.html","title":{"rendered":""},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><span style=\"font-weight:bold\">\u201cTHE GUILTY CAN FORGIVE\u2013THE INNOCENT TAKE REVENGE!\u201d<\/span> Before the first movie in the National Gallery of Art\u2019s <a href=\"http:\/\/www.nga.gov\/programs\/film\/bresson.shtm\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Robert Bresson series<\/a> started, we were warned that it was uncharacteristically melodramatic. Maybe that\u2019s why I liked it so much! I find Bresson\u2019s \u201cmature\u201d style emotionally battened-down to the point of catatonia, and it\u2019s really hard for me to get on board with his work, whereas in the early movie <span style=\"font-style:italic\">Les Anges du P\u00e9ch\u00e9<\/span> (The Angels of Sin\u2013!!!) I was totally engaged and found the characters and their dilemmas really compelling.<\/p>\n<p>The movie takes place in a convent of nuns whose special charism is ministry to women in prison. Many of the nuns are ex-cons themselves. There\u2019s fierce Mother St. John, a hard-bitten but deeply humble lady who reserves her tenderness for her cat; well-meaning Anne-Marie, a daughter of privilege with all the self-involved stupidity privilege can breed, but also with a sort of springtime sunniness of nature which evokes empathy even as you want to shake her; Therese, a convict to whom Anne-Marie feels a special and intense pull; and the Mother Superior, working to exercise leadership in a hothouse world of gossip and point-scoring disguised as spiritual direction.<\/p>\n<p>Therese, wrongfully convicted of a crime committed by her lover, speaks the line I used as the post title (which is a better way of describing <a href=\"http:\/\/eve-tushnet.blogspot.com\/2012_02_01_archive.html#609452650270195421\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">my problem with <span style=\"font-style:italic\">Silent Hill<\/span><\/a>, as well!), and the treatment of forgiveness in the movie is rich and insightful. The nuns\u2019 humility, pride, complicity, sincerity all come through clearly. The movie has a few noir touches or sequences but is mostly straightforward drama. If you like Dostoevsky and also nuns, you should give this a spin.<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>\u201cTHE GUILTY CAN FORGIVE\u2013THE INNOCENT TAKE REVENGE!\u201d Before the first movie in the National Gallery of Art\u2019s Robert Bresson series started, we were warned that it was uncharacteristically melodramatic. Maybe that\u2019s why I liked it so much! I find Bresson\u2019s \u201cmature\u201d style emotionally battened-down to the point of catatonia, and it\u2019s really hard for me [&hellip;]<\/p>\n","protected":false},"author":1071,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-122","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Eve Tushnet<\/title>\n<meta name=\"description\" content=\"&quot;THE GUILTY CAN FORGIVE--THE INNOCENT TAKE REVENGE!&quot; Before the first movie in the National Gallery of Art&#039;s Robert Bresson series started, we were warned\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/evetushnet\/2012\/03\/122.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:description\" content=\"&quot;THE GUILTY CAN FORGIVE--THE INNOCENT TAKE REVENGE!&quot; Before the first movie in the National Gallery of Art&#039;s Robert Bresson series started, we were warned\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.patheos.com\/blogs\/evetushnet\/2012\/03\/122.html\" \/>\n<meta property=\"og:site_name\" content=\"Eve Tushnet\" \/>\n<meta property=\"article:published_time\" content=\"2012-03-07T15:36:00+00:00\" \/>\n<meta name=\"author\" content=\"Eve Tushnet\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Eve Tushnet\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/evetushnet\/2012\/03\/122.html\",\"url\":\"https:\/\/www.patheos.com\/blogs\/evetushnet\/2012\/03\/122.html\",\"name\":\"\",\"isPartOf\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/evetushnet\/#website\"},\"datePublished\":\"2012-03-07T15:36:00+00:00\",\"dateModified\":\"2012-03-07T15:36:00+00:00\",\"author\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/evetushnet\/#\/schema\/person\/ca04686b93c92257f019070302a23415\"},\"description\":\"\\\"THE GUILTY CAN FORGIVE--THE INNOCENT TAKE REVENGE!\\\" Before the first movie in the National Gallery of Art's Robert Bresson series started, we were warned\",\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.patheos.com\/blogs\/evetushnet\/2012\/03\/122.html\"]}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/evetushnet\/#website\",\"url\":\"https:\/\/www.patheos.com\/blogs\/evetushnet\/\",\"name\":\"Eve Tushnet\",\"description\":\"Conservatism reborn in twisted sisterhood\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.patheos.com\/blogs\/evetushnet\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/evetushnet\/#\/schema\/person\/ca04686b93c92257f019070302a23415\",\"name\":\"Eve Tushnet\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/evetushnet\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/be87ff28da150cb07788911c22e42ae2?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/be87ff28da150cb07788911c22e42ae2?s=96&d=mm&r=g\",\"caption\":\"Eve Tushnet\"},\"url\":\"https:\/\/www.patheos.com\/blogs\/evetushnet\/author\/evetushnet\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Eve Tushnet","description":"\"THE GUILTY CAN FORGIVE--THE INNOCENT TAKE REVENGE!\" Before the first movie in the National Gallery of Art's Robert Bresson series started, we were warned","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.patheos.com\/blogs\/evetushnet\/2012\/03\/122.html","og_locale":"en_US","og_type":"article","og_description":"\"THE GUILTY CAN FORGIVE--THE INNOCENT TAKE REVENGE!\" Before the first movie in the National Gallery of Art's Robert Bresson series started, we were warned","og_url":"https:\/\/www.patheos.com\/blogs\/evetushnet\/2012\/03\/122.html","og_site_name":"Eve Tushnet","article_published_time":"2012-03-07T15:36:00+00:00","author":"Eve Tushnet","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Eve Tushnet","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.patheos.com\/blogs\/evetushnet\/2012\/03\/122.html","url":"https:\/\/www.patheos.com\/blogs\/evetushnet\/2012\/03\/122.html","name":"","isPartOf":{"@id":"https:\/\/www.patheos.com\/blogs\/evetushnet\/#website"},"datePublished":"2012-03-07T15:36:00+00:00","dateModified":"2012-03-07T15:36:00+00:00","author":{"@id":"https:\/\/www.patheos.com\/blogs\/evetushnet\/#\/schema\/person\/ca04686b93c92257f019070302a23415"},"description":"\"THE GUILTY CAN FORGIVE--THE INNOCENT TAKE REVENGE!\" Before the first movie in the National Gallery of Art's Robert Bresson series started, we were warned","inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.patheos.com\/blogs\/evetushnet\/2012\/03\/122.html"]}]},{"@type":"WebSite","@id":"https:\/\/www.patheos.com\/blogs\/evetushnet\/#website","url":"https:\/\/www.patheos.com\/blogs\/evetushnet\/","name":"Eve Tushnet","description":"Conservatism reborn in twisted sisterhood","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.patheos.com\/blogs\/evetushnet\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.patheos.com\/blogs\/evetushnet\/#\/schema\/person\/ca04686b93c92257f019070302a23415","name":"Eve Tushnet","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.patheos.com\/blogs\/evetushnet\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/be87ff28da150cb07788911c22e42ae2?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/be87ff28da150cb07788911c22e42ae2?s=96&d=mm&r=g","caption":"Eve Tushnet"},"url":"https:\/\/www.patheos.com\/blogs\/evetushnet\/author\/evetushnet"}]}},"_links":{"self":[{"href":"https:\/\/www.patheos.com\/blogs\/evetushnet\/wp-json\/wp\/v2\/posts\/122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.patheos.com\/blogs\/evetushnet\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.patheos.com\/blogs\/evetushnet\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/evetushnet\/wp-json\/wp\/v2\/users\/1071"}],"replies":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/evetushnet\/wp-json\/wp\/v2\/comments?post=122"}],"version-history":[{"count":0,"href":"https:\/\/www.patheos.com\/blogs\/evetushnet\/wp-json\/wp\/v2\/posts\/122\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.patheos.com\/blogs\/evetushnet\/wp-json\/wp\/v2\/media?parent=122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/evetushnet\/wp-json\/wp\/v2\/categories?post=122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/evetushnet\/wp-json\/wp\/v2\/tags?post=122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}