{"id":38757,"date":"2016-01-12T11:12:24","date_gmt":"2016-01-12T19:12:24","guid":{"rendered":"http:\/\/admin.patheos.com\/blogs\/filmchat\/?p=38757"},"modified":"2016-01-13T09:19:37","modified_gmt":"2016-01-13T17:19:37","slug":"awards-awards-awards","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/01\/awards-awards-awards.html","title":{"rendered":"Awards, awards, awards!"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><a href=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/227\/2016\/01\/vfcc-a.jpg\" class=\" decorated-link\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/227\/2016\/01\/vfcc-a-1024x276.jpg\" alt=\"vfcc-a\" width=\"600\" class=\"alignnone size-large wp-image-38782\"><\/a><\/p>\n<p>While the world waits with breathless anticipation for the Oscar nominations to be announced on Thursday morning, the various critics\u2019 groups out there have been revealing their own picks for the best films of 2015. I happen to be a member of two such groups, and we\u2019ve made announcements of our own over the last week or so.<\/p>\n<p><!--more-->First, and most recently, there is the Arts &amp; Faith Ecumenical Jury Awards, handed out by a group created last year by my friend Kenneth R. Morefield that consists mostly of active participants at the <a href=\"http:\/\/artsandfaith.com\/\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Arts &amp; Faith<\/a> discussion board. (I have been part of the board since its founding in 2003, and this is my first year on the jury.)<\/p>\n<p>The ten finalists were announced in a <a href=\"https:\/\/www.patheos.com\/blogs\/1morefilmblog\/2015-arts-faith-ecumenical-jury-award\/\" target=\"_blank\" class=\" decorated-link\">press release<\/a> last week, and today we ranked <a href=\"http:\/\/imagejournal.org\/2016\/01\/12\/winners-arts-faith-ecumenical-jury-awards-for-2015-part-1\/\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">the bottom half of our Top Ten<\/a>. The linked post has the full blurbs, but here\u2019s the list:<\/p>\n<ul type=\"disc\">\n<li>10. <i>About Elly<\/i> (dir. Asghar Farhadi)\n<\/li><li>9. <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/inside-out-2015\" class=\" decorated-link\" target=\"_blank\">Inside Out<\/a><\/i> (dir. Pete Docter)\n<\/li><li>8. <i>Brooklyn<\/i> (dir. John Crowley)\n<\/li><li>7. <i>Gett: The Trial of Viviane Ansalem<\/i> (dir. Ronit and Shlomi Elkabetz)\n<\/li><li>6. <i>The Look of Silence<\/i> (dir. Joshua Oppenheimer)<\/li><\/ul>\n<p>The top half of the Top Ten will be posted tomorrow, but, as per the press release, it will consist of the remaining finalists: <i>The Assassin<\/i>, <i>Love &amp; Mercy<\/i>, <i>Spotlight<\/i>, <i>Stations of the Cross<\/i> and <i>Timbuktu<\/i>. (Incidentally, there are two films on our Top Ten that I have not yet seen: <i>Gett: The Trial of Viviane Ansalem<\/i> and <i>Timbuktu<\/i>.)<\/p>\n<p>Turning to other awards, last Wednesday saw the unveiling of the 16th annual Vancouver Film Critics Circle awards. I was a founding member of this group, and for its first few years we just met in a bar or restaurant, voted on the awards, issued a press release, and that was it. But for the past decade or so we\u2019ve held ceremonies to announce at least some of the winners. (This year, we announced the \u201cinternational\u201d winners in an early press release, but held back on announcing the Canadian winners until the ceremony, which was attended by some of the local nominees.)<\/p>\n<p>The prizes for the <a href=\"http:\/\/vancouverfilmcritics.com\/2015\/12\/21\/spotlight-named-best-film-by-vfcc\/\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">international<\/a> (i.e. non-Canadian) films were spread out very evenly, with one award per film, while the <a href=\"http:\/\/vancouverfilmcritics.com\/2016\/01\/07\/the-vfcc-names-room-best-canadian-film\/\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Canadian awards<\/a> were divvied up between four films, three of which got multiple trophies. Also worth noting: as Telefilm and other Canadian film-funding agencies continue to make a point of engaging in international co-productions with commercial potential, the line between \u201cCanadian\u201d films and \u201cinternational\u201d films is blurring. Thus, <i>Room<\/i> \u2014 an Oscar front-runner that was filmed in Canada, <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2015\/10\/exclusive-room-screenwriter-emma-donoghue-on-the-role-that-the-news-her-family-her-research-into-autism-and-her-religious-background-played-in-shaping-the-story.html\" class=\" decorated-link\" target=\"_blank\">written by an Irish-Canadian<\/a> and directed by an Irishman \u2014 was deemed by the VFCC to be both a Canadian film and an international film, and the American lead actress in that film won prizes for her performance in <i>both<\/i> categories.<\/p>\n<p>Anyway, without further ado, here are the <a href=\"http:\/\/vancouverfilmcritics.com\/2015\/12\/14\/2016-nominees-announced\/\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">VFCC nominees<\/a>, with winners in <b>bold<\/b>:<\/p>\n<blockquote><p><b>INTERNATIONAL AWARDS<\/b><\/p>\n<p>BEST FILM<br>\n<i>Mad Max: Fury Road<br>\nThe Revenant<br>\n<b>Spotlight<\/b><\/i><\/p>\n<p><b>BEST ACTOR<\/b><br>\nLeonardo DiCaprio, <i>The Revenant<\/i><br>\n<b>Michal Fassbender, Steve Jobs<\/b><br>\nEddie Redmayne, <i>The Danish Girl<\/i><\/p>\n<p><b>BEST ACTRESS<\/b><br>\nCate Blanchett, <i>Carol<\/i><br>\n<b>Brie Larson, <i>Room<\/i><\/b><br>\nSaoirse Ronan, <i>Brooklyn<\/i><\/p>\n<p><b>BEST SUPPORTING ACTOR<br>\nMark Rylance, <i>Bridge of Spies<\/i><\/b><br>\nMichael Shannon, <i>99 Homes<\/i><br>\nSylvester Stallone, <i>Creed<\/i><\/p>\n<p><b>BEST SUPPORTING ACTRESS<\/b><br>\nJennifer Jason Leigh, <i>The Hateful Eight<\/i><br>\nAlicia Vikander, <i>The Danish Girl<\/i><br>\n<b>Alicia Vikander, <i>Ex Machina<\/i><\/b><\/p>\n<p><b>BEST DIRECTOR<\/b><br>\nTodd Haynes, <i>Carol<\/i><br>\nAlejandro Gonz\u00e1lez I\u00f1\u00e1rritu, <i>The Revenant<\/i><br>\n<b>George Miller, <i>Mad Max: Fury Road<\/i><\/b><\/p>\n<p><b>BEST SCREENPLAY<\/b><br>\nEmma Donoghue, <i>Room<\/i><br>\n<b>Charlie Kaufman, <i>Anomalisa<\/i><\/b><br>\nJosh Singer &amp; Tom McCarthy, <i>Spotlight<\/i><\/p>\n<p><b>BEST FOREIGN LANGUAGE FILM<br>\n<i>The Assassin<\/i><\/b><br>\nGoodnight Mommy<br>\nSon of Saul<\/p>\n<p><b>BEST DOCUMENTARY<br>\n<i>Amy<\/i><\/b><br>\nCartel Land<br>\nGoing Clear: Scientology and the Prison of Belief<\/p>\n<p>\u2013<\/p>\n<p><b>CANADIAN AWARDS<\/b><\/p>\n<p>BEST CANADIAN FILM<br>\n<i>The Forbidden Room<br>\n<b>Room<\/b><br>\nSleeping Giant<\/i><\/p>\n<p><b>BEST ACTOR IN A CANADIAN FILM<\/b><br>\nMichael Eklund, <i>Eadweard<\/i><br>\nChristopher Plummer, <i>Remember<\/i><br>\n<b>Jacob Tremblay, <i>Room<\/i><\/b><\/p>\n<p>BEST ACTRESS IN A CANADIAN FILM<br>\nMarie Brassard, <i>Sabali<\/i><br>\n<b>Brie Larson, <i>Room<\/i><\/b><br>\nJulia Sarah Stone, <i>Wet Bum<\/i><\/p>\n<p>BEST SUPPORTING ACTOR IN A CANADIAN FILM<br>\nPatrick Huard, <i>My Internship in Canada<\/i><br>\nReece Moffett, <i>Sleeping Giant<\/i><br>\n<b>Nick Serino, <i>Sleeping Giant<\/i><\/b><\/p>\n<p>BEST SUPPORTING ACTRESS IN A CANADIAN FILM<br>\nJoan Allen, <i>Room<\/i><br>\nSuzanne Clement, <i>My Internship in Canada<\/i><br>\n<b>Tara Pratt, <i>No Men Beyond This Point<\/i><\/b><\/p>\n<p>BEST SCREENPLAY FOR A CANADIAN FILM<br>\nBenjamin August, <i>Remember<\/i><br>\nAndrew Cividino, Blain Watters &amp; Aaron Yeger, <i>Sleeping Giant<\/i><br>\n<b>Emma Donoghue, <i>Room<\/i><\/b><\/p>\n<p>BEST DIRECTOR OF A CANADIAN FILM<br>\nLenny Abrahamson, <i>Room<\/i><br>\n<b>Andrew Cividino, <i>Sleeping Giant<\/i><\/b><br>\nAtom Egoyan, <i>Remember<\/i><\/p>\n<p><b>BEST CANADIAN DOCUMENTARY<br>\n<i>Haida Gwaii: On the Edge of the World<\/i><\/b><br>\nFractured Land<br>\nHow to Change the World<br>\nHurt<\/p>\n<p><b>BEST FIRST FILM BY A CANADIAN DIRECTOR<\/b><br>\n<i>Hit 2 Pass<\/i>, Kurt Walker<br>\n<b><i>Sleeping Giant<\/i>, Andrew Cividino<\/b><br>\n<i>Wet Bum<\/i>, Lindsay Mackay<\/p>\n<p><b>BEST BRITISH COLUMBIA FILM<\/b><br>\n<i>Eadweard<br>\n<b>Haida Gwaii: On the Edge of the World<\/b><br>\nNo Men Beyond This Point<\/i><\/p><\/blockquote>\n<p>We also gave the Ian Caddell Award for Achievement to local actress Gabrielle Rose, who sent us a video message because she was starring in a play that night.<\/p>\n<p>The photo at the top of this post, of my colleagues and me at the VFCC ceremony, is from a Flickr album <a href=\"https:\/\/www.flickr.com\/photos\/105758274@N02\/sets\/72157662588605459\/\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">posted by Elvira Lount<\/a>. Here\u2019s a bigger version of it:<\/p>\n<p><a href=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/227\/2016\/01\/vfcc.jpg\" class=\" decorated-link\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/227\/2016\/01\/vfcc-1024x654.jpg\" alt=\"IMG_3312\" width=\"600\" class=\"alignnone size-large wp-image-38775\"><\/a><\/p>\n<p><span style=\"font-size:small\">From left to right: Terry David Mulligan, Ken Eisner, Remy Vaillancourt, Josh Cabrita, James Gordon, Katherine Monk, Patrick Maliha, yours truly, Adam Cook, Julie Crawford, Dorothy Woodend, Curtis Woloschuk, Ron Yamauchi, Tony Ma, Janet Smith. VFCC members not pictured: Kim Linekin, Jorge Castillo, Tom Charity, Thor Diakow, Dana Gee, Marsha Lederman, Rick Staehling.<\/span><\/p>\n<p><b>January 13 update:<\/b> The <a href=\"http:\/\/imagejournal.org\/2016\/01\/13\/winners-arts-faith-ecumenical-jury-awards-for-2015-part-2\/\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">top half<\/a> of the Arts &amp; Faith Ecumenical Jury\u2019s Top Ten is now online, along with the honourable mentions (mine is <i>45 Years<\/i>).<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>Two groups that I am part of have announced their picks for the best films of 2015.<\/p>\n","protected":false},"author":1116,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[654,3127,3295],"class_list":["post-38757","post","type-post","status-publish","format-standard","hentry","category-blog","tag-arts-faith","tag-room-2015","tag-vancouver-film-critics-circle"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Awards, awards, awards!<\/title>\n<meta name=\"description\" content=\"Two groups that I am part of have announced their picks for the best films of 2015.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/01\/awards-awards-awards.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Awards, awards, awards!\" \/>\n<meta property=\"og:description\" content=\"Two groups that I am part of have announced their picks for the best films of 2015.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/01\/awards-awards-awards.html\" \/>\n<meta property=\"og:site_name\" content=\"FilmChat\" \/>\n<meta property=\"article:published_time\" content=\"2016-01-12T19:12:24+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-01-13T17:19:37+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/wp.production.patheos.com\/blogs\/filmchat\/files\/2016\/01\/vfcc-a-1024x276.jpg\" \/>\n<meta name=\"author\" content=\"Peter T. 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