The shame of The Taking of Deborah Loga<\/i>n is that, as you might suspect, the ultimate plot is just nowhere as interesting as its leadup. The driving [spoiler] story isn\u2019t terrible, and would work just fine in its own movie. But when you wrap it in a narrative that\u2019s just so much more heartbreaking and compelling, it\u2019s hard to leave the film without feeling a little let down.<\/span><\/span>\u201d
\n<\/span><\/span><\/p>\nBut I agree with the Doll\u2019s final verdict as well: \u201cThose issues aside, first-time director Adam Robitel has assembled a fascinating, scary, and sad genre film that stands a good head above most of its found footage brethren.\u201d<\/span><\/span><\/span><\/span><\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"Briefly: The Deadly Doll\u2019s House looks at The Taking of Deborah Logan. It\u2019s a spoilerous review, but the Doll has a much more precise diagnosis of the movie\u2019s flaws than I managed: \u201c[T]he shame is that, while The Taking of Deborah Logan is a good film, the horror story it tells can simply not come […]<\/p>\n","protected":false},"author":1071,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[119],"class_list":["post-9621","post","type-post","status-publish","format-standard","hentry","category-art","tag-horror"],"yoast_head":"\n
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