{"id":42622,"date":"2016-03-18T10:00:28","date_gmt":"2016-03-18T17:00:28","guid":{"rendered":"http:\/\/admin.patheos.com\/blogs\/filmchat\/?p=42622"},"modified":"2016-03-18T17:32:49","modified_gmt":"2016-03-19T00:32:49","slug":"review-miracles-from-heaven-dir-patricia-riggen-2016","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/review-miracles-from-heaven-dir-patricia-riggen-2016.html","title":{"rendered":"Review: <i>Miracles from Heaven<\/i> (dir. Patricia Riggen, 2016)"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><a href=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/227\/2016\/03\/miraclesfromheaven-a.jpg\" rel=\"attachment wp-att-42644\" class=\" decorated-link\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/227\/2016\/03\/miraclesfromheaven-a.jpg\" alt=\"miraclesfromheaven-a\" width=\"600\" class=\"alignnone size-full wp-image-42644\"><\/a><\/p>\n<p>Most of my energy over the last few weeks has gone towards writing about various Bible-themed productions \u2014 <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/resurrection-aiello\" class=\" decorated-link\" target=\"_blank\">Risen<\/a><\/i>, <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/young-messiah\" class=\" decorated-link\" target=\"_blank\">The Young Messiah<\/a><\/i>, <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/of-kings-and-prophets\" class=\" decorated-link\" target=\"_blank\">Of Kings and Prophets<\/a><\/i>, <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/ben-hur-2016\" class=\" decorated-link\" target=\"_blank\">Ben-Hur<\/a><\/i>, even the upcoming <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/passion-2016\" class=\" decorated-link\" target=\"_blank\">The Passion Live<\/a><\/i> \u2014 but I figured I\u2019d take a moment to say a few words about <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/miracles-from-heaven\" class=\" decorated-link\" target=\"_blank\">Miracles from Heaven<\/a><\/i>, which opened on Wednesday.<\/p>\n<p><!--more-->First, this marks at least the third year in a row that we have seen a film based on a best-selling \u201c<a href=\"http:\/\/www.christianitytoday.com\/gleanings\/2015\/march\/heaven-tourism-books-pulled-lifeway-90-minutes-in-heaven.html\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">Heaven tourism<\/a>\u201d book. The genre has come under increasing scrutiny in recent years, thanks to Alex Malarkey\u2019s revelation that his own book was a sham \u2014 and one major Christian bookstore chain has already yanked all books in this genre off its shelves. Matters are compounded when we look at <i>films<\/i> in this genre, because movies always make changes to the true stories on which they are based \u2014 and while I did write an extensive critique of <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/heaven-is-for-real\" class=\" decorated-link\" target=\"_blank\">Heaven Is for Real<\/a><\/i> two years ago, comparing and contrasting it to Todd Burpo\u2019s original book, I have not read the books that <i>Miracles from Heaven<\/i> or last year\u2019s film, <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/90-minutes-in-heaven\" class=\" decorated-link\" target=\"_blank\">90 Minutes in Heaven<\/a><\/i>, were based on. So I can respond to those two films only as films. But it\u2019s worth remembering that <i>Heaven Is for Real<\/i> made some major changes to the original story \u2014 and even <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2014\/04\/how-the-movie-heaven-is-for-real-contradicts-the-book.html\" class=\" decorated-link\" target=\"_blank\">contradicted it<\/a> on some essential points \u2014 and that <i>Miracles from Heaven<\/i> is produced by the same people, albeit with a different director and screenwriter. So there\u2019s that.<\/p>\n<p>Looking at these films simply as films, I think my favorite so far is <i>90 Minutes in Heaven<\/i>, mainly because it focuses on the dark side of \u201cHeaven tourism\u201d, namely the possibility that those who have seen a glimpse of the afterlife will lose interest in this world, especially when staying in this world means a lot of pain and suffering. In any case, that film and <i>Heaven Is for Real<\/i> both put their protagonists\u2019 near-death experiences near the beginning, and followed through on the ramifications of those experiences: in one film, Greg Kinnear tries to find rational explanations for what his son claims to have experienced, while in the other film, Hayden Christensen struggles to find the will to put his life back together after a near-fatal car accident. <i>Miracles from Heaven<\/i>, on the other hand, puts the near-death experience near the end \u2014 and, what\u2019s more, it credits the near-death experience with miraculously healing a girl who has spent most of the movie suffering from a rare digestive disorder. This has the odd effect of making the visit to Heaven in <i>this<\/i> film seem like a <i>deus ex machina<\/i>; it is not really the subject of the film but its out-of-the-blue resolution. If that is what the real-life versions of these characters experienced, then good for them \u2014 truly \u2014 but thanks in part to the spoiler-ish title and trailers, the average viewer might get restless and begin to wonder when the Heaven stuff is going to kick in. And somewhere in there you might begin to wonder why \u201cfaith-based\u201d films are only made about people who were blessed with miracles and book deals, and not about people (actual or fictitious) who simply struggle to get through life but grow through their suffering.<\/p>\n<p>To its credit, <i>Miracles from Heaven<\/i> does offer a compelling portrait of a family coping with the stress of dealing with a rare disease. Kylie Rogers, who was 11 when the movie was shot, is incredibly good at depicting the young Anna Beam\u2019s mood swings, as this normally upbeat young girl sobs over her pain and gets angry with her mother for suggesting that she get a shower. And Jennifer Garner, as the mother Christy Beam, gets to play a woman who actually <i>loses<\/i> her faith for a while because she\u2019s fed up with the judgmental women at church (who think Anna is suffering because someone in the family sinned; evidently those women haven\u2019t read John 9 lately) and also because her husband Kevin (Martin Henderson) blithely says they\u2019ll get by on \u201cfaith\u201d without offering much more in the way of details. As a Canadian, I cannot help but object to the way the film tacitly endorses Christy\u2019s queue-jumping \u2014 wait lists exist for a reason, and if Anna gets treatment before her time, it presumably means someone else is going to have to suffer even longer \u2014 but I appreciate the way the film focuses on the siblings and others who struggle back at home in Texas while Anna and her mom make regular flights to the Boston Children\u2019s Hospital. It all feels real to me.<\/p>\n<p>Stylistically, the film is a tad uneven. The film has moments of silent introspection, like when Christy stares up at a skylight while receiving some bad news, or when Anna is drawn to an abstract painting at an art gallery. A few scenes with Queen Latifah as a waitress who befriends the Beams play like warmed-over comic relief. There\u2019s a montage that plays like a music video, because even though some of the clips within the montage show Third Day playing a worship band in front of a congregation, the soundtrack consists entirely of studio-recorded music \u2014 there is no sense that we are listening to an actual song sung in church, no matter <i>what<\/i> the visuals suggest. One scene begins with an Angry Birds video feed that looks like someone ran an HDMI cable between an iPad and the movie projector. And in an obvious bit of product placement, the Beam children repeatedly watch Sony Pictures Animation films. (Come to think of it, Sony is distributing the Angry Birds movie, too.) Director Patricia Riggen, whose last film was the Chilean-miners movie <i>The 33<\/i>, is on surer footing when dealing with various family dynamics, and she\u2019s really in her wheelhouse when Anna falls into a hollowed-out tree and the rescue crews arrive. And the computer-generated Heaven sequence is thankfully not the kitschfest it could have been.<\/p>\n<p>Interestingly, the film goes out of its way to let us know that the Beams are regular consumers of pop culture. In addition to the various product placements, there is also an opening scene in which they talk dismissively about a girl who thinks Disneyland is \u201cthe work of Satan,\u201d and the youngest daughter has a Taylor Swift poster on her wall and wants to change her name to Taylor. And when the film concludes with a look at the real-life Beams, the tune playing on the soundtrack is a Beatles cover. <i>Miracles from Heaven<\/i> may be a \u201cniche\u201d Christian film, but it\u2019s not stuck in the ghetto. Whether it has watered down its source material to reach a wider audience the way <i>Heaven Is for Real<\/i> did, I cannot say, but at its best it\u2019s moving and compassionate stuff.<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>An uneven film with a <i>deus ex machina<\/i> ending, but at its best it&#8217;s moving and compassionate stuff.<\/p>\n","protected":false},"author":1116,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[2982,3465,3471,2983,2342,1629,2980,3472,2981,2984,3457,3444],"class_list":["post-42622","post","type-post","status-publish","format-standard","hentry","category-blog","tag-90-minutes-in-heaven","tag-alex-malarkey","tag-angry-birds","tag-christy-beam","tag-hayden-christensen","tag-heaven-is-for-real","tag-jennifer-garner","tag-kylie-rogers","tag-miracles-from-heaven","tag-patricia-riggen","tag-queen-latifah","tag-third-day"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Review: Miracles from Heaven (dir. Patricia Riggen, 2016)<\/title>\n<meta name=\"description\" content=\"An uneven film with a deus ex machina ending, but at its best it&#039;s moving and compassionate stuff.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/review-miracles-from-heaven-dir-patricia-riggen-2016.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Review: Miracles from Heaven (dir. Patricia Riggen, 2016)\" \/>\n<meta property=\"og:description\" content=\"An uneven film with a deus ex machina ending, but at its best it&#039;s moving and compassionate stuff.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/review-miracles-from-heaven-dir-patricia-riggen-2016.html\" \/>\n<meta property=\"og:site_name\" content=\"FilmChat\" \/>\n<meta property=\"article:published_time\" content=\"2016-03-18T17:00:28+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-03-19T00:32:49+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/wp.production.patheos.com\/blogs\/filmchat\/files\/2016\/03\/miraclesfromheaven-a.jpg\" \/>\n<meta name=\"author\" content=\"Peter T. Chattaway\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Peter T. Chattaway\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/review-miracles-from-heaven-dir-patricia-riggen-2016.html\",\"url\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/review-miracles-from-heaven-dir-patricia-riggen-2016.html\",\"name\":\"Review: Miracles from Heaven (dir. Patricia Riggen, 2016)\",\"isPartOf\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/#website\"},\"datePublished\":\"2016-03-18T17:00:28+00:00\",\"dateModified\":\"2016-03-19T00:32:49+00:00\",\"author\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/5759ddf28b81af08b29eb15b4e071fde\"},\"description\":\"An uneven film with a deus ex machina ending, but at its best it's moving and compassionate stuff.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/review-miracles-from-heaven-dir-patricia-riggen-2016.html#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/review-miracles-from-heaven-dir-patricia-riggen-2016.html\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/review-miracles-from-heaven-dir-patricia-riggen-2016.html#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.patheos.com\/blogs\/filmchat\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Review: Miracles from Heaven (dir. Patricia Riggen, 2016)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/#website\",\"url\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/\",\"name\":\"FilmChat\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/5759ddf28b81af08b29eb15b4e071fde\",\"name\":\"Peter T. Chattaway\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g\",\"caption\":\"Peter T. Chattaway\"},\"description\":\"Peter T. Chattaway was the regular film critic for BC Christian News from 1992 to 2011. In addition to his award-winning film column for that paper, his news and opinion pieces have appeared in such publications as Books &amp; Culture, Christianity Today, Bible Review and the Vancouver Sun. He has also contributed essays to the books Re-Viewing The Passion: Mel Gibson\u2019s Film and Its Critics (Palgrave Macmillan, 2004), Scandalizing Jesus?: Kazantzakis\u2019s The Last Temptation of Christ Fifty Years on (Continuum, 2005) and The Bible in Motion: A Handbook of the Bible and Its Reception in Film (De Gruyter, 2016).\",\"url\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/author\/peterchattaway\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Review: Miracles from Heaven (dir. Patricia Riggen, 2016)","description":"An uneven film with a deus ex machina ending, but at its best it's moving and compassionate stuff.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/review-miracles-from-heaven-dir-patricia-riggen-2016.html","og_locale":"en_US","og_type":"article","og_title":"Review: Miracles from Heaven (dir. Patricia Riggen, 2016)","og_description":"An uneven film with a deus ex machina ending, but at its best it's moving and compassionate stuff.","og_url":"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/review-miracles-from-heaven-dir-patricia-riggen-2016.html","og_site_name":"FilmChat","article_published_time":"2016-03-18T17:00:28+00:00","article_modified_time":"2016-03-19T00:32:49+00:00","og_image":[{"url":"http:\/\/wp.production.patheos.com\/blogs\/filmchat\/files\/2016\/03\/miraclesfromheaven-a.jpg"}],"author":"Peter T. Chattaway","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Peter T. Chattaway","Est. reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/review-miracles-from-heaven-dir-patricia-riggen-2016.html","url":"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/review-miracles-from-heaven-dir-patricia-riggen-2016.html","name":"Review: Miracles from Heaven (dir. Patricia Riggen, 2016)","isPartOf":{"@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#website"},"datePublished":"2016-03-18T17:00:28+00:00","dateModified":"2016-03-19T00:32:49+00:00","author":{"@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/5759ddf28b81af08b29eb15b4e071fde"},"description":"An uneven film with a deus ex machina ending, but at its best it's moving and compassionate stuff.","breadcrumb":{"@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/review-miracles-from-heaven-dir-patricia-riggen-2016.html#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/review-miracles-from-heaven-dir-patricia-riggen-2016.html"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/review-miracles-from-heaven-dir-patricia-riggen-2016.html#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.patheos.com\/blogs\/filmchat"},{"@type":"ListItem","position":2,"name":"Review: Miracles from Heaven (dir. Patricia Riggen, 2016)"}]},{"@type":"WebSite","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#website","url":"https:\/\/www.patheos.com\/blogs\/filmchat\/","name":"FilmChat","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.patheos.com\/blogs\/filmchat\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/5759ddf28b81af08b29eb15b4e071fde","name":"Peter T. Chattaway","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g","caption":"Peter T. Chattaway"},"description":"Peter T. Chattaway was the regular film critic for BC Christian News from 1992 to 2011. In addition to his award-winning film column for that paper, his news and opinion pieces have appeared in such publications as Books &amp; Culture, Christianity Today, Bible Review and the Vancouver Sun. He has also contributed essays to the books Re-Viewing The Passion: Mel Gibson\u2019s Film and Its Critics (Palgrave Macmillan, 2004), Scandalizing Jesus?: Kazantzakis\u2019s The Last Temptation of Christ Fifty Years on (Continuum, 2005) and The Bible in Motion: A Handbook of the Bible and Its Reception in Film (De Gruyter, 2016).","url":"https:\/\/www.patheos.com\/blogs\/filmchat\/author\/peterchattaway"}]}},"_links":{"self":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts\/42622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/users\/1116"}],"replies":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/comments?post=42622"}],"version-history":[{"count":0,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts\/42622\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/media?parent=42622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/categories?post=42622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/tags?post=42622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}