{"id":2672,"date":"2005-08-01T15:09:00","date_gmt":"2005-08-01T15:09:00","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/filmchat\/2005\/08\/the-earlier-works-of-a-narnia-screenwriter\/"},"modified":"2005-08-01T15:09:00","modified_gmt":"2005-08-01T15:09:00","slug":"the-earlier-works-of-a-narnia-screenwriter","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/08\/the-earlier-works-of-a-narnia-screenwriter.html","title":{"rendered":"The earlier works of a Narnia screenwriter"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><span style=\"font-family: georgia\">Four people are credited with the screenplay for the upcoming film adaptation of <i><a href=\"http:\/\/filmchatblog.blogspot.com\/2005\/01\/inklings-article-archive.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">The Lion, the Witch and the Wardrobe<\/a><\/i>.<\/span><\/p>\n<p>One is director Andrew Adamson, whose only prior experience as a writer or director was on the first two <i><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B00003CXXJ\/petertchatta\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Shrek<\/a><\/i> movies (2001, 2004).  Two others are Christopher Markus and Stephen McFeely, whose only credited film to date is the TV-movie <i><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B0007R4SX6\/petertchatta\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">The Life and Death of Peter Sellers<\/a><\/i> (2004), which I have not yet seen.<\/p>\n<p>That leaves Ann Peacock, who has three films to her credit so far \u2014 all of which are adaptations of stories about racism.<\/p>\n<p>I happened to see <i><a href=\"http:\/\/filmchatblog.blogspot.com\/2005\/03\/in-country-of-my-fathers-skull_29.html\" class=\" decorated-link\" target=\"_blank\" rel=\"nofollow\">Country of My Skull<\/a><\/i> (2004), AKA <i>In My Country<\/i>, four months ago, and despite its occasionally interesting portrayal of the South African reconciliation process, I found it disappointingly banal.  But it wasn\u2019t until today that I saw <i><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B0000399WJ\/petertchatta\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">A Lesson Before Dying<\/a><\/i> (1999) and <i><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B0006Z2L5Q\/petertchatta\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Cora Unashamed<\/a><\/i> (2000), both of which take place in the United States and were made for TV.  I am not quite as critical of these films as <a href=\"http:\/\/adamwalter.blogspot.com\/2005\/06\/narnia-movie-bad-news.html\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Adam Walter<\/a>, who writes, with some justification, that both films are \u201cdull racism melodramas oozing with sentimentality.\u201d  But they are, in their own ways, just as banal and disappointing as Peacock\u2019s more recent effort.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/photos1.blogger.com\/blogger\/7991\/933\/400\/lessonbeforedying.gif\" align=\"left\" width=\"130\"><i>A Lesson Before Dying<\/i> at least benefits from the acting skills of Don Cheadle and Mekhi Phifer.  Phifer plays a young man who witnesses a handful of quasi-accidental deaths in a grocery store, is caught taking money from the till, and is sentenced to death for the murder of those other people.  His lawyer tries to get him off the hook by comparing him, in court, to a \u201chog\u201d \u2014 because animals aren\u2019t capable of planning robberies, see \u2014 but the tactic fails, and Phifer\u2019s relatives call on a teacher played by Cheadle to visit Phifer and to convince him that he really is a man, and not the beast that the white lawyer said he was.  There is no chance that Cheadle could get the man off death row, but he <i>can<\/i> encourage him to \u201cdie with dignity\u201d, so that is what he does.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/photos1.blogger.com\/blogger\/7991\/933\/400\/coraunashamed.jpg\" align=\"left\" width=\"130\"><i>Cora Unashamed<\/i> is a shorter film but feels longer, perhaps because it doesn\u2019t have an imminent execution looming over the story and driving all the action like an urgent deadline.  Instead, it feels like two or four separate episodes stitched together around some loosely shared themes, with a rather thin romantic back-story interrupting via flashback every now and then.  It also doesn\u2019t help that the stuck-up white mother, who doesn\u2019t want her daughter playing in the mud with black girls or getting knocked up by Greek boys, is pretty two-dimensional.  And, in this post-<i><a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B0000TPA4C\/petertchatta\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Planet of the Apes<\/a><\/i> world, I don\u2019t think <i>any<\/i> script should be allowed to include a scene in which a person, left to him or her self, falls to the ground and yells, \u201cGod damn you! God damn you to hell!\u201d<\/p>\n<p>Peacock won an Emmy \u2014 and a Humanitas prize \u2014 for her work on <i>A Lesson Before Dying<\/i>, and I guess it does have its strengths.  But there\u2019s nothing particularly inspired about either of these productions; and for what it\u2019s worth, both films contain scenes that cast a questionable light on religious faith.<\/p>\n<p>So I\u2019d be lying if I said I wasn\u2019t glad that the Narnia screenplay had been given to other writers after Peacock had her turn with it.  I guess I\u2019ll have to see that Peter Sellers movie now.<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>Four people are credited with the screenplay for the upcoming film adaptation of The Lion, the Witch and the Wardrobe. One is director Andrew Adamson, whose only prior experience as a writer or director was on the first two Shrek movies (2001, 2004). Two others are Christopher Markus and Stephen McFeely, whose only credited film [&hellip;]<\/p>\n","protected":false},"author":1116,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2672","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The earlier works of a Narnia screenwriter<\/title>\n<meta name=\"description\" content=\"Four people are credited with the screenplay for the upcoming film adaptation of The Lion, the Witch and the Wardrobe.One is director Andrew Adamson,\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/08\/the-earlier-works-of-a-narnia-screenwriter.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The earlier works of a Narnia screenwriter\" \/>\n<meta property=\"og:description\" content=\"Four people are credited with the screenplay for the upcoming film adaptation of The Lion, the Witch and the Wardrobe.One is director Andrew Adamson,\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/08\/the-earlier-works-of-a-narnia-screenwriter.html\" \/>\n<meta property=\"og:site_name\" content=\"FilmChat\" \/>\n<meta property=\"article:published_time\" content=\"2005-08-01T15:09:00+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/photos1.blogger.com\/blogger\/7991\/933\/400\/lessonbeforedying.gif\" \/>\n<meta name=\"author\" content=\"Peter T. 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