Oblations and Most (The Bridge)<\/title>\n<meta name=\"description\" content=\"Just got home from Granville Chapel, where Ron Reed (of Pacific Theatre fame) did a mini-lecture on film. I happen to be doing a mini-lecture on film\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/03\/oblations-and-most-the-bridge.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Oblations and Most (The Bridge)\" \/>\n<meta property=\"og:description\" content=\"Just got home from Granville Chapel, where Ron Reed (of Pacific Theatre fame) did a mini-lecture on film. 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{"id":2936,"date":"2005-03-20T23:23:00","date_gmt":"2005-03-20T23:23:00","guid":{"rendered":"http:\/\/www.patheos.com\/blogs\/filmchat\/2005\/03\/oblations-and-most-the-bridge\/"},"modified":"2005-03-20T23:23:00","modified_gmt":"2005-03-20T23:23:00","slug":"oblations-and-most-the-bridge","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/filmchat\/2005\/03\/oblations-and-most-the-bridge.html","title":{"rendered":"Oblations and Most (The Bridge)"},"content":{"rendered":"\n<\/head>

Just got home from <\/span>Granville Chapel<\/a>, where Ron Reed (of <\/span>Pacific Theatre<\/a> fame) did a mini-lecture on film. I happen to be doing a mini-lecture on film there myself in four weeks \u2014 Sunday April 17, 6pm, includes dinner, dessert, and a trivia game \u2014 so I was curious to see what Ron had to say, partly because Ron always has interesting things to say, but also because I wanted to make sure I didn\u2019t repeat too much of what he said when it becomes <\/span>my<\/i> turn to speak!<\/span><\/p>\n

As it is, Ron\u2019s speech reminded me of something from my past. Way back in my teens, my nascent thoughts on faith and film were profoundly influenced by two books: Franky Schaeffer\u2019s <\/span>Addicted to Mediocrity<\/a><\/i> and Stephen R. Lawhead\u2019s <\/span>Turn Back the Night<\/a><\/i>. (This was long before <\/span>Schaeffer<\/a> converted to Orthodoxy and began writing novels that took the piss out of his Calvinist upbringing, and a fair bit before <\/span>Lawhead<\/a> became famous for his novels specializing in Arthurian lore.) Shortly after reading both books, it occurred to me that Schaeffer\u2019s book was largely written for \u201cproducers\u201d of art, while Lawhead\u2019s book was written for \u201cconsumers\u201d of art \u2014 and I think Ron\u2019s presentation and mine will take place at similarly different places on the art-appreciation continuum.<\/span><\/p>\n

Ron does write critiques, but he is primarily a playwright and actor, and his talk tonight was focused on what artists do when they make art. Using clips from <\/span>Rivers & Tides<\/i> (one of my ten favorite films<\/a> that premiered in Vancouver last year), <\/span>Smoke<\/i> (a film I appreciate), and <\/span>American Beauty<\/i> (a film I personally don\u2019t care much for, but hey), Ron talked about the way art functions as <\/span>oblation<\/b> \u2014 the way it takes common elements, offers them up in an almost sacramental form of thanksgiving, and then distributes those elements to others.<\/span><\/p>\n

Listening to him, it occurred to me that the very act of photography itself is a form of \u201coblation\u201d \u2014 cameras receive common light rays bouncing off of common objects, transform them into something on celluloid, and then those images are distributed to people through some sort of communal venture, whether photographs or art gallery shows or whatnot. And thus, films themselves can be a sort of \u201coblation\u201d \u2014 though it probably depends on the spirit in which any given film is made. (Or does it? Considering how many crewmembers on any given shoot are just there for the pay, whose intentions count and whose do not? Do filmmakers ever <\/span>accidentally<\/i> stumble into making an \u201coblation\u201d of some sort? And what about those of us in the audience? Can <\/span>we<\/i> turn a film into an \u201coblation\u201d simply by receiving it and transforming it into something more than what it is, through the way we watch it, appreciate it, discuss it with others, and so on?)<\/span><\/p>\n

Of course, as an animation buff, I have to point out that the notion of film and photography as \u201coblation\u201d \u2014 the receiving, transforming, and re-distributing of common elements \u2014 may not apply to cartoons and other films that don\u2019t depict common reality at <\/span>all<\/i>. Animated films, especially in this digital age, work on a whole other level. (I am reminded of that amusing, ironic moment in <\/span>Waking Life<\/i> where the two <\/span>animated<\/i> characters try to experience <\/span>reality<\/i> through a \u201choly moment\u201d together.)<\/span><\/p>\n

But anyway, there was some really interesting food for thought in Ron\u2019s speech \u2014 and it came pretty solidly from the point of view of one who <\/span>makes<\/i> art. I expect my own spiel will come more from the point of view of one who <\/span>receives<\/i> art. So I don\u2019t think I needed to worry at all about our two speeches overlapping each other; the two speeches will be fairly different, and yet, I think they will complement each other quite well.<\/span><\/p>\n

After dessert, Ron hosted a screening and discussion of <\/span>Most (The Bridge)<\/a><\/i> (2003), a Czech-language film that was nominated for the Oscar for short live-action film not too long ago (the award went to something called <\/span>Two Soldiers<\/i>, instead). I believe I have heard that it was produced by Christians, and if I had not heard that, I wonder how long it would have taken me to figure out that this film is basically a dramatization of a famous sermon illustration. (As it is, I figured it out almost exactly halfway through the film\u2019s half-hour running time.) At any rate, while I might quibble with a few things, it\u2019s a pretty good little film, and worth seeing if you get the chance, especially since it goes just a bit beyond the sermon illustration\u2019s simple allegory.<\/span><\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"