more<\/a><\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"for AmCon: The first room of the Neue Galerie\u2019s \u201cRussian Modernism: Cross-Currents of German and Russian Art, 1907 \u2013 1917\u201d (on view through August 24), takes us back to a vanished world. This is a world of silk stockings and fiacres, cavalry officers, and the Woman Question: the modern world. It\u2019s a cosmopolitan world, alive […]<\/p>\n","protected":false},"author":1071,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[178,203,521,86,44,522],"class_list":["post-9934","post","type-post","status-publish","format-standard","hentry","category-art","tag-expressionism-is-realism","tag-i-dont-believe-in-modern-love","tag-natalia-goncharova","tag-the-dark-continent-europe-in-the-twentieth-century","tag-the-russian-soul","tag-vassily-kandinsky"],"yoast_head":"\n
I Review "Russian Modernism: 1907 - 1917"<\/title>\n<meta name=\"description\" content=\"for AmCon: The first room of the Neue Galerie\u2019s \u201cRussian Modernism: Cross-Currents of German and Russian Art, 1907 \u2013 1917\u201d (on view through August 24),\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/evetushnet\/2015\/08\/i-review-russian-modernism-1907-1917.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"I Review "Russian Modernism: 1907 - 1917"\" \/>\n<meta property=\"og:description\" content=\"for AmCon: The first room of the Neue Galerie\u2019s \u201cRussian Modernism: Cross-Currents of German and Russian Art, 1907 \u2013 1917\u201d (on view through August 24),\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.patheos.com\/blogs\/evetushnet\/2015\/08\/i-review-russian-modernism-1907-1917.html\" \/>\n<meta property=\"og:site_name\" content=\"Eve Tushnet\" \/>\n<meta property=\"article:published_time\" content=\"2015-08-05T14:51:08+00:00\" \/>\n<meta name=\"author\" content=\"Eve Tushnet\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Eve Tushnet\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/evetushnet\/2015\/08\/i-review-russian-modernism-1907-1917.html\",\"url\":\"https:\/\/www.patheos.com\/blogs\/evetushnet\/2015\/08\/i-review-russian-modernism-1907-1917.html\",\"name\":\"I Review \\\"Russian Modernism: 1907 - 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