{"id":7250,"date":"2013-06-07T14:02:07","date_gmt":"2013-06-07T18:02:07","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/evetushnet\/?p=7250"},"modified":"2013-06-07T14:02:07","modified_gmt":"2013-06-07T18:02:07","slug":"dance-of-creation-i-review-the-fantastic-ballets-russes-exhibit","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/evetushnet\/2013\/06\/dance-of-creation-i-review-the-fantastic-ballets-russes-exhibit.html","title":{"rendered":"&#8220;Dance of Creation&#8221;: I Review the Fantastic Ballets Russes Exhibit"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p>at the National Gallery:<\/p>\n<blockquote><p>\u2026It\u2019s ambitious, and it mostly works. Even the walk over to the exhibit feels like a part of the show: In the cool, white, high-ceilinged landing of the gallery, you walk past George Segal\u2019s 1971 plaster sculpture <em>The Dancers<\/em>, in which a ring of four calm and focused women practice their moves. From this image of peace and clarity you suddenly enter the dark, exotic, lush world of the Ballets Russes exhibit: a world of inspiration and ecstasy. The walls are close, the music swells, and placid white is replaced by red and gold and blue.<\/p><\/blockquote>\n<p><a href=\"http:\/\/www.weeklystandard.com\/articles\/dance-creation_733932.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">more<\/a> (exhibit is <a href=\"http:\/\/www.nga.gov\/content\/ngaweb\/exhibitions\/2013\/diaghilev.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">showing through September 2<\/a>!)<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>at the National Gallery: \u2026It\u2019s ambitious, and it mostly works. Even the walk over to the exhibit feels like a part of the show: In the cool, white, high-ceilinged landing of the gallery, you walk past George Segal\u2019s 1971 plaster sculpture The Dancers, in which a ring of four calm and focused women practice their [&hellip;]<\/p>\n","protected":false},"author":1071,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[147,88,35,72,64,44],"class_list":["post-7250","post","type-post","status-publish","format-standard","hentry","category-art","tag-apollo-and-dionysos","tag-as-antony-said-to-cleopatra","tag-district-of-chaos","tag-in-the-flesh","tag-sublimity-now","tag-the-russian-soul"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&quot;Dance of Creation&quot;: I Review the Fantastic Ballets Russes Exhibit<\/title>\n<meta name=\"description\" content=\"at the National Gallery: ...It\u2019s ambitious, and it mostly works. 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