{"id":798,"date":"2010-03-31T17:32:00","date_gmt":"2010-03-31T17:32:00","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/evetushnet\/2010\/03\/798\/"},"modified":"2010-03-31T17:32:00","modified_gmt":"2010-03-31T17:32:00","slug":"798","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/evetushnet\/2010\/03\/798.html","title":{"rendered":""},"content":{"rendered":"\n<\/head>

CAMASSIA REVIEWS (PART OF) DEFIANCE<\/span><\/span>:<\/p>\n

This, probably more than anything, is what keeps the story from being a Tarantino fantasy. The Bielskis want to die like men, but they also recognize their own impotence. As much as Tec highlights the importance of their resistance, in contrast to the more typical images of Jews as passive victims, the Bielskis are ultimately also waiting for a much bigger war machine to rescue them. And so they have neither the moral purity of the ghetto victims, nor the masculine heroism of American mythology. Instead, like most people, they live somewhere in between.<\/p><\/blockquote>\n

more<\/a> (and my grandfather on the Jewish Councils, here<\/a>)<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"

CAMASSIA REVIEWS (PART OF) DEFIANCE: This, probably more than anything, is what keeps the story from being a Tarantino fantasy. The Bielskis want to die like men, but they also recognize their own impotence. As much as Tec highlights the importance of their resistance, in contrast to the more typical images of Jews as passive […]<\/p>\n","protected":false},"author":1071,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-798","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"\nEve Tushnet<\/title>\n<meta name=\"description\" content=\"CAMASSIA REVIEWS (PART OF) DEFIANCE:This, probably more than anything, is what keeps the story from being a Tarantino fantasy. 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