{"id":8622,"date":"2014-07-16T14:58:17","date_gmt":"2014-07-16T18:58:17","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/evetushnet\/?p=8622"},"modified":"2014-07-16T15:00:23","modified_gmt":"2014-07-16T19:00:23","slug":"from-graham-greene-on-film-collected-film-criticism-1935-1939","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/evetushnet\/2014\/07\/from-graham-greene-on-film-collected-film-criticism-1935-1939.html","title":{"rendered":"From &#8220;Graham Greene on Film: Collected Film Criticism, 1935-1939&#8221;"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><blockquote><p>During the conferences [with David Selznick] which followed I remember there were times when there seemed to be a kind of grim reason in Mr Selznick\u2019s criticisms\u2013surely here perhaps there <em>was<\/em> a fault in \u201ccontinuity,\u201d I hadn\u2019t properly \u201cestablished\u201d this or that. I would forget momentarily the lesson which I had learned as a film critic\u2013that to \u201cestablish\u201d something is almost invariably wrong and that \u201c<a href=\"http:\/\/www.theonion.com\/articles\/mans-life-riddled-with-continuity-errors,20492\/\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">continuity<\/a>\u201d is often the enemy of life.<\/p><\/blockquote>\n<p>Man, that is great advice, especially the bit about \u201cestablishing\u201d things. Character can drive plot\u2013as in the old writer\u2019s trick of figuring out what would be the worst thing to happen to this particular character, then doing that thing\u2013but plot can also create character. The fact that the character did this inscrutable thing, seemingly out of nowhere, is a character point. What does he have to be, in order to do that?<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>During the conferences [with David Selznick] which followed I remember there were times when there seemed to be a kind of grim reason in Mr Selznick\u2019s criticisms\u2013surely here perhaps there was a fault in \u201ccontinuity,\u201d I hadn\u2019t properly \u201cestablished\u201d this or that. I would forget momentarily the lesson which I had learned as a film [&hellip;]<\/p>\n","protected":false},"author":1071,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[290,178,415],"class_list":["post-8622","post","type-post","status-publish","format-standard","hentry","category-art","tag-all-of-life-is-a-choice-of-genre","tag-expressionism-is-realism","tag-greeneland"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>From &quot;Graham Greene on Film: Collected Film Criticism, 1935-1939&quot;<\/title>\n<meta name=\"description\" content=\"During the conferences which followed I remember there were times when there seemed to be a kind of grim reason in Mr Selznick&#039;s criticisms--surely here\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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