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{"id":2905,"date":"2005-04-03T21:50:00","date_gmt":"2005-04-03T21:50:00","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/filmchat\/2005\/04\/playtime-on-the-big-screen\/"},"modified":"2005-04-03T21:50:00","modified_gmt":"2005-04-03T21:50:00","slug":"playtime-on-the-big-screen","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/04\/playtime-on-the-big-screen.html","title":{"rendered":"Playtime on the big screen!"},"content":{"rendered":"\n<\/head>

Just got home from seeing Jacques Tati\u2019s <\/span>Playtime<\/a><\/i> (1967). Gad, I love living three blocks from the <\/span>Cinematheque<\/a>.<\/span><\/p>\n

Anyway, it was lots of fun. It\u2019s not the sort of film I am inclined to analyze, at least not after seeing it only once, so I won\u2019t say all that much about it, but it was clearly the work of a director who was very much in control of his material \u2014 big sets, a cast of hundreds, carefully arranged details all over the place, etc. \u2014 and I was particularly impressed with the sound design. Tati is sometimes regarded as a silent comedian of sorts, and that\u2019s true enough of the <\/span>character<\/i> he plays in his films, but this one wouldn\u2019t be half as interesting, or amusing, without the sound design.<\/span><\/p>\n

I also find myself wondering if the film\u2019s fond spoof of modernism is funnier now that we have moved past that era and can safely mock it from afar, or if it was funnier back then when its original audience was still living through that era.<\/p>\n

FWI, I also note that a few of the websites I found while looking for a representative photo from this film compared Tati to David Lean and Stanley Kubrick \u2014 one site made the comparison because Tati was just as perfectionistic and personal with his filmmaking as those two directors were, the other because <\/span>Playtime<\/i> demands to be seen on the big screen as surely as its fellow \u201960s classics <\/span>Lawrence of Arabia<\/a><\/i> and <\/span>2001: A Space Odyssey<\/a><\/i>. As an avowed fan of both of those films, I heartily agree.<\/span><\/p>\n

One last thought: Way back when, I remember observing that, while Rowan Atkinson\u2019s Mr. Bean character is something of a silent comic too, the movie <\/span>Bean<\/a><\/i> (1997) completely missed the boat by building a very lame and conventional comedy around the character, instead of exploiting his silent-comedy potential. That was before I had seen Blake Edwards\u2019 The Party<\/a><\/i> (1968), starring Peter Sellers; and it was definitely before I had seen this<\/i>. It\u2019s so good to see <\/span>somebody<\/i> has realized this sort of potential.<\/span><\/span><\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"