Harry Forbes<\/a>, a layman (incorrectly identified in the \u201cdialogue\u201d as a clergyman) who reviews films for the Catholic News Service.<\/p>\nWall and Forbes are obviously not being paid to promote<\/i> films, so their situation is different from that of Baehr; and for all I know they might not receive any<\/i> payment for their work with the MPAA. But still, I cannot help but wonder: Is it possible for film critics to be so cozy with the industry \u2014 to the point where they have a say in determining what a film is rated, and thus an indirect say in how films might be re-edited before they are shown to the public \u2014 without being in some<\/i> sort of conflict of interest?<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"
A few years ago, there was a kerfuffle in Christian movie-critic circles over the revelation that \u201cDr.\u201d Ted Baehr is sometimes paid to promote films that he reviews for his magazine, Movieguide. I was reminded of that yesterday while watching the documentary This Film Is Not Yet Rated, which notes that the MPAA\u2019s ratings appeal […]<\/p>\n","protected":false},"author":1116,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1578","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"\n
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<\/a>