{"id":42745,"date":"2016-03-20T12:37:42","date_gmt":"2016-03-20T19:37:42","guid":{"rendered":"http:\/\/admin.patheos.com\/blogs\/filmchat\/?p=42745"},"modified":"2016-03-20T17:12:07","modified_gmt":"2016-03-21T00:12:07","slug":"box-office-miracles-from-heaven-opens-strong-and-both-of-the-seasons-bible-movies-drop-out-of-the-top-ten","status":"publish","type":"post","link":"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/box-office-miracles-from-heaven-opens-strong-and-both-of-the-seasons-bible-movies-drop-out-of-the-top-ten.html","title":{"rendered":"Box office: <i>Miracles from Heaven<\/i> opens strong, and both of the season&#8217;s Bible movies drop out of the top ten"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><head><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"><\/head><body><p><a href=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/227\/2016\/03\/miraclesfromheaven6-a.jpg\" rel=\"attachment wp-att-42824\" class=\" decorated-link\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/wp-media.patheos.com\/blogs\/sites\/227\/2016\/03\/miraclesfromheaven6-a-1024x408.jpg\" alt=\"miraclesfromheaven6-a\" width=\"600\" class=\"alignnone size-large wp-image-42824\"><\/a><\/p>\n<p><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/box-office-the-young-messiah-has-a-smaller-opening-than-expected-and-zootopia-keeps-tracking-ahead-of-frozen.html\" class=\" decorated-link\" target=\"_blank\">Last week<\/a>, there were two Bible movies in the top ten at the box office, and this week \u2014 as churches geared up for Palm Sunday \u2014 there were none. But a third film did give the broader \u201cfaith-based\u201d genre its biggest opening in almost two years.<\/p>\n<p><!--more--><i><b>Miracles from Heaven<\/b><\/i>, which tells the story of a girl suffering from a rare digestive disorder, earned an estimated $15 million <a href=\"http:\/\/www.boxofficemojo.com\/weekend\/chart\/?view=&amp;yr=2016&amp;wknd=12&amp;p=.htm\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">between Friday and Sunday<\/a>, for an $18.6 million total since opening on Wednesday. It ranked third for the weekend.<\/p>\n<p>That is the best opening for a \u201c<a href=\"http:\/\/www.boxofficemojo.com\/genres\/chart\/?id=christian.htm&amp;sort=opengross&amp;order=DESC&amp;p=.htm\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">faith-based<\/a>\u201d film since <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/heaven-is-for-real\" class=\" decorated-link\" target=\"_blank\">Heaven Is for Real<\/a><\/i> came out the Wednesday before Easter <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2014\/04\/box-office-update-noah-might-get-edged-out-of-the-top-ten-heaven-is-for-real-does-better-than-expected-son-of-god-and-gods-not-dead-begin-to-see-some-action-overseas.html\" class=\" decorated-link\" target=\"_blank\">in April 2014<\/a>. (Both films were produced by Joe Roth, T.D. Jakes and DeVon Franklin.) And it is the fourth-best opening for a \u201cfaith-based\u201d film ever, behind <i>Heaven Is for Real<\/i>, <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/son-of-god\" class=\" decorated-link\" target=\"_blank\">Son of God<\/a><\/i> and <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/passion-of-the-christ\" class=\" decorated-link\" target=\"_blank\">The Passion of the Christ<\/a><\/i>.<\/p>\n<p>Meanwhile, if <i><b>Risen<\/b><\/i>, which opened four weeks ago, and <i><b>The Young Messiah<\/b><\/i>, which opened just last week, were hoping to get an Easter-season boost, it failed to materialize, as both films fell out of the top ten altogether this week.<\/p>\n<p><i>Risen<\/i> earned an estimated $1.1 million for the weekend, bringing its North American total to $34.4 million. The film opened in several foreign countries this week and has earned another $1 million there, bringing its global total to $35.5 million.<\/p>\n<p><i>The Young Messiah<\/i>, meanwhile, dropped 68.2% in its second week \u2014 possibly the steepest second-weekend drop of any Bible film in <a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/02\/box-office-risen-drops-gods-of-egypt-flops-and-deadpool-becomes-the-3rd-biggest-r-rated-movie-ever-worldwide.html\" class=\" decorated-link\" target=\"_blank\">recent memory<\/a> (previous steepest: <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/exodus-2015\" class=\" decorated-link\" target=\"_blank\">Exodus: Gods and Kings<\/a><\/i>, 66.4%) \u2014 and earned only $1 million, bringing its North American total to $5.4 million. The film has earned another $230,940 <a href=\"http:\/\/www.boxofficemojo.com\/movies\/?page=intl&amp;id=christthelord.htm\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">overseas<\/a>.<\/p>\n<p><i>Risen<\/i> ranked #12 for the weekend, while <i>The Young Messiah<\/i> ranked #13.<\/p>\n<p><i>Risen<\/i> and <i>The Young Messiah<\/i> both cost between $18 million and $20 million to produce. <i>Miracles from Heaven<\/i> had an estimated price tag of $13 million.<\/p>\n<p><i><b>Zootopia<\/b><\/i> continued to rule the box-office charts, with its weekend haul of $38 million bringing its North American total to $201.8 million. The film is now Disney\u2019s sixth-biggest non-Pixar <a href=\"http:\/\/www.boxofficemojo.com\/genres\/chart\/?id=animation.htm\" target=\"_blank\" class=\" decorated-link\" rel=\"nofollow\">animated hit<\/a>, behind <i>The Lion King<\/i>, <i>Frozen<\/i>, <i>Big Hero 6<\/i>, <i>Beauty and the Beast<\/i> and <i>Aladdin<\/i> \u2014 and it is way ahead of where any of <i>those<\/i> films were in their third weekends. (<i>Frozen<\/i> had earned $164.8 million by now.)<\/p>\n<p>The biggest new release of the week was <i><b>The Divergent Series: Allegiant<\/b><\/i>, which earned $29.1 million for the weekend \u2014 well below the $52 million-plus that the previous films in the series opened to. The lower opening may be due in part to the fact that the third book was unpopular with a lot of the series\u2019 fans.<\/p>\n<p>In other news, <i><b>Deadpool<\/b><\/i> barely dropped at all in its sixth week, and earned another $8 million for the weekend, thereby bringing its domestic total to $340.9 million. In North America, it still ranks behind its fellow R-rated films <i>The Passion of the Christ<\/i> ($370.8 million) and <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/american-sniper\" class=\" decorated-link\" target=\"_blank\">American Sniper<\/a><\/i> ($350.1 million), but not by much.<\/p>\n<p><i>Deadpool<\/i> has earned another $389.7 million overseas, for a worldwide total of $730.7 million. Overseas, among R-rated films, it is still behind <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/mermaid\" class=\" decorated-link\" target=\"_blank\">The Mermaid<\/a><\/i> ($532.7 million), <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/matrix-reloaded\" class=\" decorated-link\" target=\"_blank\">The Matrix Reloaded<\/a><\/i> ($460.6 million), <i>The Intouchables<\/i> ($416.4 million) and <i>Fifty Shades of Grey<\/i> ($404.8 million) \u2014 only two of which were made in North America. Worldwide, it is second only to <i>The Matrix Reloaded<\/i> ($742.1 million). <\/p>\n<p>Now for a little more data about the week\u2019s two Bible films:<\/p>\n<p><i>Risen<\/i> now ranks ninth among \u201cfaith-based\u201d films in terms of total domestic gross\u2026<\/p>\n<ul type=\"disc\">\n<li>2004 \u2014 <i>The Passion of the Christ<\/i> \u2014 $370.8 million\n<\/li><li>2014 \u2014 <i>Heaven Is for Real<\/i> \u2014 $91.4 million\n<\/li><li>2015 \u2014 <i>War Room<\/i> \u2014 $67.8 million\n<\/li><li>2014 \u2014 <i>God\u2019s Not Dead<\/i> \u2014 $60.8 million\n<\/li><li>2014 \u2014 <i>Son of God<\/i> \u2014 $59.7 million\n<\/li><li>2011 \u2014 <i>Soul Surfer<\/i> \u2014 $43.9 million\n<\/li><li>2006 \u2014 <i>The Nativity Story<\/i> \u2014 $37.6 million\n<\/li><li>2011 \u2014 <i>Courageous<\/i> \u2014 $34.5 million\n<\/li><li><b>2016 \u2014 <i>Risen<\/i> \u2014 $34.4 million<\/b>\n<\/li><li>2008 \u2014 <i>Fireproof<\/i> \u2014 $33.5 million\n<\/li><li>2014 \u2014 <i>When the Game Stands Tall<\/i> \u2014 $30.1 million\n<\/li><li>2002 \u2014 <i>Jonah: A VeggieTales Movie<\/i> \u2014 $25.6 million\n<\/li><li><b>2016 \u2014 <i>Miracles from Heaven<\/i> \u2014 $18.6 million<\/b>\n<\/li><li>2015 \u2014 <i>Woodlawn<\/i> \u2014 $14.4 million\n<\/li><li>2014 \u2014 <i>Left Behind<\/i> \u2014 $14 million<\/li><\/ul>\n<p>\u2026and it ranks eighth among Bible-themed films released in the past 40 years:<\/p>\n<ul type=\"disc\">\n<li>2004 \u2014 <i>The Passion of the Christ<\/i> \u2014 $370.8 million\n<\/li><li>1998 \u2014 <i>The Prince of Egypt<\/i> \u2014 $101.4 million\n<\/li><li>2014 \u2014 <i>Noah<\/i> \u2014 $101.2 million\n<\/li><li>2014 \u2014 <i>Exodus: Gods and Kings<\/i> \u2014 $65 million\n<\/li><li>2014 \u2014 <i>Son of God<\/i> \u2014 $59.7 million\n<\/li><li>2009 \u2014 <i>Year One<\/i> \u2014 $43.3 million\n<\/li><li>2006 \u2014 <i>The Nativity Story<\/i> \u2014 $37.6 million\n<\/li><li><b>2016 \u2014 <i>Risen<\/i> \u2014 $34.4 million<\/b>\n<\/li><li>1981 \u2014 <i>History of the World, Part I<\/i> \u2014 $31.7 million\n<\/li><li><b>2016 \u2014 <i>Hail, Caesar!<\/i> \u2014 $29.8 million<\/b>\n<\/li><li>2002 \u2014 <i>Jonah: A VeggieTales Movie<\/i> \u2014 $25.6 million\n<\/li><li>1979 \u2014 <i>Monty Python\u2019s Life of Brian<\/i> \u2014 $20 million\n<\/li><li>1980 \u2014 <i>Wholly Moses!<\/i> \u2014 $14.2 million\n<\/li><li>2006 \u2014 <i>One Night with the King<\/i> \u2014 $13.4 million\n<\/li><li>1988 \u2014 <i>The Last Temptation of Christ<\/i> \u2014 $8.4 million\n<\/li><li><b>2016 \u2014 <i>The Young Messiah<\/i> \u2014 $5.4 million<\/b>\n<\/li><li>1985 \u2014 <i>King David<\/i> \u2014 $5.1 million\n<\/li><li>2003 \u2014 <i>The Gospel of John<\/i> \u2014 $4.1 million<\/li><\/ul>\n<p>Next week is Easter. And the week after that will bring us <i><a href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/tag\/gods-not-dead\" class=\" decorated-link\" target=\"_blank\">God\u2019s Not Dead 2<\/a><\/i>.<\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p><i>The Young Messiah<\/i> had possibly the steepest second-weekend drop of any Bible film in recent memory.<\/p>\n","protected":false},"author":1116,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[19,3401,2187,2000,2417,3443,2981,1459,2186,3106,3432],"class_list":["post-42745","post","type-post","status-publish","format-standard","hentry","category-blog","tag-box-office","tag-deadpool","tag-devon-franklin","tag-divergent","tag-joe-roth","tag-mermaid-2016","tag-miracles-from-heaven","tag-resurrection-aiello","tag-td-jakes","tag-young-messiah","tag-zootopia"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Box office: Miracles from Heaven opens strong, and both of the season&#039;s Bible movies drop out of the top ten<\/title>\n<meta name=\"description\" content=\"The Young Messiah had possibly the steepest second-weekend drop of any Bible film in recent memory.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/box-office-miracles-from-heaven-opens-strong-and-both-of-the-seasons-bible-movies-drop-out-of-the-top-ten.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Box office: Miracles from Heaven opens strong, and both of the season&#039;s Bible movies drop out of the top ten\" \/>\n<meta property=\"og:description\" content=\"The Young Messiah had possibly the steepest second-weekend drop of any Bible film in recent memory.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/box-office-miracles-from-heaven-opens-strong-and-both-of-the-seasons-bible-movies-drop-out-of-the-top-ten.html\" \/>\n<meta property=\"og:site_name\" content=\"FilmChat\" \/>\n<meta property=\"article:published_time\" content=\"2016-03-20T19:37:42+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-03-21T00:12:07+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/wp.production.patheos.com\/blogs\/filmchat\/files\/2016\/03\/miraclesfromheaven6-a-1024x408.jpg\" \/>\n<meta name=\"author\" content=\"Peter T. 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He has also contributed essays to the books Re-Viewing The Passion: Mel Gibson\u2019s Film and Its Critics (Palgrave Macmillan, 2004), Scandalizing Jesus?: Kazantzakis\u2019s The Last Temptation of Christ Fifty Years on (Continuum, 2005) and The Bible in Motion: A Handbook of the Bible and Its Reception in Film (De Gruyter, 2016).\",\"url\":\"https:\/\/www.patheos.com\/blogs\/filmchat\/author\/peterchattaway\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Box office: Miracles from Heaven opens strong, and both of the season's Bible movies drop out of the top ten","description":"The Young Messiah had possibly the steepest second-weekend drop of any Bible film in recent memory.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/box-office-miracles-from-heaven-opens-strong-and-both-of-the-seasons-bible-movies-drop-out-of-the-top-ten.html","og_locale":"en_US","og_type":"article","og_title":"Box office: Miracles from Heaven opens strong, and both of the season's Bible movies drop out of the top ten","og_description":"The Young Messiah had possibly the steepest second-weekend drop of any Bible film in recent memory.","og_url":"https:\/\/www.patheos.com\/blogs\/filmchat\/2016\/03\/box-office-miracles-from-heaven-opens-strong-and-both-of-the-seasons-bible-movies-drop-out-of-the-top-ten.html","og_site_name":"FilmChat","article_published_time":"2016-03-20T19:37:42+00:00","article_modified_time":"2016-03-21T00:12:07+00:00","og_image":[{"url":"http:\/\/wp.production.patheos.com\/blogs\/filmchat\/files\/2016\/03\/miraclesfromheaven6-a-1024x408.jpg"}],"author":"Peter T. 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Chattaway","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.patheos.com\/blogs\/filmchat\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9c4b809df092b410d749a6995bcf4f3e?s=96&d=mm&r=g","caption":"Peter T. Chattaway"},"description":"Peter T. Chattaway was the regular film critic for BC Christian News from 1992 to 2011. In addition to his award-winning film column for that paper, his news and opinion pieces have appeared in such publications as Books &amp; Culture, Christianity Today, Bible Review and the Vancouver Sun. He has also contributed essays to the books Re-Viewing The Passion: Mel Gibson\u2019s Film and Its Critics (Palgrave Macmillan, 2004), Scandalizing Jesus?: Kazantzakis\u2019s The Last Temptation of Christ Fifty Years on (Continuum, 2005) and The Bible in Motion: A Handbook of the Bible and Its Reception in Film (De Gruyter, 2016).","url":"https:\/\/www.patheos.com\/blogs\/filmchat\/author\/peterchattaway"}]}},"_links":{"self":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts\/42745","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/users\/1116"}],"replies":[{"embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/comments?post=42745"}],"version-history":[{"count":0,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/posts\/42745\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/media?parent=42745"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/categories?post=42745"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.patheos.com\/blogs\/filmchat\/wp-json\/wp\/v2\/tags?post=42745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}