{"id":17004,"date":"2006-07-28T08:00:31","date_gmt":"2006-07-28T15:00:31","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/filmchat\/?p=17004"},"modified":"2014-04-07T10:53:45","modified_gmt":"2014-04-07T17:53:45","slug":"review-shooting-dogs-dir-michael-caton-jones-2005","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/filmchat\/2006\/07\/review-shooting-dogs-dir-michael-caton-jones-2005.html","title":{"rendered":"Review: <i>Shooting Dogs<\/i> (dir. Michael Caton-Jones, 2005)"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><a href=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/227\/2014\/04\/shootingdogs.jpg\" class=\" decorated-link\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/227\/2014\/04\/shootingdogs-300x194.jpg\" alt=\"\" title=\"shootingdogs\" width=\"300\" height=\"194\" class=\"alignright size-medium wp-image-17006\"><\/a><i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/shooting-dogs\" class=\" decorated-link\" target=\"_blank\">SHOOTING DOGS<\/a><\/i> would make an interesting double-bill with <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/hotel-rwanda\" class=\" decorated-link\" target=\"_blank\">Hotel Rwanda<\/a><\/i>. <\/p>\n<p>Both films concern the genocide of 1994 \u2014 and the shock that those living in that country felt when the international community  failed to do much more than evacuate those  with white skin.<\/p>\n<p>But whereas the latter film was largely about  Africans who survived the massacre, thanks  to a cunning hotel manager who knew how  to push the buttons of the social elites, the  new film concerns a Catholic priest (John  Hurt) and a teacher at his school (Hugh  Dancy), who can do little more than watch  as the world gives up on their friends and  neighbours.<\/p>\n<p><!--more-->They can pray, too, of course \u2014 so the priest  makes a point of serving mass at the usual times, as though nothing outside the chapel  walls had changed.<\/p>\n<p>The film has been criticized for telling what should be an African story through the eyes of noble Europeans, but director Michael  Caton-Jones (<i>Rob Roy<\/i>) fleshes out some key  Rwandan characters, especially a bright Tutsi  pupil named Marie (Claire-Hope Ashitey).<\/p>\n<p>This film\u2019s portrayal of the reporters and  United Nations officers is pretty compelling; however, Hurt\u2019s priest and his theology are  pretty thinly drawn \u2014 which hinders what  could have been a powerful statement about  God\u2019s presence in the midst of suffering.<\/p>\n<p>But it\u2019s still worth a look. And stay for the  credits, which reveal that a number of the  film\u2019s crew are survivors of the genocide  themselves \u2014 some of whom lost entire families. <\/p>\n<p><i>\u2014 A version of this review was first published by <\/i>BC Christian News<i>.<\/i><\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>SHOOTING DOGS would make an interesting double-bill with Hotel Rwanda. Both films concern the genocide of 1994 \u2014 and the shock that those living in that country felt when the international community failed to do much more than evacuate those with white skin. But whereas the latter film was largely about Africans who survived the [&hellip;]<\/p>\n","protected":false},"author":1116,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107],"tags":[2072,2069,910],"class_list":["post-17004","post","type-post","status-publish","format-standard","hentry","category-bcchristiannews","tag-michael-caton-jones","tag-rwanda","tag-shooting-dogs"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Review: Shooting Dogs (dir. Michael Caton-Jones, 2005)<\/title>\n<meta name=\"description\" content=\"SHOOTING DOGS would make an interesting double-bill with Hotel Rwanda. 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Both films concern the genocide of 1994 -- and the shock that those living in that\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2006\/07\/review-shooting-dogs-dir-michael-caton-jones-2005.html\" \/>\n<meta property=\"og:site_name\" content=\"FilmChat\" \/>\n<meta property=\"article:published_time\" content=\"2006-07-28T15:00:31+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-04-07T17:53:45+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/wp.patheos.com.s3.amazonaws.com\/blogs\/filmchat\/files\/2014\/04\/shootingdogs-300x194.jpg\" \/>\n<meta name=\"author\" content=\"Peter T. Chattaway\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Peter T. 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