Time for a few more quick news items.<\/span><\/p>\n 1.<\/a> Variety<\/a><\/i> reports that Len Wiseman, director of Live Free or Die Hard<\/a><\/i>, will helm the remake of Escape from New York<\/a><\/i> (1981).<\/p>\n 2.<\/a> Bloody-Disgusting.com<\/a> says Jurassic Park IV<\/a><\/i> \u2014 currently scheduled for a 2008 release, seven years after the previous film<\/a> \u2014 will be \u201cabout the government who has trained dinosaurs to carry weapons and use them for battle purposes.\u201d Seriously. But wait \u2014 shouldn\u2019t the dinosaurs themselves be the weapon?<\/p>\n 3.<\/a> Is it just me, or are the James Bond<\/a> movies getting a tad, I dunno, edgier? IGN.com<\/a> says the next movie<\/a> will include a scene set at a controversial horse race<\/a> in Tuscany that is opposed by some animal-rights activists. This comes after the scene in Casino Royale<\/a><\/i> (2006) that took place at a Body Worlds<\/a> exhibit.<\/p>\n 4.<\/a> The Hollywood Reporter<\/a><\/i> says Jack Black may star in The Lost Adventures of Stone Perlmutter Jr.<\/i>, \u201ca faux documentary made from recently \u2018discovered\u2019 footage from 1979 chronicling the disastrous journey of a self-styled Indiana Jones-type adventurer who traveled the world trying to find the Yeti, El Dorado, the lost tomb of Jesus<\/a> and other great mysteries.\u201d Lost tomb of Jesus?<\/p>\n 5.<\/a> The Observer<\/a><\/i> ran an article on the Nigerian film industry<\/a>, AKA Nollywood<\/a>, a couple weeks ago; among its revelations:<\/p>\n Although this is hotly contested, Nollywood saw its inauspicious beginnings in Living in Bondage<\/a>: a tawdry, ineptly shot, earnestly didactic \u2018home video\u2019 that unleashed itself on the world in 1992. Many commentators believe Nollywood was born after the television industry stopped making popular dramas, which were infinitely better than the first several hundred Nollywood films.<\/p>\n Living in Bondage, filmed in Igbo, one of Nigeria\u2019s languages, with English subtitles, had just the right mix of all the ingredients of a great soap opera: ropey dialogue, dodgy continuity, wooden acting and the sort of cinematography that went out of fashion when DW Griffith freaked out cinemagoers with the first closeup. Living in Bondage was a morality tale that resonated with many Nigerians, articulating and validating their fondest and darkest suspicions. It proved, for instance, that most of those \u2018big men\u2019 driving about in fancy cars with their trophy girlfriends, living in obscenely big mansions, eating lots of chicken and drinking nothing but foreign wine came into their wealth by drinking their wives\u2019 blood \u2013 not before killing them in gory sacrifices to the devil, of course. Like Macbeth\u2019s haunting by Banquo\u2019s ghost, these evil men will always get their comeuppance: they will be driven insane by their wives\u2019 apparitions and will find salvation only when they confess their sins to Jesus Christ and ask forgiveness.<\/p>\n Living in Bondage, now considered a classic, was the first Nollywood \u2018blockbuster\u2019. It sold over 500,000 copies in VHS tapes within weeks of its straight-to-video release. It marked the beginning of an industry that now produces over 1,000 movies a year. The average Nollywood production costs about $15,000, has a one- or two-week shoot and sells between 25,000 and 50,000 copies at about \u00a31.50 a copy. Every so often a \u2018blockbuster\u2019 comes along that sells 500,000 copies. Production values have risen since Living in Bondage, but the single most popular theme is witchcraft and only a brave, or very foolish, director would tell a story where evil wasn\u2019t punished and good rewarded. Fans would claim that the films deal with other pressing issues of contemporary African life: religion, family conflict and corruption, albeit routinely sensationalised.<\/p><\/blockquote>\n 6.<\/a> The New York Times<\/a><\/i> ran an interesting article by Peter Steinfels several days ago on the recently deceased Ingmar Bergman<\/a> and Michelangelo Antonioni<\/a> and their appeal to religious moviegoers:<\/p>\n So were believers, and again Christians foremost, drawn to these directors as powerful witnesses to what happened when God was declared dead? No doubt some religious defenders wanted to employ these bleak visions in a smug apologetic for faith, a greater temptation perhaps in the case of Antonioni, a post-Christian Italian, than of Bergman, an ex-Christian Swede. But for the most part, religious admirers of these directors treated them and their films not as object lessons for nonbelievers about the consequences of nonbelief but rather as revelations for believers about the true challenges of faith.<\/p><\/blockquote>\n 7.<\/a> Matt Page<\/a> at the Bible Films Blog sneak-peeks Magdalena: Released from Shame<\/a><\/i>, the latest film to cannibalize footage from the Campus Crusade for Christ movie Jesus<\/a><\/i> (1979).<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":" Time for a few more quick news items. 1. Variety reports that Len Wiseman, director of Live Free or Die Hard, will helm the remake of Escape from New York (1981). 2. Bloody-Disgusting.com says Jurassic Park IV \u2014 currently scheduled for a 2008 release, seven years after the previous film \u2014 will be \u201cabout the […]<\/p>\n","protected":false},"author":1116,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1413","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"\n