{"id":1078,"date":"2008-01-22T15:44:00","date_gmt":"2008-01-22T15:44:00","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/filmchat\/2008\/01\/oscar-nominations-themes-and-trends\/"},"modified":"2008-01-22T15:44:00","modified_gmt":"2008-01-22T15:44:00","slug":"oscar-nominations-themes-and-trends","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/filmchat\/2008\/01\/oscar-nominations-themes-and-trends.html","title":{"rendered":"Oscar nominations &#8212; themes and trends"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><span style=\"font-family: georgia\">Just a few quick links to other people\u2019s observations.<\/span><\/p>\n<p><a href=\"http:\/\/forums.macleans.ca\/advansis\/?mod=for&amp;act=dip&amp;pid=101510&amp;tid=101510&amp;ref=rss&amp;eid=44\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Brian D. Johnson<\/a> of <i>Maclean\u2019s<\/i> notes that this is turning out to be a very good year for Canadian films and nominees:<\/p>\n<blockquote><p>Some statistics wiz will have to do the math to confirm it. But at first glance this looks like the best year on record for Canada at the Oscars. With this morning\u2019s announcement of the <a href=\"http:\/\/filmchatblog.blogspot.com\/2008\/01\/oscar-nominations-my-own-two-bits.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">80th annual Academy Award nominations<\/a>, we can celebrate a whopping 10 citations for films directed by Canadians. They include four nominations for <i><a href=\"http:\/\/filmchatblog.blogspot.com\/2008\/01\/juno-fast-times-and-all-that-stuff.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Juno<\/a><\/i>, directed by Montreal-born Jason Reitman, including best picture, director, original screenplay\u2014and  a best actress nod for Halifax sensation Ellen Page.  In a classic showdown between punk ingenue and iconic elder, Page will be competing against Julie Christie, named for her role as an Alzheimer\u2019s patient in Sarah Polley\u2019s directorial debut, <i><a href=\"http:\/\/filmchatblog.blogspot.com\/2007\/06\/newsbites-living-robot-treader-dollar.html#5\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Away From Her<\/a><\/i>. The film also earned Polley a personal nomination for best adapted screenplay.  Now a ridiculously mature 29 years old, Polley seems to be surrendering her \u201cCanada\u2019s sweetheart\u201d title to the 20-year-old Page. But hey, there\u2019s no reason Canada can\u2019t accommodate two sweethearts; it\u2019s a vast, cold country.<\/p>\n<p>Other Canadian-directed movies  honoured include David Cronenberg\u2019s <i><a href=\"http:\/\/filmchatblog.blogspot.com\/2007\/09\/cronenberg-on-atheism-and-explicit.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Eastern Promises<\/a><\/i>, with Viggo Mortensen up for best actor. And he\u2019ll be competing with Tommy Lee Jones, who stars in <i><a href=\"http:\/\/filmchatblog.blogspot.com\/2007\/09\/elah-party-reviews-are-up.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">In the Valley of Elah<\/a><\/i>, directed by that Canuck scientologist, Paul Haggis. Correct me if I\u2019m wrong, but I can\u2019t remember the last time two nominees in each of the major acting categories were in films directed by Canadians. Ever since Haggis <a href=\"http:\/\/filmchatblog.blogspot.com\/2006\/03\/newsbites-cars-crash-bashing-id-trial.html#2\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">rudely stole<\/a> Cronenberg\u2019s title for his Oscar-winning feature debut, <i><a href=\"http:\/\/filmchatblog.blogspot.com\/2005\/04\/they-type-us-all-in-stereo.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Crash<\/a><\/i>, Cronenberg has harboured a justifiable grudge against this Hollywood Canadian. Now they can play out their rivalry once more. Too bad <i>Eastern Promises<\/i>  didn\u2019t get recognized for best picture or best director. What does Cronenberg have to do? Wait for a lifetime achievement Oscar?<\/p>\n<p>Completing the Canadian nominations are two animated films shorts: <i>Madame Tutli-Putli<\/i>, a thrilling masterpiece of railway suspense from the NFB, directed by Chris Lavis and Maciek Szczerbowski; and Bravo!FACT\u2019s  <i>I Met the Walrus<\/i>, an inspired piece of baroque whimsy by Josh Raskin, which animates an audio interview by Toronto teenager Jerry Levitan with John Lennon during the fabled Toronto bed-in. . . .<\/p><\/blockquote>\n<p>Meanwhile, <i><a href=\"http:\/\/www.variety.com\/article\/VR1117979448.html\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Variety<\/a><\/i> notes that virtually all of the <a href=\"http:\/\/filmchatblog.blogspot.com\/2007\/09\/bring-filmmakers-home.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">war-on-terror dramatic films<\/a>, having already been snubbed by audiences, got snubbed by the Academy today, too \u2014 though war-on-terror films <i>are<\/i> well-represented in the documentary categories:<\/p>\n<blockquote><p>An entire subgenre was pretty much shut out: Aside from Tommy Lee Jones\u2019 surprise nom for \u201cIn the Valley of Elah\u201d and Philip Seymour Hoffman for \u201c<a href=\"http:\/\/filmchatblog.blogspot.com\/2007\/12\/thomas-lawrences-war.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Charlie Wilson\u2019s War<\/a>,\u201d the slate of Mideast-topical movies were ignored by Academy voters. That list includes \u201cRendition,\u201d \u201c<a href=\"http:\/\/filmchatblog.blogspot.com\/2007\/11\/lions-for-lambs-reviews-up.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Lions for Lambs<\/a>,\u201d \u201c<a href=\"http:\/\/filmchatblog.blogspot.com\/2007\/07\/should-actors-offscreen-persona-matter.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">A Mighty Heart<\/a>,\u201d \u201cThe Kingdom,\u201d \u201cRedacted,\u201d . . .<\/p><\/blockquote>\n<p>However, <a href=\"http:\/\/kylesmithonline.com\/?p=859\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Kyle Smith<\/a> notes that, even without the so-called war on terror, there was still lots of death and murder to go around:<\/p>\n<blockquote><p>This year the Oscars turned bloodier than an emergency room on a Saturday night in Detroit. All five of the Best Actor nominees are from movies about murder; four of the five Best Picture nominees are about bloody slaughter and in the sweet, nurturing Best Actress category we have a movie about <a href=\"http:\/\/filmchatblog.blogspot.com\/2007\/10\/elizabeth-golden-age-reviews-up.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">a woman butchering Catholics<\/a>, one about a tortured drug-addicted singer who dies in her 40s, and <b>two<\/b> about dying in a rest home. In the Supporting Actress category, there\u2019s a film about <a href=\"http:\/\/filmchatblog.blogspot.com\/2008\/01\/newsbites-batman-harry-justice-gangster.html#4\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">a cold-blooded gangster<\/a> who shoots people in the head in broad daylight and one about child kidnapping and murder. In the Supporting Actor category, there\u2019s one in which the <b>good guy<\/b> is a mass killer called Jesse James.<\/p>\n<p>If it weren\u2019t for the movie about a guy in his 20s who starves to death, a lighthearted look at the Soviet invasion of Afghanistan and a romp of a tale about a 16-year-old\u2019s unwanted pregnancy, there wouldn\u2019t be anything happy about this year\u2019s slate at all.<\/p><\/blockquote>\n<p>Elsewhere, <a href=\"http:\/\/jimhillmedia.com\/blogs\/jim_hill\/archive\/2008\/01\/22\/oscar-nominees-article.aspx\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Jim Hill<\/a> notes that Miramax, a Disney subsidiary, got lots of nominations for four of its recent films, but Disney <i>itself<\/i> did only so-so, bagging five nominations for Best Animated Feature nominee <i><a href=\"http:\/\/filmchatblog.blogspot.com\/2007\/11\/giving-rat-his-due.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Ratatouille<\/a><\/i> \u2014 which happens to be the only Pixar film that went into production without Disney\u2019s approval \u2014 as well as a few nominations for <i>Enchanted<\/i> and <i><a href=\"http:\/\/filmchatblog.blogspot.com\/2007\/06\/pirates-will-be-even-harder-to-follow.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Pirates of the Caribbean: At World\u2019s End<\/a><\/i>.  But the biggest slap in the face to Disney may be the absence of <i>any<\/i> nomination for the animated short <i><a href=\"http:\/\/filmchatblog.blogspot.com\/2006\/12\/disney-staff-out-with-old-in-with-new.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">How to Hook Up Your Home Theater<\/a><\/i>, which stars Goofy and was widely seen as a return to classic Disney form, being both hand-drawn and an old-style short cartoon that played before the main feature (the feature in this case being <i><a href=\"http:\/\/filmchatblog.blogspot.com\/2008\/01\/more-trivial-box-office-data.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">National Treasure: Book of Secrets<\/a><\/i>).<\/p>\n<p>And speaking of animation, here\u2019s an observation of my own:  The original <i>Shrek<\/i> (2001) was the first film to win the award for Best Animated Feature \u2014 which was seen at the time as yet another Disney snub, given that Disney\u2019s success throughout the \u201990s had stimulated interest in creating that award, and given that much of <i>Shrek<\/i> was devoted to spoofing Disney movies; the film was also nominated for Best Adapted Screenplay, but it lost that one to <i>A Beautiful Mind<\/i>.  <i>Shrek 2<\/i> (2004) was also nominated for Best Animated Feature, as well as for Best Original Song \u2014 but it didn\u2019t win either, thanks to <i><a href=\"http:\/\/filmchatblog.blogspot.com\/2005\/06\/newsbites-galore.html#5\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">The Incredibles<\/a><\/i> and <i><a href=\"http:\/\/filmchatblog.blogspot.com\/2006\/10\/will-bernal-issue-bourne-his-ultimatum.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">The Motorcycle Diaries<\/a><\/i>.  And now, <i><a href=\"http:\/\/filmchatblog.blogspot.com\/2007\/06\/there-is-french-and-then-there-is.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Shrek the Third<\/a><\/i> has been nominated for \u2026 nothing.<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>Just a few quick links to other people\u2019s observations. Brian D. Johnson of Maclean\u2019s notes that this is turning out to be a very good year for Canadian films and nominees: Some statistics wiz will have to do the math to confirm it. But at first glance this looks like the best year on record [&hellip;]<\/p>\n","protected":false},"author":1116,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1078","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Oscar nominations -- themes and trends<\/title>\n<meta name=\"description\" content=\"Just a few quick links to other people&#039;s observations.Brian D. Johnson of Maclean&#039;s notes that this is turning out to be a very good year for Canadian\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2008\/01\/oscar-nominations-themes-and-trends.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Oscar nominations -- themes and trends\" \/>\n<meta property=\"og:description\" content=\"Just a few quick links to other people&#039;s observations.Brian D. Johnson of Maclean&#039;s notes that this is turning out to be a very good year for Canadian\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2008\/01\/oscar-nominations-themes-and-trends.html\" \/>\n<meta property=\"og:site_name\" content=\"FilmChat\" \/>\n<meta property=\"article:published_time\" content=\"2008-01-22T15:44:00+00:00\" \/>\n<meta name=\"author\" content=\"Peter T. Chattaway\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Peter T. Chattaway\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/2008\/01\/oscar-nominations-themes-and-trends.html\",\"url\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/2008\/01\/oscar-nominations-themes-and-trends.html\",\"name\":\"Oscar nominations -- themes and trends\",\"isPartOf\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/#website\"},\"datePublished\":\"2008-01-22T15:44:00+00:00\",\"dateModified\":\"2008-01-22T15:44:00+00:00\",\"author\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/5759ddf28b81af08b29eb15b4e071fde\"},\"description\":\"Just a few quick links to other people's observations.Brian D. Johnson of Maclean's notes that this is turning out to be a very good year for Canadian\",\"breadcrumb\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/2008\/01\/oscar-nominations-themes-and-trends.html#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.patheos.com\/blogs\/filmchat\/2008\/01\/oscar-nominations-themes-and-trends.html\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/2008\/01\/oscar-nominations-themes-and-trends.html#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.patheos.com\/blogs\/filmchat\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Oscar nominations &#8212; themes and trends\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/#website\",\"url\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/\",\"name\":\"FilmChat\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/5759ddf28b81af08b29eb15b4e071fde\",\"name\":\"Peter T. Chattaway\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g\",\"caption\":\"Peter T. Chattaway\"},\"description\":\"Peter T. Chattaway was the regular film critic for BC Christian News from 1992 to 2011. In addition to his award-winning film column for that paper, his news and opinion pieces have appeared in such publications as Books &amp; Culture, Christianity Today, Bible Review and the Vancouver Sun. He has also contributed essays to the books Re-Viewing The Passion: Mel Gibson\u2019s Film and Its Critics (Palgrave Macmillan, 2004), Scandalizing Jesus?: Kazantzakis\u2019s The Last Temptation of Christ Fifty Years on (Continuum, 2005) and The Bible in Motion: A Handbook of the Bible and Its Reception in Film (De Gruyter, 2016).\",\"url\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/author\/peterchattaway\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Oscar nominations -- themes and trends","description":"Just a few quick links to other people's observations.Brian D. Johnson of Maclean's notes that this is turning out to be a very good year for Canadian","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.patheos.com\/blogs\/filmchat\/2008\/01\/oscar-nominations-themes-and-trends.html","og_locale":"en_US","og_type":"article","og_title":"Oscar nominations -- themes and trends","og_description":"Just a few quick links to other people's observations.Brian D. Johnson of Maclean's notes that this is turning out to be a very good year for Canadian","og_url":"https:\/\/www.patheos.com\/blogs\/filmchat\/2008\/01\/oscar-nominations-themes-and-trends.html","og_site_name":"FilmChat","article_published_time":"2008-01-22T15:44:00+00:00","author":"Peter T. Chattaway","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Peter T. Chattaway","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/2008\/01\/oscar-nominations-themes-and-trends.html","url":"https:\/\/www.patheos.com\/blogs\/filmchat\/2008\/01\/oscar-nominations-themes-and-trends.html","name":"Oscar nominations -- themes and trends","isPartOf":{"@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#website"},"datePublished":"2008-01-22T15:44:00+00:00","dateModified":"2008-01-22T15:44:00+00:00","author":{"@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/5759ddf28b81af08b29eb15b4e071fde"},"description":"Just a few quick links to other people's observations.Brian D. Johnson of Maclean's notes that this is turning out to be a very good year for Canadian","breadcrumb":{"@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/2008\/01\/oscar-nominations-themes-and-trends.html#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.patheos.com\/blogs\/filmchat\/2008\/01\/oscar-nominations-themes-and-trends.html"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/2008\/01\/oscar-nominations-themes-and-trends.html#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.patheos.com\/blogs\/filmchat"},{"@type":"ListItem","position":2,"name":"Oscar nominations &#8212; themes and trends"}]},{"@type":"WebSite","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#website","url":"https:\/\/www.patheos.com\/blogs\/filmchat\/","name":"FilmChat","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.patheos.com\/blogs\/filmchat\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/5759ddf28b81af08b29eb15b4e071fde","name":"Peter T. Chattaway","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g","caption":"Peter T. Chattaway"},"description":"Peter T. Chattaway was the regular film critic for BC Christian News from 1992 to 2011. In addition to his award-winning film column for that paper, his news and opinion pieces have appeared in such publications as Books &amp; Culture, Christianity Today, Bible Review and the Vancouver Sun. He has also contributed essays to the books Re-Viewing The Passion: Mel Gibson\u2019s Film and Its Critics (Palgrave Macmillan, 2004), Scandalizing Jesus?: Kazantzakis\u2019s The Last Temptation of Christ Fifty Years on (Continuum, 2005) and The Bible in Motion: A Handbook of the Bible and Its Reception in Film (De Gruyter, 2016).","url":"https:\/\/www.patheos.com\/blogs\/filmchat\/author\/peterchattaway"}]}},"_links":{"self":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts\/1078","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/users\/1116"}],"replies":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/comments?post=1078"}],"version-history":[{"count":0,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts\/1078\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/media?parent=1078"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/categories?post=1078"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/tags?post=1078"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}