{"id":2820,"date":"2005-05-11T12:27:00","date_gmt":"2005-05-11T12:27:00","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/filmchat\/2005\/05\/some-random-narnia-thoughts\/"},"modified":"2005-05-11T12:27:00","modified_gmt":"2005-05-11T12:27:00","slug":"some-random-narnia-thoughts","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/05\/some-random-narnia-thoughts.html","title":{"rendered":"Some random Narnia thoughts"},"content":{"rendered":"\n<\/head>

I just came across this article<\/a> from the May 2 USA Today<\/i> on the upcoming Narnia movie<\/a>. It prompted a few random thoughts.<\/span><\/p>\n

1. The film is described as \u201cPG-rated\u201d, but in fact, the film is not yet finished and therefore the MPAA<\/a> has not yet listed any rating for it. Still, having said that, I expect the filmmakers have aimed for a PG rating, and not a PG-13, just as the makers of the Harry Potter<\/a><\/i> films and the first five Star Wars<\/a><\/i> films have done.<\/p>\n

2. The article states: \u201cJust as The Little Mermaid<\/a><\/i> rescued Disney animation from going off the deep end in 1989, Narnia<\/i> aspires to restore the studio\u2019s legacy as the leading maker of all-ages, live-action escapism.\u201d I am tempted to say something snarky in response, like, \u201cMaybe this will be more like the new Black Cauldron<\/a><\/i>, which pushed Disney closer to the deep end in 1985,\u201d but who knows. Certainly I think the Disney company is closer to where it was in 1985, when it was running on fumes and stale ideas, than to where it was in 1989, when its fresh infusion of new blood was starting to pay off in a big way. In any event, I believe this film is more of a Walden Media production than a Disney production; Disney is providing money and distribution, but the key creative impulses have come from somewhere else.<\/p>\n

3. Tilda Swinton, who plays the White Witch, says: \u201cI\u2019ve never made a children\u2019s film. I\u2019ve never made a film my children can see. I\u2019m not even sure if they\u2019re going to see this one. I don\u2019t want them backing away from me for the rest of my life.\u201d Heh. I remember having nightmares about the White Witch after watching that cartoon<\/i> on television<\/i> in 1979. Lord only knows how a child might react after seeing a live-action movie<\/i> on the big screen<\/i>.<\/p>\n

4. Director Andrew Adamson<\/a>\u2018s parents, the article says, \u201cwere both associate missionaries in Papua New Guinea.\u201d That\u2019s an interesting detail. I\u2019m curious to know more.<\/p>\n

5. Terry Lindvall says C.S. Lewis had a love-hate relationship with the movies: \u201cHe believed there was death in the camera. Meaning, when you translate word to image, the imagination dies.\u201d I am certainly sympathetic to Lewis\u2019s preference for books over films; see also G.K. Chesterton\u2019s essay<\/a> on how historical movies \u201cblot out\u201d the complexities of historical writing. But I also agree with Carl Plantinga<\/a> that films stimulate the imagination in ways that books cannot, indeed in ways that books sometimes thwart. Come to that, at that same link, Charlie W. Starr notes that Lewis himself favoured the basic \u201cimage\u201d of a myth over the words and pictures that were used to impress that image on the imagination:<\/p>\n

What really delights and nourishes me is a particular pattern of events, which would equally delight and nourish if it had reached me by some medium which involved no words at all \u2014 say by a mime, or a film. . . . In this respect stories of the mythical type are at the opposite pole from lyrical poetry. If you try to take the \u201ctheme\u201d of Keats\u2019s Nightingale<\/i> apart from the very words in which he has embodied it, you find that you are talking about almost nothing. Form and content can there be separated only by a false abstraction. But in a myth \u2014 in a story where the mere pattern of events is all that matters \u2014 this is not so. Any means of communication whatever which succeeds in lodging those events in our imagination has, as we say, \u201cdone the trick.\u201d After that you can throw the means of communication away. . . . In poetry the words are the body, and the \u201ctheme\u201d or \u201ccontent\u201d is the soul. But in myth the imagined events are the body and something inexpressible is the soul: the words, or mime, or film, or pictorial series are not even clothes \u2014 they are not much more than a telephone.<\/p><\/blockquote>\n

Of course, Lewis was a brilliant writer, so it is not so easy to throw his words away; but I think Lewis would have been happy to see people talking about Aslan, even if they had never read one of the actual Narnia books. So long as the filmmakers get the \u201cpattern of events\u201d right, that would suffice, even for Lewis, I think.<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"

I just came across this article from the May 2 USA Today on the upcoming Narnia movie. It prompted a few random thoughts. 1. The film is described as \u201cPG-rated\u201d, but in fact, the film is not yet finished and therefore the MPAA has not yet listed any rating for it. Still, having said that, […]<\/p>\n","protected":false},"author":1116,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2820","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"\nSome random Narnia thoughts<\/title>\n<meta name=\"description\" content=\"I just came across this article from the May 2 USA Today on the upcoming Narnia movie. It prompted a few random thoughts.1. 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