{"id":2228,"date":"2006-05-29T23:49:00","date_gmt":"2006-05-29T23:49:00","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/filmchat\/2006\/05\/superman-ii-a-quarter-century-later\/"},"modified":"2006-05-29T23:49:00","modified_gmt":"2006-05-29T23:49:00","slug":"superman-ii-a-quarter-century-later","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/filmchat\/2006\/05\/superman-ii-a-quarter-century-later.html","title":{"rendered":"Superman II &#8212; a quarter-century later"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><a href=\"https:\/\/photos1.blogger.com\/blogger\/7991\/933\/1600\/superman2.0.jpg\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\"><img decoding=\"async\" style=\"cursor:pointer;cursor:hand\" src=\"https:\/\/photos1.blogger.com\/blogger\/7991\/933\/400\/superman2.0.jpg\" align=\"left\" width=\"135\" border=\"0\" alt=\"\"><\/a><span style=\"font-family: georgia\">Blimey, I had forgotten just how stupid <i><a href=\"http:\/\/filmchatblog.blogspot.com\/2005\/10\/newsbites-green-pastures-king-kong.html#4\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Superman II<\/a><\/i> (1980) is.<\/span><\/p>\n<p>In anticipation of <i><a href=\"http:\/\/filmchatblog.blogspot.com\/2006\/05\/superman-returns-new-trailer-now.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Superman Returns<\/a><\/i>, which comes out next month, I have been watching <a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B000059Z8L\/petertchatta\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">the Christopher Reeve films<\/a>.  A couple weeks ago, I watched the original <i>Superman<\/i> (1978) and was struck by how much potential it had \u2014 though the potential was already being squandered, even then.  The stuff on Krypton with Marlon Brando was a little too serious, and the stuff with Gene Hackman and Ned Beatty yukking it up as goofball criminals was too campy for my tastes, and all the disaster-movie footage at the beginning and end felt too 1970s, but the film got a lot of things right \u2014 not least of which is <a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B000046PVN\/petertchatta\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">John Williams\u2019 score<\/a>, which I listen to quite often, actually.<\/p>\n<p>Seeing the film again for the first time in years, I was also rather intrigued by the almost abstract, experimental visuals that accompany Jor-El\u2019s training of his son, right up to that weird crystal mask which spins around and let us see through its eyes as the adult Superman is revealed in his costume for the first time.  I am reminded of the CGI whales and faces that illustrated the trip through time in <i><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B000083C49\/petertchatta\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Star Trek IV: The Voyage Home<\/a><\/i> (1986); I like it when a movie takes a break from the plot and just basks in a trippy concept like that.  (Though I cannot help but wonder why Kal-El is wearing <i>that<\/i> costume at <i>that<\/i> time.  \u201cMy father took me around the universe and all I got was this lousy cape\u201d?)  I also noted one scene I don\u2019t think I had ever seen in any other version of this film before, in which Jor-El asks Superman how it felt to be rescuing people, and he expresses a desire to live within a physical body again so that he can hold his son.  Very interesting stuff.<\/p>\n<p>In one of the DVD\u2019s making-of documentaries, one of the writers says the religious allusions (a father sending his only son, etc.) were pretty much intentional \u2014 which makes the way the film emphasizes Superman\u2019s <i>rebellion<\/i> against his father in the film\u2019s climactic moments all the more interesting.  Note the way Marlon Brando\u2019s stern phrase \u201cIt is forbidden!\u201d is echoed across the sky; there is no \u201cFather \u2026 yet not my will but yours be done\u201d here.<\/p>\n<p>I remember my father and my cousin debating the significance of this scene, 27 years ago or more.  (Is Superman really \u201cinterfering with human history\u201d if he turns the clock back just a few hours, to revise events that he was already intervening in anyway?)  But never mind the particulars of that debate.  What\u2019s interesting is how the film itself does <i>not<\/i> debate this.  It simply presents the stern father who has made Superman everything that he is, and then Superman\u2019s angry defiance \u2014 a defiance for which there is no negative outcome, only a happy ending for all.  And that stern, forbidding father in the clouds is simply never seen again.<\/p>\n<p>I gather Brando was supposed to be in <i>Superman II<\/i>, most of which was filmed at the same time as <i>Superman<\/i> \u2014 but then director Richard Donner was replaced with Richard Lester, Brando demanded more money, and all the Jor-El scenes from the sequel were thrown into the vault.  <a href=\"http:\/\/scifiscripts.com\/scripts\/supermanII_4_77.txt\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">This screenplay<\/a> offers some tantalizing clues as to how the second film would have picked up some of these threads \u2014 and because the Brando footage will turn up in <i>Superman Returns<\/i>, it also offers some tantalizing clues as to what sort of plot developments we might see in Bryan Singer\u2019s film.<\/p>\n<p>But never mind the <i>Superman II<\/i> that might have been \u2014 let\u2019s just focus on the <i>Superman II<\/i> that is.  It\u2019s awful.  I know some people think it\u2019s one of those sequels that improves on the original, but really.  The special effects are often quite tacky, even for a 1980 film, and the cinematography is uninspired, and the editing is clumsy, and the music sounds like a rough temp track ripped from the first movie\u2019s soundtrack album; it doesn\u2019t sound like one original note was composed for this film, even though some guy named Ken Thorne is credited with adapting Williams\u2019 themes.<\/p>\n<p>The mythic qualities that dominated the first half of the first movie are nowhere to be seen \u2014 except perhaps in Kal-El\u2019s willingness to give up his powers for the life of a mere mortal, but that, too, is one of the film\u2019s weaknesses, since this part of the story is developed very hastily, without any sense that Superman is even remotely aware that the world might notice his sudden absence.  (In the old screenplay, Jor-El does challenge him on this.)<\/p>\n<p>And beyond that, the script is filled with inexplicabilities, like why Lex Luthor\u2019s girlfriend \u2014 who betrayed him in the first film, and was almost killed by him in revenge \u2014 would suddenly go out of her way to break him out of prison.  Or why the Kryptonian villains would suddenly have powers that Superman does <i>not<\/i> have, like the ability to send tractor beams out of their eyes and hands.  Or why Superman would suddenly be able to yank the logo off his chest and throw it at someone like it was some sort of sticky, expanding trap.  Or why Superman would be able to erase Lois\u2019s memory of their affair simply by kissing her.  And so on.<\/p>\n<p>I\u2019m also not particularly happy with the \u201crevenge\u201d theme at the end, when Clark Kent returns to the diner and beats up the trucker who beat <i>him<\/i> up during his powerless phase.  It <i>is<\/i> interesting to consider the ways in which Kal-El might \u201cenjoy\u201d being more powerful than other people, and being able to express this power at the expense of those people that happen to incur his wrath; I am all in favour of exploring the darker side of Superman, as it were.  But if this film is supposed to end on a triumphant note, I\u2019d prefer that Superman do something a little more virtuous.<\/p>\n<p>More thoughts later, perhaps.  FWIW, I <i>do<\/i> plan to see the third and fourth films in this series, even though I know they suck.  I am particularly interested in <i>Superman III<\/i> because, if memory serves, Lana Lang is a single parent there, just as Lois Lane will be in <i>Superman Returns<\/i>, and I am curious to see how the two films might or might not resemble each other, in this department.<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>Blimey, I had forgotten just how stupid Superman II (1980) is. In anticipation of Superman Returns, which comes out next month, I have been watching the Christopher Reeve films. A couple weeks ago, I watched the original Superman (1978) and was struck by how much potential it had \u2014 though the potential was already being [&hellip;]<\/p>\n","protected":false},"author":1116,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2228","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Superman II -- a quarter-century later<\/title>\n<meta name=\"description\" content=\"Blimey, I had forgotten just how stupid Superman II (1980) is.In anticipation of Superman Returns, which comes out next month, I have been watching the\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2006\/05\/superman-ii-a-quarter-century-later.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Superman II -- a quarter-century later\" \/>\n<meta property=\"og:description\" content=\"Blimey, I had forgotten just how stupid Superman II (1980) is.In anticipation of Superman Returns, which comes out next month, I have been watching the\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2006\/05\/superman-ii-a-quarter-century-later.html\" \/>\n<meta property=\"og:site_name\" content=\"FilmChat\" \/>\n<meta property=\"article:published_time\" content=\"2006-05-29T23:49:00+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/photos1.blogger.com\/blogger\/7991\/933\/400\/superman2.0.jpg\" \/>\n<meta name=\"author\" content=\"Peter T. 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