{"id":2509,"date":"2005-11-13T22:39:00","date_gmt":"2005-11-13T22:39:00","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/filmchat\/2005\/11\/the-king-kong-score-again-sort-of\/"},"modified":"2005-11-13T22:39:00","modified_gmt":"2005-11-13T22:39:00","slug":"the-king-kong-score-again-sort-of","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/11\/the-king-kong-score-again-sort-of.html","title":{"rendered":"The King Kong score, again, sort of"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><span style=\"font-family: georgia\">Eight weeks ago, KongIsKing.net posted a \u201cproduction diary\u201d QuickTime file on all the work that <a href=\"http:\/\/img-nex.kongisking.net\/kong\/movies\/PPD-13WeeksToGo_qt6_high.mov\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Howard Shore<\/a> was putting into composing and conducting the score for Peter Jackson\u2019s remake of <i><a href=\"http:\/\/filmchatblog.blogspot.com\/2005\/10\/newsbites-sulu-rambo-camp-kong.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">King Kong<\/a><\/i>.  Four weeks ago, Shore was <a href=\"http:\/\/filmchatblog.blogspot.com\/2005\/10\/howard-replaces-howard-on-king-kong.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">dropped from the project<\/a> and replaced by someone else.  Now, this week, KongIsKing.net has posted a \u201cproduction diary\u201d on all the work that <a href=\"http:\/\/img-nex.kongisking.net\/kong\/movies\/PPD-05WeeksToGo_qt6_high.mov\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">James Newton Howard<\/a> is putting into composing and conducting the score for Peter Jackson\u2019s remake of <i>King Kong<\/i>.  Very interesting.<\/span><\/p>\n<p>NOV 27 UPDATE:  There\u2019s a <a href=\"http:\/\/filmchatblog.blogspot.com\/2005\/11\/howards-kong-score-redux.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">new<\/a> \u201cproduction diary\u201d up now.<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>Eight weeks ago, KongIsKing.net posted a \u201cproduction diary\u201d QuickTime file on all the work that Howard Shore was putting into composing and conducting the score for Peter Jackson\u2019s remake of King Kong. Four weeks ago, Shore was dropped from the project and replaced by someone else. Now, this week, KongIsKing.net has posted a \u201cproduction diary\u201d [&hellip;]<\/p>\n","protected":false},"author":1116,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2509","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The King Kong score, again, sort of<\/title>\n<meta name=\"description\" content=\"Eight weeks ago, KongIsKing.net posted a &quot;production diary&quot; QuickTime file on all the work that Howard Shore was putting into composing and conducting the\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/11\/the-king-kong-score-again-sort-of.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The King Kong score, again, sort of\" \/>\n<meta property=\"og:description\" content=\"Eight weeks ago, KongIsKing.net posted a &quot;production diary&quot; QuickTime file on all the work that Howard Shore was putting into composing and conducting the\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/11\/the-king-kong-score-again-sort-of.html\" \/>\n<meta property=\"og:site_name\" content=\"FilmChat\" \/>\n<meta property=\"article:published_time\" content=\"2005-11-13T22:39:00+00:00\" \/>\n<meta name=\"author\" content=\"Peter T. Chattaway\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Peter T. Chattaway\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/11\/the-king-kong-score-again-sort-of.html\",\"url\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/11\/the-king-kong-score-again-sort-of.html\",\"name\":\"The King Kong score, again, sort of\",\"isPartOf\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/#website\"},\"datePublished\":\"2005-11-13T22:39:00+00:00\",\"dateModified\":\"2005-11-13T22:39:00+00:00\",\"author\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/5759ddf28b81af08b29eb15b4e071fde\"},\"description\":\"Eight weeks ago, KongIsKing.net posted a \\\"production diary\\\" QuickTime file on all the work that Howard Shore was putting into composing and conducting the\",\"breadcrumb\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/11\/the-king-kong-score-again-sort-of.html#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/11\/the-king-kong-score-again-sort-of.html\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/11\/the-king-kong-score-again-sort-of.html#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.patheos.com\/blogs\/filmchat\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The King Kong score, again, sort of\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/#website\",\"url\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/\",\"name\":\"FilmChat\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/5759ddf28b81af08b29eb15b4e071fde\",\"name\":\"Peter T. Chattaway\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g\",\"caption\":\"Peter T. Chattaway\"},\"description\":\"Peter T. Chattaway was the regular film critic for BC Christian News from 1992 to 2011. In addition to his award-winning film column for that paper, his news and opinion pieces have appeared in such publications as Books &amp; Culture, Christianity Today, Bible Review and the Vancouver Sun. He has also contributed essays to the books Re-Viewing The Passion: Mel Gibson\u2019s Film and Its Critics (Palgrave Macmillan, 2004), Scandalizing Jesus?: Kazantzakis\u2019s The Last Temptation of Christ Fifty Years on (Continuum, 2005) and The Bible in Motion: A Handbook of the Bible and Its Reception in Film (De Gruyter, 2016).\",\"url\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/author\/peterchattaway\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The King Kong score, again, sort of","description":"Eight weeks ago, KongIsKing.net posted a \"production diary\" QuickTime file on all the work that Howard Shore was putting into composing and conducting the","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/11\/the-king-kong-score-again-sort-of.html","og_locale":"en_US","og_type":"article","og_title":"The King Kong score, again, sort of","og_description":"Eight weeks ago, KongIsKing.net posted a \"production diary\" QuickTime file on all the work that Howard Shore was putting into composing and conducting the","og_url":"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/11\/the-king-kong-score-again-sort-of.html","og_site_name":"FilmChat","article_published_time":"2005-11-13T22:39:00+00:00","author":"Peter T. Chattaway","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Peter T. Chattaway"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/11\/the-king-kong-score-again-sort-of.html","url":"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/11\/the-king-kong-score-again-sort-of.html","name":"The King Kong score, again, sort of","isPartOf":{"@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#website"},"datePublished":"2005-11-13T22:39:00+00:00","dateModified":"2005-11-13T22:39:00+00:00","author":{"@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/5759ddf28b81af08b29eb15b4e071fde"},"description":"Eight weeks ago, KongIsKing.net posted a \"production diary\" QuickTime file on all the work that Howard Shore was putting into composing and conducting the","breadcrumb":{"@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/11\/the-king-kong-score-again-sort-of.html#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/11\/the-king-kong-score-again-sort-of.html"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/11\/the-king-kong-score-again-sort-of.html#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.patheos.com\/blogs\/filmchat"},{"@type":"ListItem","position":2,"name":"The King Kong score, again, sort of"}]},{"@type":"WebSite","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#website","url":"https:\/\/www.patheos.com\/blogs\/filmchat\/","name":"FilmChat","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.patheos.com\/blogs\/filmchat\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/5759ddf28b81af08b29eb15b4e071fde","name":"Peter T. Chattaway","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g","caption":"Peter T. Chattaway"},"description":"Peter T. Chattaway was the regular film critic for BC Christian News from 1992 to 2011. In addition to his award-winning film column for that paper, his news and opinion pieces have appeared in such publications as Books &amp; Culture, Christianity Today, Bible Review and the Vancouver Sun. He has also contributed essays to the books Re-Viewing The Passion: Mel Gibson\u2019s Film and Its Critics (Palgrave Macmillan, 2004), Scandalizing Jesus?: Kazantzakis\u2019s The Last Temptation of Christ Fifty Years on (Continuum, 2005) and The Bible in Motion: A Handbook of the Bible and Its Reception in Film (De Gruyter, 2016).","url":"https:\/\/www.patheos.com\/blogs\/filmchat\/author\/peterchattaway"}]}},"_links":{"self":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts\/2509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/users\/1116"}],"replies":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/comments?post=2509"}],"version-history":[{"count":0,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts\/2509\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/media?parent=2509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/categories?post=2509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/tags?post=2509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}