{"id":38957,"date":"2016-01-14T22:11:27","date_gmt":"2016-01-15T06:11:27","guid":{"rendered":"http:\/\/admin.patheos.com\/blogs\/filmchat\/?p=38957"},"modified":"2017-02-13T13:16:29","modified_gmt":"2017-02-13T21:16:29","slug":"oscar-nominations-my-own-two-bits-and-a-complete-list-3","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/01\/oscar-nominations-my-own-two-bits-and-a-complete-list-3.html","title":{"rendered":"Oscar nominations \u2014 my own two bits, and a complete list"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><a href=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/227\/2016\/01\/revenant-dicaprio-a.jpg\" class=\" decorated-link\" target=\"_blank\"><img decoding=\"async\" class=\"alignnone size-full wp-image-39029\" src=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/227\/2016\/01\/revenant-dicaprio-a.jpg\" alt=\"revenant-dicaprio-a\" width=\"600\"><\/a><\/p>\n<p>Alejandro G. I\u00f1\u00e1rritu beat the odds last year when <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/birdman\" class=\" decorated-link\" target=\"_blank\">Birdman<\/a><\/i> became the first film to win Best Picture without at least being nominated for its film editing since 1980\u2019s <i>Ordinary People<\/i>. Now, with 12 nominations for <i>The Revenant<\/i> \u2014 the most of any film released last year \u2014 I\u00f1\u00e1rritu may be poised to do something similarly rare, by becoming the first director to win back-to-back awards for his directing since Joseph L. Mankiewicz won for 1949\u2019s <i>A Letter to Three Wives<\/i> and 1950\u2019s <i>All About Eve<\/i>.<\/p>\n<p>Then again, maybe he won\u2019t.<\/p>\n<p><!--more-->For one thing, <i>The Revenant<\/i> failed to get a nod for its screenplay, and only one film \u2014 <i>Titanic<\/i> (which, like <i>The Revenant<\/i>, starred Leonardo DiCaprio) \u2014 has won Best Picture in the last 50 years without at least being <i>nominated<\/i> for its script.<\/p>\n<p>Plus, <i>The Revenant<\/i> failed to get nominated for the <a href=\"http:\/\/www.sagawards.org\/awards\/nominees-and-recipients\/22nd-annual-screen-actors-guild-awards\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Screen Actors Guild ensemble award<\/a> last month, and only one film in the 20-year history of that award has won the Oscar for Best Picture without a SAG ensemble nomination, i.e. <i>Braveheart<\/i>.<\/p>\n<p>So if we ignore the <i>number<\/i> of nominations, which films have been nominated for all the key indicators (the SAG ensemble award plus Oscar nods for film editing, directing and screenplay)? Only two: <i>Spotlight<\/i>, which has six Oscar nominations overall, and <i>The Big Short<\/i>, which has five. So the odds may favour one of those films.<\/p>\n<p>Or there could be a split. Maybe I\u00f1\u00e1rritu will win best director for the virtuosity of his filmmaking, while <i>Spotlight<\/i> \u2014 a film that is widely admired but has been criticized by some for its supposedly flat direction \u2014 will win best picture. Who knows.<\/p>\n<p>In any case, here are a few other points that jump out at me.<\/p>\n<p>I\u00f1\u00e1rritu has maintained his unbroken streak, going back to 2000\u2019s <i>Amores Perros<\/i>, of getting at least one Oscar nomination for every single feature film he has made.<\/p>\n<p><i>Mad Max: Fury Road<\/i> has ten nominations, including best picture and best director, for George Miller. When was the last time a pure action film such as this got so many Oscar nods? <i>Raiders of the Lost Ark<\/i>, maybe? (<i>Raiders<\/i> was nominated in eight competitive categories and was also given a special achievement award.)<\/p>\n<p>Miller\u2019s films have been nominated for a few things in the past \u2014 he even won best animated feature for 2006\u2019s <i>Happy Feet<\/i> \u2014 but <i>Mad Max: Fury Road<\/i> is the first entry in the <i>Mad Max<\/i> series to get any love from the Academy in <i>any<\/i> category.<\/p>\n<p>The Best Picture nomination for <i>Mad Max: Fury Road<\/i> also marks the first time that <a href=\"https:\/\/en.wikipedia.org\/wiki\/List_of_Best_Picture_milestones#Milestones_related_to_sequels.2C_prequels.2C_remakes.2C_and_adaptations\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">the fourth movie in a franchise<\/a> has ever been considered for this award \u2014 and it marks the second time, following 2010\u2019s <i>Toy Story 3<\/i>, that a sequel has been up for this award without any of its predecessors being nominated for it.<\/p>\n<p>Tom Hardy stars or co-stars in both of the two most-nominated movies.<\/p>\n<p><i>The Force Awakens<\/i> marks the triumphant return of <i>Star Wars<\/i> to the visual effects category, at least as far as nominations go. It <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2006\/01\/oscar-nominations-my-own-two-bits-2.html\" class=\" decorated-link\" target=\"_blank\">wasn\u2019t even <i>nominated<\/i> in this category<\/a> for <i>Revenge of the Sith<\/i>, and the other two prequels were nominated but lost to <i>The Matrix<\/i> and <i>The Lord of the Rings: The Two Towers<\/i>. The original trilogy came out before the visual effects category even <i>existed<\/i>, so they had to invent special achievement awards for the effects in those films. Could <i>The Force Awakens<\/i> be the first <i>Star Wars<\/i> film to win in a <i>competitive<\/i> best visual effects showdown?<\/p>\n<p>I\u2019m really happy with the animation category this year. Only one of the nominees is an American computer-generated kids\u2019 movie, and it\u2019s a good one (i.e. <i>Inside Out<\/i>). <i>Anomalisa<\/i> (the first-ever R-rated nominee in this category) and <i>Shaun the Sheep Movie<\/i> (British) are both stop-motion, and <i>Boy and the World<\/i> (Brazil) and <i>When Marnie Was There<\/i> (Japan) are traditional hand-drawn animation.<\/p>\n<p>The nod for <i>Creed<\/i> marks Sylvester Stallone\u2019s second nomination for playing Rocky Balboa, following the original 1976 film. As <a href=\"http:\/\/www.hollywoodreporter.com\/race\/oscar-nominations-shocking-stats-fun-855671\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Scott Feinberg<\/a> notes, the 39 years between those two nominations sets a new record for the longest gap between nominations for playing the same character, beating the 25 years between Paul Newman\u2019s portrayals of \u201cFast Eddie\u201d Felson in 1961\u2019s <i>The Hustler<\/i> and 1986\u2019s <i>The Color of Money<\/i>.<\/p>\n<p>Two issue-oriented documentaries \u2014 <i>The Hunting Ground<\/i> and <i>Racing Extinction<\/i> \u2014 were nominated for best original song but not for best documentary feature.<\/p>\n<p>Come to think of it, <i>none<\/i> of the song nominees were nominated for anything else.<\/p>\n<p>Here are the feature films that have been nominated for Oscars, from those with the most nods to those with only one. The titles of those I have seen are in bold:<\/p>\n<p><b>12 nominations<\/b><\/p>\n<ul type=\"disc\">\n<li><b><i>The Revenant<\/i><\/b> \u2014 Picture, director (Alejandro G. Inarritu), cinematography, actor (Leonardo DiCaprio), supporting actor (Tom Hardy), production design, costume design, makeup and hairstyling, film editing, visual effects, sound editing, sound mixing<\/li>\n<\/ul>\n<p><b>10 nominations<\/b><\/p>\n<ul type=\"disc\">\n<li><b><i>Mad Max: Fury Road<\/i><\/b> \u2014 Picture, director (George Miller), cinematography, production design, costume design, makeup and hairstyling, film editing, visual effects, sound editing, sound mixing<\/li>\n<\/ul>\n<p><b>7 nominations<\/b><\/p>\n<ul type=\"disc\">\n<li><b><i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/martian-2015\" class=\" decorated-link\" target=\"_blank\">The Martian<\/a><\/i><\/b> \u2014 Picture, adapted screenplay, actor (Matt Damon), production design, visual effects, sound editing, sound mixing<\/li>\n<\/ul>\n<p><b>6 nominations<\/b><\/p>\n<ul type=\"disc\">\n<li><b><i>Bridge of Spies<\/i><\/b> \u2014 Picture, supporting actor (Mark Rylance), production design, original screenplay, original score, sound mixing<\/li>\n<li><b><i>Carol<\/i><\/b> \u2014 Adapted screenplay, cinematography, actress (Cate Blanchett), supporting actress (Rooney Mara), costume design, original score<\/li>\n<li><b><i>Spotlight<\/i><\/b> \u2014 Picture, director (Tom McCarthy), supporting actor (Mark Ruffalo), supporting actress (Rachel McAdams), original screenplay, film editing<\/li>\n<\/ul>\n<p><b>5 nominations<\/b><\/p>\n<ul type=\"disc\">\n<li><b><i>The Big Short<\/i><\/b> \u2014 Picture, director (Adam McKay), supporting actor (Christian Bale), adapted screenplay, film editing<\/li>\n<li><b><i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/star-wars-episode-vii\" class=\" decorated-link\" target=\"_blank\">Star Wars: The Force Awakens<\/a><\/i><\/b> \u2014 Film editing, visual effects, original score, sound editing, sound mixing<\/li>\n<\/ul>\n<p><b>4 nominations<\/b><\/p>\n<ul type=\"disc\">\n<li><b><i>The Danish Girl<\/i><\/b> \u2014 Actor (Eddie Redmayne), supporting actress (Alicia Vikander), production design, costume design<\/li>\n<li><b><i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/room-2015\" class=\" decorated-link\" target=\"_blank\">Room<\/a><\/i><\/b> \u2014 Picture, director (Lenny Abrahamson), adapted screenplay, actress (Brie Larson)<\/li>\n<\/ul>\n<p><b>3 nominations<\/b><\/p>\n<ul type=\"disc\">\n<li><b><i>Brooklyn<\/i><\/b> \u2014 Picture, adapted screenplay, actress (Saoirse Ronan)<\/li>\n<li><b><i>The Hateful Eight<\/i><\/b> \u2014 Cinematography, supporting actress (Jennifer Jason Leigh), original score<\/li>\n<li><b><i>Sicario<\/i><\/b> \u2014 Cinematography, original score, sound editing<\/li>\n<\/ul>\n<p><b>2 nominations<\/b><\/p>\n<ul type=\"disc\">\n<li><b><i>Ex Machina<\/i><\/b> \u2014 Original screenplay, visual effects<\/li>\n<li><b><i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/inside-out-2015\" class=\" decorated-link\" target=\"_blank\">Inside Out<\/a><\/i><\/b> \u2014 Animated feature, original screenplay<\/li>\n<li><b><i>Steve Jobs<\/i><\/b> \u2014 Actor (Michael Fassbender), supporting actress (Kate Winslet)<\/li>\n<\/ul>\n<p><b>1 nominations<\/b><\/p>\n<ul type=\"disc\">\n<li><b><i>Amy<\/i><\/b> \u2014 Documentary feature<\/li>\n<li><b><i>Anomalisa<\/i><\/b> \u2014 Animated feature<\/li>\n<li><b><i>Boy and the World<\/i><\/b> \u2014 Animated feature<\/li>\n<li><b><i>Cartel Land<\/i><\/b> \u2014 Documentary feature<\/li>\n<li><b><i>Cinderella<\/i><\/b> \u2014 Costume design<\/li>\n<li><b><i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/creed-2015\" class=\" decorated-link\" target=\"_blank\">Creed<\/a><\/i><\/b> \u2014 Supporting actor (Sylvester Stallone)<\/li>\n<li><i>Embrace of the Serpent<\/i> \u2014 Foreign language film<\/li>\n<li><b><i>Fifty Shades of Grey<\/i><\/b> \u2014 Original song<\/li>\n<li><b><i>45 Years<\/i><\/b> \u2014 Actress (Charlotte Rampling)<\/li>\n<li><i>The 100-Year-Old Man Who Climbed Out the Window and Disappeared<\/i> \u2014 Makeup and hairstyling<\/li>\n<li><i>The Hunting Ground<\/i> \u2014 Original song<\/li>\n<li><i><b>Joy<\/b><\/i> \u2014 Actress (Jennifer Lawrence)<\/li>\n<li><i><b>The Look of Silence<\/b><\/i> \u2014 Documentary feature<\/li>\n<li><i>Mustang<\/i> \u2014 Foreign language film<\/li>\n<li><i>Racing Extinction<\/i> \u2014 Original song<\/li>\n<li><i><b>Shaun the Sheep Movie<\/b><\/i> \u2014 Animated feature<\/li>\n<li><i><b>Son of Saul<\/b><\/i> \u2014 Foreign language film<\/li>\n<li><i><b><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/spectre\" class=\" decorated-link\" target=\"_blank\">SPECTRE<\/a><\/b><\/i> \u2014 Original song<\/li>\n<li><i><b><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/straight-outta-compton\" class=\" decorated-link\" target=\"_blank\">Straight Outta Compton<\/a><\/b><\/i> \u2014 Original screenplay<\/li>\n<li><i>Theeb<\/i> \u2014 Foreign language film<\/li>\n<li><i><b>Trumbo<\/b><\/i> \u2014 Actor (Bryan Cranston)<\/li>\n<li><i>A War<\/i> \u2014 Foreign language film<\/li>\n<li><i>What Happened, Miss Simone?<\/i> \u2014 Documentary feature<\/li>\n<li><i>When Marnie Was There<\/i> \u2014 Animated feature<\/li>\n<li><i>Winter on Fire: Ukraine\u2019s Fight for Freedom<\/i> \u2014 Documentary feature<\/li>\n<li><i><b>Youth<\/b><\/i> \u2014 Original song<\/li>\n<\/ul>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>Here are a few reasons why this year&#8217;s Best Picture race is one of the most unpredictable in recent memory. Includes a complete list of the nominees, grouped by film.<\/p>\n","protected":false},"author":1116,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[2737,3312,3235,3315,2997,3314,347,3311,3313,206,1732,575],"class_list":["post-38957","post","type-post","status-publish","format-standard","hentry","category-blog","tag-alejandro-g-inarritu","tag-big-short","tag-creed-2015","tag-george-miller","tag-mad-max","tag-mad-max-fury-road","tag-oscars","tag-revenant-2015","tag-spotlight-2015","tag-star-wars","tag-star-wars-episode-vii","tag-sylvester-stallone"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Oscar nominations \u2014 my own two bits, and a complete list<\/title>\n<meta name=\"description\" content=\"Here are a few reasons why this year&#039;s Best Picture race is one of the most unpredictable in recent memory. 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Chattaway","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g","caption":"Peter T. Chattaway"},"description":"Peter T. Chattaway was the regular film critic for BC Christian News from 1992 to 2011. In addition to his award-winning film column for that paper, his news and opinion pieces have appeared in such publications as Books &amp; Culture, Christianity Today, Bible Review and the Vancouver Sun. He has also contributed essays to the books Re-Viewing The Passion: Mel Gibson\u2019s Film and Its Critics (Palgrave Macmillan, 2004), Scandalizing Jesus?: Kazantzakis\u2019s The Last Temptation of Christ Fifty Years on (Continuum, 2005) and The Bible in Motion: A Handbook of the Bible and Its Reception in Film (De Gruyter, 2016).","url":"https:\/\/www.patheos.com\/blogs\/filmchat\/author\/peterchattaway"}]}},"_links":{"self":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts\/38957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/users\/1116"}],"replies":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/comments?post=38957"}],"version-history":[{"count":0,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts\/38957\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/media?parent=38957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/categories?post=38957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/tags?post=38957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}