{"id":1530,"date":"2007-05-28T20:18:00","date_gmt":"2007-05-28T20:18:00","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/filmchat\/2007\/05\/ywam-students-take-rwanda-film-to-cannes\/"},"modified":"2014-04-07T11:52:34","modified_gmt":"2014-04-07T18:52:34","slug":"ywam-students-take-rwanda-film-to-cannes","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/filmchat\/2007\/05\/ywam-students-take-rwanda-film-to-cannes.html","title":{"rendered":"YWAM students take Rwanda film to Cannes"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><a href=\"https:\/\/3.bp.blogspot.com\/_MwnH1kpbPRM\/Rlue06mefBI\/AAAAAAAAAYY\/5RWjFlKlp78\/s1600-h\/munyurangabo-a.jpg\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\"><img decoding=\"async\" style=\"cursor:pointer;cursor:hand\" src=\"https:\/\/3.bp.blogspot.com\/_MwnH1kpbPRM\/Rlue06mefBI\/AAAAAAAAAYY\/5RWjFlKlp78\/s400\/munyurangabo-a.jpg\" border=\"0\" alt=\"\"><\/a><br><span style=\"font-family: georgia\"><a href=\"http:\/\/www.variety.com\/review\/VE1117933771?categoryid=31&amp;cs=1\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Robert Koehler<\/a> of <i>Variety<\/i> reviews <i><a href=\"http:\/\/www.imdb.com\/title\/tt1031947\/\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Munyurangabo<\/a><\/i> at Cannes:<\/span><\/p>\n<blockquote><p>Like a bolt out of the blue, Korean American filmmaker Lee Isaac Chung achieves an astonishing and thoroughly masterful debut with \u201cMunyurangabo,\u201d which is \u2014 by several light years \u2014 the finest and truest film yet on the moral and emotional repercussions of the 15-year-old genocide that wracked Rwanda. Pic\u2019s supremely confident, simple storytelling and relaxed, slightly impressionist visual style follow a conflict that emerges between two friends as one makes a long-delayed homecoming. This is \u2014 flat out \u2014 the discovery of this year\u2019s <a href=\"http:\/\/www.festival-cannes.fr\/index.php\/en\/article\/55599\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Un Certain Regard<\/a> batch, and deserves loving care from arthouse distribs after a liberating and fruitful fest tour. . . .<\/p>\n<p>The sheer confidence and artistic will that 28-year-old Chung exercises here can\u2019t be overstated, especially in contrast to the few short films of little or no note he made during his brief stint as a Yale film student, and the fact that he wasn\u2019t even planning to make a feature while teaching at a Christian relief camp in Rwanda. . . .<\/p><\/blockquote>\n<p><i><a href=\"http:\/\/www.sltrib.com\/ci_5996002\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">The Salt Lake Tribune<\/a><\/i> adds some interesting details about Chung, who studied film at the University of Utah, and his team:<\/p>\n<blockquote><p>Chung shot the film in 11 days last summer, when he traveled to Kigali, Rwanda with former U. classmate Jenny Lund and screenwriter Samuel Anderson to teach a course in filmmaking and photography at Youth With A Mission (YWAM), a non-denominational Christian relief base. The 15 students served as the film\u2019s crew. . . .<\/p>\n<p>\u201cMunyurangabo\u201d is the first feature-length narrative made in Kinyarwanda, Rwanda\u2019s primary language, which Chung doesn\u2019t speak. He relied on a translator to communicate with the two street kids he cast as his stars, both of whom he found through YWAM\u2019s soccer-outreach program. . . .<\/p>\n<p>Chung, Lund and Anderson\u2019s production company, <a href=\"http:\/\/www.almondtreefilms.com\/\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Almond Tree Films<\/a>, will return to Kigali next summer to encourage Rwanda\u2019s native population to learn filmmaking. They also plan to donate the film\u2019s proceeds to Rwanda, Lund said: \u201cAfter we cover costs, it\u2019s going to be donated to YWAM and various other organizations for scholarships and development.\u201d<\/p><\/blockquote>\n<p><a href=\"http:\/\/www.ywamconnect.com\/\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Youth with a Mission<\/a>, you might recall, was founded by a married couple whose son, <a href=\"http:\/\/www.imdb.com\/name\/nm0192289\/\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">David L. Cunningham,<\/a> went on to direct a few independent films before moving on to more mainstream projects, such as the upcoming <i><a href=\"http:\/\/filmchatblog.blogspot.com\/2006\/10\/rising-soon-to-theatre-near-you.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">The Dark Is Rising<\/a><\/i>.  Could be interesting to see what <i>other<\/i> budding filmmakers they have in their ranks.<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>Robert Koehler of Variety reviews Munyurangabo at Cannes: Like a bolt out of the blue, Korean American filmmaker Lee Isaac Chung achieves an astonishing and thoroughly masterful debut with \u201cMunyurangabo,\u201d which is \u2014 by several light years \u2014 the finest and truest film yet on the moral and emotional repercussions of the 15-year-old genocide that [&hellip;]<\/p>\n","protected":false},"author":1116,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1530","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>YWAM students take Rwanda film to Cannes<\/title>\n<meta name=\"description\" content=\"Robert Koehler of Variety reviews Munyurangabo at Cannes: Like a bolt out of the blue, Korean American filmmaker Lee Isaac Chung achieves an astonishing\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2007\/05\/ywam-students-take-rwanda-film-to-cannes.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"YWAM students take Rwanda film to Cannes\" \/>\n<meta property=\"og:description\" content=\"Robert Koehler of Variety reviews Munyurangabo at Cannes: Like a bolt out of the blue, Korean American filmmaker Lee Isaac Chung achieves an astonishing\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2007\/05\/ywam-students-take-rwanda-film-to-cannes.html\" \/>\n<meta property=\"og:site_name\" content=\"FilmChat\" \/>\n<meta property=\"article:published_time\" content=\"2007-05-28T20:18:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-04-07T18:52:34+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/3.bp.blogspot.com\/_MwnH1kpbPRM\/Rlue06mefBI\/AAAAAAAAAYY\/5RWjFlKlp78\/s400\/munyurangabo-a.jpg\" \/>\n<meta name=\"author\" content=\"Peter T. 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